Two members of the groundbreaking mid 1970s King Crimson line-up unite on a fascinating album length exploration of a melody - composed by David Cross and Robert Fripp - that emerged as one of the key themes on the King Crimson masterpiece, Starless.
The melody resurfaced in two improvisations performed and recorded by Fripp in 2006 and these recordings plus the Starless theme itself were subsequently transformed and augmented by David Cross.

Face Dances is the ninth studio album by English rock band The Who. It was released in 1981 on Warner Bros. Records in the United States (it was the band's first release on that label) and on Polydor Records in the United Kingdom. It was one of two Who studio albums with drummer Kenney Jones, who had replaced Keith Moon after his death three years earlier.

Arrival - the third full-length from this Icelandic trio implies a maturity worthy of any band that has been on the road for some decades and enjoyed their share of smoked-filled seedy backstage rooms reeking of stale beer. A relaxed rocker like ‘Winter Queen’, with its perfectly-timed build-up and meticulous solos speaks of a long-experienced songwriter worth his salt. The blues-soaked ‘Monolith’ is as cleverly assembled as the percussion-driven heavyweight ‘Last Day Of Light’ or the shapeshifting semi-ballad, half-groove monster ‘Eclipsed’, or the whirling psychedelic trip offered by ‘Babylon’.

On April 21st, 2015, Native Construct released their debut album Quiet World. It was In 2011,that this three member band was formed. These three students at Berklee Music College in Boston, Massachusetts had also recently signed with Metal Blade records. This progressive metal band has been constructing this album for some time. Multiple segments recorded over the years are now fully compiled into their creative release, Quiet World.