Music Lossless. Music in lossless formats. » Materials for 09.03.2015
Performer: Ransom Wilson & Manuel Barrueco
Album: Mozart: Duet For Flute And Guitar
Label: EMI. Made in JP.
Catalog #: TOCE-7344
Style: Classical, Flute, Guitar
Year: 1991
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 14
Size RAR: 212 mb
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Recovery: 3%
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Performer: London Symphony Orchestra & Igor Markevitch
Album: Tchaikovsky - Symphonies nos.1-3 & Francesсa da Rimini
Label: Philips Classics Production. Made in US.
Catalog #: 446148-2
Style: Classical, Symphony
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 08+06
Size RAR: 710 mb
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Igor Markevitch's Tchaikovsky performances have been among the best since the early '60s. He turned the unruly London Symphony Orchestra into a first-rate Tchaikovsky ensemble, in which a finely disciplined approach to rhythm provides the perfect foundation for some highly expressive music-making. The neglected Third Symphony is particularly cogent and exciting in Markevitch's hands.
Performer: Lita Ford
Album: Kiss Me Deadly
Label: BMG, Camden. Made in EU.
Catalog #: 74321 512002
Style: Hard Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 17
Size ZIP: ~ 577 mb
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Mid-priced 1997 compilation featuring 17 of the hard rockin'former Runaway's best, including the top 20 hit 'Kiss MeDeadly', a cover of Alice Cooper's 'Only Women Bleed' andother tough gems from the '80s like 'Back To The Cave','Can't Catch Me' & 'Hungry'. A Camden release.
Performer: Kreutzer Quartet
Album: Anton Reicha: Complete String Quartets Vol.1
Label: Toccata Classics. Made in UK.
Catalog #: TOCC 0022
Style: Classical
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 08
Size RAR: 298 mb
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Recovery: 3%
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The Czech-born composer Anton Reicha (1770–1836) was an exact contemporary of Beethoven – and his close friend from their mid-teens. The music of each man shows an awareness of what the other was doing: they showed each other their compositions-in-progress. But although Reicha was closely associated with one of the best-known names in western culture, his own music has been grievously neglected: only his woodwind quintets have achieved any currency. Of his vast cycle of almost forty string quartets just one has been recorded before – an omission this ambitious project intends to put right, thereby revealing one of the most inventive and engaging spirits in classical music.