Music Lossless. Music in lossless formats. » Materials for 05.09.2016
Performer: David Bowie
Album: The Next Day Extra
Label: Columbia. Made in EU.
Catalog #: 88883787812
Style: Classic Rock, Glam Rock
Year: 2013
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 14+10
Size ZIP: ~ 644 mb
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Password: without a password




A three-disc edition of the Barclaycard Mercury Music Prize nominated album features the original 14 song album, a ten-track companion CD with five unheard songs, two remixes (including one by LCD Soundsystem's James Murphy) and a DVD featuring four videos from The Next Day.
Performer: David Bowie
Album: The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Label: EMI. Made in UK.
Catalog #: CDP 79 4400 2
Style: Classic Rock, Glam Rock
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 434 mb
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Password: without a password
Performer: Garbage
Album: Garbage
Label: BMG Victor. Made in JP.
Catalog #: BVCP-6023
Style: Alternative Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 14
Size ZIP: ~ 425 mb
Upload: nitroflare.com
Password: without a password


Garbage is the debut studio album by rock band Garbage. It was released on August 15, 1995, following critical acclaim and promising chart positions for their debut single "Vow", which reached number 97 on the Billboard Hot 100.
Garbage eventually spent over a year on both the US and UK charts, reaching the top 20 on charts worldwide and receiving multi-platinum certifications in numerous territories. The album's success was helped by the band promoting it on a year-long tour, including playing on the European festival circuit and supporting the Smashing Pumpkins throughout 1996, as well as by a run of increasingly successful singles culminating with "Stupid Girl", which received Grammy Award nominations for Best Rock Song and Best Rock Performance by a Duo or Group in 1997. Garbage was released to critical acclaim and was viewed by some journalists as an innovative recording for its time.