Диск состоит из восьми треков. В титульной композиции «Svalutation» был удачно высмеян социальный кризис в Италии тех времён, благодаря чему песня получила большую популярность. Песня также неоднократно исполнялась Челентано в его телевизионных передачах. На песни «I want to know» и «La camera „21“» в 1994 году были сделаны ремейки и выпущены в альбоме Quel punto. Песня «Ricordo» является инструментальной, а не вокальной композицией. Авторами большинства композиций являются собственно сам Челентано, а также его многолетние друзья - Джино Сантерколе и Лучано Беретта. Авторы аранжировок - Детто Мариано и Натале Массара.

Sweet Disarray is the debut studio album by British recording artist Dan Croll. It was released on 10 March 2014 by Deram Records in the United Kingdom.

Extended Ultravox is an Ultravox compilation of 12" extended versions of various Ultravox singles from the years 1980–1986 (the period with Midge Ure as frontman). The album was released in 1998.
The tracks on the discs are all extended mixes of Ultravox singles, available on their respective 12" versions. The notable exception to this is "Serenade" – a non-single track from Quartet. The "special re-mix" of this track was previously available on a remix LP available with limited copies of The Collection in 1984.

The compilation debuted at number 26 on the UK album chart on 2 September 2007. This achievement represents Starr's highest UK album chart peak since 1974, when Goodnight Vienna debuted and peaked at number 30. Photograph: The Very Best of Ringo Starr stayed in the UK top 100 for three weeks. The album also had a two-week chart run in the United States, where it debuted at number 130 with 5,426 copies sold during the first week of release.

Though their roots go deep into the 70’s and original success to the early 80’s, SARACEN has had their greatest output and success over the last ten years. This year's album, “Redemption” shows the band showing off their more Symphonic and Melodic Rock sides, with creative song composition as a foundation, with strengths that revolve around Rob Bendelow's sharp, melodic riffs and dramatic leads, along with Paul Bradder's keyboards, which offers that Symphonic accent and atmosphere to the bright solos.

DVD+2CD set. From The Vault is a new series of live concerts from The Rolling Stones archive which are getting their first official release. Hampton Coliseum Live In 1981 is the first title in this series. The Rolling Stones American Tour in 1981 was the most successful tour of that year taking a then record $50 million dollars in ticket sales. The tour was in support of the critically and commercially successful Tattoo You album. There were fifty dates on the tour which ran from Philadelphia at the end of September through to Hampton, Virginia on the 18th and 19th of December.

Rainbow Bridge is an album by American musician Jimi Hendrix. It was the second posthumous album release by his official record company and is mostly composed of recordings Hendrix made in 1969 and 1970 after the breakup of the Jimi Hendrix Experience. Despite the cover photo and subtitle Original Motion Picture Sound Track, it does not contain any songs recorded during his concert appearance for the 1971 film Rainbow Bridge.

Guitar Hero Joe Bonamassa performs an exclusive event concert experience at Red Rocks Amphitheater celebrating the music of blues legends Muddy Waters and Howlin Wolf

The Long Road Home: The Ultimate John Fogerty/Creedence Collection is a compilation album by American roots rock singer-songwriter John Fogerty, released on November 1, 2005, by Fantasy Records. It compiles songs from Fogerty's solo career and his band Creedence Clearwater Revival. The title refers to Fogerty's return to Fantasy Records, after a lengthy stint with Warner Bros. Records and a brief stint with DreamWorks Records.

Rocka Rolla is the debut studio album by British heavy metal band Judas Priest, released on 6 September 1974 by Gull Records.

Диск получил преимущественно положительные отзывы. Альбом вошёл в рейтинги «лучшая двадцатка» в пяти европейских странах, но в чартах США был на 174 месте, хотя предшествуещему ему альбому Forever Young повезло больше. Один из критиков объяснял это тем, что «к моменту выхода в 1986 году синтипоп уже не вызывал такой интерес» и скорей всего это стало причиной слабого рейтинга альбома у публики.