There is an old sanatorium up in the hills of Northern Italy. An old, abandoned, and decayed fortress whose corridors are filled with the ghosts of a thousand tortured minds and souls. A place where every wall still bares the scars of countless damaged lives…Welcome to the LACUNA COIL Sanatorium!
With their 8th studio album the Italian Gothfathers decided it was time to up the ante, switch into a heavy mode and finally take full creative control over every aspect of “Delirium”. They created an audio-visual setting that is allowing for flashing glimpses of a dark place that will take their listeners on an entrancing trip. A trip, where they will decide if they are ready to open another door and fully engulf themselves in the “Delirium” experience – but just to finally find their ways out of this dark maze and come back invigorated. Or as LACUNA COIL say in their very own synopsis of “Delirium”: “’Delirium’ is about the horrors that we must face in everyday life by exploring the unknown, and to one day, hopefully find the cure.”

Jarre in China is the first THX certified concert filmed in High Definition. The concert represents the beginning of China's "Year of France". Jean Michel Jarre returns to China after his 1981 concerts in China, where he was the first Western musician to perform since the revolution, and his Hong Kong concert in March 1994.

Behind the Sun is the ninth album by English guitarist Eric Clapton, released in 1985. The title of the album comes from a line from Muddy Waters's "Louisiana Blues". It is also Clapton's first collaborative project with Phil Collins.

The Heart Is a Monster is the fourth studio album by the alternative rock band, Failure. It is the follow up to 1996's Fantastic Planet. The album was released on June 30, 2015, via INgrooves Music Group’s artist services division, INresidence.

All Possible Futures kicks off with ‘American Dream’, a sugary, uplifting dream-like track that provides the perfect introduction into the album. Pastel-coloured deck chairs, cosy romantic evening sunsets, cheesy fruit-inspired cocktails and tanned, leggy bikini-clad-American-Apparel-wearing models seep into mind and suddenly we’re transported back to the 70s. ‘All It Ever Was’ is definitely one of my personal favourites, it creates images of a blissful, untroubled paradise, and not unlike the other 14 tracks, and it’s layered with luxurious, spacious synths that create a modern day take on retro disco jams.

Out of the Blue is the seventh studio album by the British rock group Electric Light Orchestra (ELO), released in October 1977. Written and produced by ELO frontman Jeff Lynne, the double album is among the most commercially successful records in the group's history.

Nobody's Perfect is a live album released in 1988 by Deep Purple. It was recorded during The House of Blue Light tour in 1987 in Europe and the USA. The outer sleeve photography was designed by Aubrey Powell of Hipgnosis.

Gold Zebra's self-titled debut LP opens with a song, "Drift Away," that reads like an instruction manual for listening to the rest of the album: "Another sleepless night/ Another broken heart/ This burning desire/ And I miss you." Anyone would do well to keep it around for such nights.
The songs that follow offer minimal instrumentation and vocals that build slowly, layer by layer, into emotionally compelling disco noir compositions. Gold Zebra know how to hold back, letting Julie's deadpan singing and JP Richard's orchestration fill a big, dark space of their own design.

«Give Me All Your Luvin’» - песня американской певицы Мадонны, выпущенная 3 февраля 2012 года в качестве первого сингла из её двенадцатого студийного альбома MDNA. В записи песни принимали участие певицы Ники Минаж и M.I.A. Они также снялись в видеоклипе, представленном в день релиза; его режиссёром был Megaforce.

Centerfield is the third solo album by musician John Fogerty. Released in 1985, it was his most popular post-Creedence album, containing the hit singles "The Old Man Down the Road", "Rock and Roll Girls" and the title track "Centerfield". Fogerty played all the instruments on this album himself, thanks to overdubbing.