Все течет, все изменяется… но не музыка SIEBENBUERGEN. Единственное, что происходит со шведами из альбома в альбом - это смена вокалисток, но к этому, по-моему привыкли уже все - и фэны, и сами музыканты. Так что, появление очередной дебютантки за микрофонной стойкой уже не вызывает никакой реакции. А все остальное - фирменный "вампирический" готик-блэк с необременительными мелодиями, очень мягким скримингом и массой всяких красивых соло - по-прежнему рассчитано на публику, которой хочется чего-то экстремального, но претит агрессия и жестокость современного хэви-метал.

Сразу оговорюсь: я, вообще говоря, не любитель блэк-метала. Однако эта группа и, в частности, этот альбом для меня символизируют то, каким должен быть хороший симфонический эпик-блэк.В первую очередь следует отметить отличный баланс и продуманность музыки: здесь все на своих местах и в нужных пропорциях; исключение составляет разве что скриминг: мне кажется, он должен быть менее истеричным, но что уж с итальянцев взять... Кстати, о вокале: его я здесь насчитал 4 вида: неплохой гроулинг, упомянутый выше скрим, "оперный" и спокойный мужской

Альбом был закончен лишь весной 1991 года, когда Майку пришлось совмещать его промоушен вместе с деятельностью в «Genesis». В Англии пластинка пошла неплохо, зато в Штатах ее просто проигнорировали. «Mike & The Mechanics» собрались вновь после тура «Генезиса» «We Can’t Dance». Эксперименты с лишними продюсерами прекратились, и все песни для нового альбома были написаны Резерфордом, Нейлом, Робертсоном и Кэрраком. Исключение составляли лишь два кавера – «I Believe» Стиви Уандера и «You Really Got A Hold On Me» Смоки Робертсона. На этом диске «Механики» вернулись к «прогрессивному» саунду, который был утерян на «Word of mouth». «Beggar On A Beach Of Gold» хотя и не сделал прорыва на американском рынке, зато очень хорошо был встречен в Европе. Как всегда, после небольшого тура в поддержку пластинки музыканты занялись каждый своими делами.

The Complete Studio Recordings is a box set of all of the studio material released by the Swedish pop group ABBA. It was released on 7 November 2005 and consists of 9 CDs and 2 DVDs, plus a full color booklet with a timeline and photos. Another booklet containing complete lyrics to all of the music was also included.
There is one CD for each of ABBA's 8 studio albums. These CDs also include bonus tracks in the form of non-album tracks and foreign language versions. The final CD contains additional rare tracks, including songs released after the group had disbanded. Of particular interest is the rare alternate mix of "Waterloo", which has never been available on CD before. The extended mono version of "On and On and On"—featuring an extra verse and previously only available as the soundtrack to the song's video—is also released on CD for the first time.

You Gotta Say Yes to Another Excess is the third studio album by Swiss electronic band Yello, released in June 1983. It was the last Yello album to feature founding member Carlos Perón. It charted in several countries across Europe, and also peaked at No. 184 on the U.S. Billboard 200.

You Gotta Say Yes to Another Excess è il terzo album in studio del gruppo di musica elettronica svizzero Yello, pubblicato nel 1983.

Toy is the thirteenth studio album by the Swiss electronic duo Yello. It was released on 30 September 2016 on Universal Music.
In order to promote the album, Yello performed four sold-out shows at Berlin's Kraftwerk during the last week of October 2016, their first live shows ever.

Flag is the sixth studio album by Swiss electronic duo Yello, released in 1988. It features an eight-minute version of "The Race", the edited version of which reached number 7 in the UK Singles Chart in August of that year. "The Race" was used as a trailer for Eurosport, and the opening theme to the US quiz show It's Academic.

After several challenging years of going solo after divorcing Ike, Private Dancer propelled Turner into becoming a viable solo star, as well as one of the most marketable crossover singers in the recording industry. It became a worldwide commercial success, earning multi-platinum certifications in Australia, Austria, Canada, Germany, the Netherlands, Switzerland, the United Kingdom, and the United States. To date, it remains her best-selling album in North America. Private Dancer produced seven singles, including "What's Love Got to Do with It", "Better Be Good to Me", "Private Dancer", and "Let's Stay Together". Positively received by critics on release for Turner's ability to give energy and raw emotion to slickly-produced professional pop/rock songs, its long term legacy is that the softening of her raw Southern soul style produced a "landmark" in the "evolution of pop-soul music". The album was promoted throughout 1985 in a 177-date worldwide tour entitled the Private Dancer Tour.

Foreign Affair is the seventh solo studio album by Tina Turner. It was released on September 13, 1989 through Capitol Records. It was Turner's third album release after her massively successful global comeback five years earlier, and although the album was not a major success in Turner's native United States, it was a huge international success in Europe. The album reached number one on the UK Albums Chart, her first number one album there. The album includes the single "The Best" which has gone on to become one of Turner's best-known songs.

Break Every Rule is the sixth solo studio album by Tina Turner. It was released September 23, 1986 through Capitol Records. It was the follow-up to Turner's globally successful comeback album, Private Dancer, released two years earlier. Turner nearly scored her second Billboard Hot 100 No. 1 hit with the lead single "Typical Male," peaking at number two for three consecutive weeks in October 1986. "Two People" and "What You Get Is What You See" also became U.S. Top 30 hits. "Back Where You Started" earned Turner her third consecutive Grammy Award for Best Rock Vocal Performance, Female in 1987.

Close to the Bone is the sixth studio album by the British pop group Thompson Twins, released by Arista in March 1987. Now only the duo of Tom Bailey and Alannah Currie remaining, this was the first album the group made without Joe Leeway. It was produced by Bailey and Rupert Hine.
Ending their run of Top 5 albums in the UK, the album was a commercial failure, peaking at number 90 in the UK and failing to yield any hit singles. It fared a little better in the US, peaking at number 76 on the Billboard Top 200, with the single "Get That Love" reaching number 31 on the Billboard Hot 100.

The Soul Cages is the third full-length studio album released by Sting and the first to feature longtime guitarist Dominic Miller. Released in January 1991, it became his second No. 1 album in the United Kingdom.
It spawned four singles: "All This Time", "Mad About You", "Why Should I Cry for You" and "The Soul Cages".[citation needed] The title track won Sting the first Grammy Award for Best Rock Song in 1992.

Ordinary Man (stylised as ØRD†NARY MAN) is the twelfth studio album by English heavy metal singer Ozzy Osbourne. It was released on 21 February 2020 through Epic Records. It was produced by Andrew Watt and Louis Bell. This is the longest gap between two albums from Osbourne to date, spanning almost ten years since Scream. The first single of the album, "Under the Graveyard", was released on 8 November 2019. The second single, "Straight to Hell", was released on 22 November 2019. The third single and title track featuring singer Elton John was released on 10 January 2020. The fourth single "It's a Raid" featuring Post Malone was released on 20 February 2020, a day before the release of the album.

После успеха альбома Cendres de Lune и хитов «Sans contrefaçon» и «Ainsi soit je…» у Фармер не возникло проблем с выпуском второго альбома, который был хорошо принят публикой, что позволило ей укрепить растущую популярность, таким образом предотвращая её от провала и ухода со сцены. Альбом продумывали в течение пяти — шести месяцев. Он был записан в студии Mega, на проспекте маршала Монури, в Париже (XVI округ Парижа) под руководством Тьерри Рогена, известного звукорежиссёра, который уже работал с Фармер и сотрудничал с Мишелем Сарду.
На обложке Фармер изображена в три четверти, где она представлена вместе с куклой, использованной в видео на песню «Sans contrefaçon». Фотографии буклета были сделаны Эльзой Триллиат.
Альбом был выпущен в апреле 1988 года и был встречен с большим успехом, как со стороны критики так и по продажам.