The songs cover the entire decade, from 1970 to 1979. Excellent compilation of jazz tunes that seem relatively rare. There are dozens, if not hundreds, of compilations of jazz songs performed in the '50s, and that makes sense since this was the peak for the genre before rock came on the scene. But this '70s compilation CD has great tunes, so it's doubly refreshing, not just for the time period, but also for the quality of the songs.

A collection of all previously unissued recordings of the great jazz pianist, Red Garland, recorded live in concert at San Francisco s Keystone Korner. With virtuoso bassist, Leroy Vinnegar, and drum legend, Philly Joe Jones. Sixteen tracks and over 150 minutes of captivating piano trio recordings from one of jazz's most important and unsung heroes in an exhaustive package built to celebrate Garland s artistry. These recordings mark the only time this group ever-performed or recorded together. Tape recordings taken from the sound board the week of December 6th, 1977.

После двухлетнего успеха на MySpace, где OneRepublic находилась в топе исполнителей, группа выпустила дебютный альбом, который получил статус Платинового в США. Первый сингл «Apologize» вышел в первоначальном виде в ремиксе Тимбалэнда. Песня «Tyrant» вошла в саундтрек фильма "Последняя песня".

Virtuoso pianist Danny Green and his Southern California-based trio, with Justin Grinnell on bass and Julien Cantelm on drums, breathes life into Green's intricate compositions. Ranging from hard grooving burners to lush and soulful ballads, Green's ten new works offer a sense of familiarity coupled with unexpected turns. According to Chuck Vecoli of Jazz Review, ''Danny Green is what evolution in jazz is all about, expressing the traits of those that came before him with a style and panache that is all his own, an individual who expresses what is inside him. ''

Johann Nepomuk Hummel studied with Mozart, later taking lessons from Salieri, and worked closely with Haydn at the court in Esterházy. This exalted pedigree equipped him well for the life of a virtuoso keyboard player and composer, and he became admired as a distinguished writer of church and theatre music in particular. But he did not neglect chamber music, composing a series of Piano Trios that reveal his sure command of the idiom. These entertaining works reflect the musical current of the time – with variations, a fashionable and delectable Rondo alla turca, snappy rhythms, and warmly lyrical melodies.

This is yet another abstract jazz CD that one must thank all the gods and goddesses was executed in trio format because the addition of even one more player would've ruined the odd, fascinating, and mercurial idiosyncracies running through the repertoire. On his last CD, Sivan's debut, critics lauded him as "the next guitarist of our times" and someone who would "transform the jazz guitar world" because he's an "intense" cat. He's none of that, is in fact so cool that I'm often reminded, when he's in lay-out mode, of a combination of Chet Baker's singing and Gabor Szabo's playing. When not lyrical and balladic, Rotem's carrying on the far too underpopulated persuasion of aspects of old Coryell, Abercrombie, farside Martino, sideways Metheny, and similar axehandlers, John Stowell included.