Hawkwind co-founder Nik Turner returns with his most ambitious, musically adventurous album to date, all new recordings that blend jazz, fusion, space rock, and psych into a cacophonous orgasm of interstellar ecstasy!
Joining Turner on this wild ride is some of the most gifted and groundbreaking musicians of his generation such as legendary jazz drummer Billy Cobham, Doors guitarist Robby Krieger, Steve Hillage of Gong, Soft Machine s John Etheridge, Amon Düül II founder John Weinzierl and many more!

Permanent Vacation is the ninth studio album by American rock band Aerosmith, released in August 1987 by Geffen Records.
The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback album, as it was the band's first truly popular album since their reunion. "Rag Doll", "Dude (Looks Like a Lady)", and "Angel" all became major hit singles (all three songs charted in the Top 20) and helped Permanent Vacation become the band's most successful album in a decade.

Just Push Play - тринадцатый студийный альбом американской рок-группы Aerosmith, выпущенный 6 марта 2001 года на лейбле Columbia Records.

Dressed to Kill - третий студийный альбом американской хард-рок-группы Kiss, вышедший в 1975 году. Диск уникален тем, что был выпущен лично президентом Casablanca Records Нилом Богартом.

Anouk - нидерландская певица с оригинальным тембром голоса, представляла Нидерланды на конкурсе "Евровидение 2013" и в финале заняла 9 место, набрав 114 очков. А так же она многодетная мама, у которой пятеро детей.

Вышедший вскоре после успешного альбома Alive!, Destroyer легко стал наиболее претенциозным студийным альбомом Kiss 1970-х. Боб Эзрин, который ранее работал с Элисом Купером, был приглашён продюсировать альбом. В процессе организации записи именно Эзрин предложил группе задействовать различные звуковые эффекты, струнную секцию, детский хор, инвертированные ударные и тд.

White Faced Lady was their last album, recorded in 1971 partly with the help of Mike Pinder, from The Moody Blues. The album was a conceptual double-album with many orchestral arrangements. The band had a deal with Vertigo at that time, but the responsible quit Vertigo and moved to CBS. So they were to release it on CBS, but CBS refused to release their album and it stayed shelved for twenty years, being released in 1991 by a label they created just to release the album, Kaleidoscope Records, under the name of Kaleidoscope, although recorded under the FAIRFIELD PARLOUR encarnation of the band. The band split in 1972 due to the lack of results and luck (they were offered less than 20 dollars to play the last gigs). So this was the end of this great psychedelic and progressive rock band which had talent to be one of the major progressive rock acts of their age but died prematurely due to bad luck in the crucial moments. It is highly recommended because they were one of the first progressive rock bands that evoluted with the genre and made a fantastic work, mainly their excellent conceptual album 'White Faced Lady'.

The Zombies EP Collection, from the See for Miles label, contains the British Invasion bands biggest hits from 1964 through 1966, including "Tell Her No," "Time of the Season," and, in both mono and stereo, "She's Not There." While this collection does an effective job chronicling the hits, Big Beat's 2000 release The Singles Collection: A's & B's, 1964-1969 is superior as it goes further into their catalog and contains "Care of Cell 44," "Beechwood Park," "Friends of Mine," and "Maybe After He's Gone" taken from their 1968 masterpiece Odessey and Oracle.

This isn’t the first time the Zombies have looped themselves back into the conversation on contemporary music. It’s not even the first time this decade. The English rock band’s new album, Still Got That Hunger, follows 2011’s Breathe Out, Breathe In, a quietly nostalgic piece that marked the band’s fourth record since originally breaking up in the late ‘60s. Still Got That Hunger is their fourth effort since the now-classic Odyssey and Oracle, the album that spawned the US smash hit “Time of the Season” seemingly by accident.