Synchronicity is the fifth and final studio album by the English rock band the Police, released on 17 June 1983 by A&M Records. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". The album's title and much of the material for the songs were inspired by Arthur Koestler's book The Roots of Coincidence (1972). At the 1984 Grammy Awards the album was nominated for a total of five awards, including Album of the Year, and won three. At the time of its release and following the Synchronicity Tour, the Police's popularity was at such a high that they were arguably, according to BBC and The Guardian, the "biggest band in the world".

The Soul Cages è il terzo album in studio da solista del cantautore britannico Sting, pubblicato il 22 gennaio 1991. Sting ha dedicato l'album al padre scomparso da poco, nel 1989. The Soul Cages è un concept album in cui le canzoni riflettono il rapporto di Sting con il padre e i suoi sentimenti in seguito alla morte dello stesso.

The album, like the musical, takes inspiration from the closing of the shipyards in and around the historic shipbuilding town of Wallsend, where Sting grew up. The album features guest artists with roots in the northeast of England, including Brian Johnson from AC/DC, Jimmy Nail, The Unthanks, The Wilson Family, and Kathryn Tickell.

The Best of 25 Years is a compilation album by English musician Sting. It was released on 24 October 2011 through A&M Records.

The Soul Cages is the third full-length studio album released by Sting and the first to feature longtime guitarist Dominic Miller. Released in 1991, it became his second No. 1 album in the United Kingdom. The album was dedicated to Sting's recently deceased father who died in the late 1980s. The Soul Cages is a concept album in which the songs are a reflection of his relationship with his father and how he felt after his death.

Ten Summoner's Tales is the fourth solo studio album by the English rock musician Sting. The title is a combined pun of his family name, Sumner, and a character in Geoffrey Chaucer's The Canterbury Tales, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages released in 1991 after the loss of both his parents in the 1980s.

Mercury Falling was a success, reaching the top 10 in 18 countries, but failed to match the success of its predecessors. None of its four singles—"Let Your Soul Be Your Pilot", "You Still Touch Me", "I Was Brought to My Senses", and "I'm So Happy I Can't Stop Crying"—were hits across all regions, although the former two did perform well in the UK and especially Canada, where both reached the top 10. The album has been certified Platinum in three different countries (US, UK and Canada) and Gold in nine others. In 1997, the album earned Sting two Grammy nominations—Best Pop Vocal Album and Best Male Pop Vocal Performance for "Let Your Soul Be Your Pilot".

The Dream of the Blue Turtles (рус. Сон синих черепах) - дебютный сольный альбом британского рок-музыканта Стинга, был выпущен в США 1 июня 1985 года, через год после неофициального расформирования группы The Police. Хотя он был менее успешным, чем любой из альбомов The Police, ему удалось достичь третьего места в британском хит-параде.

Bring on the Night is a 1986 live album by Sting recorded over the course of several live shows in 1985 and released in 1986. The title is taken from a song by The Police from their 1979 album Reggatta de Blanc. The songs performed include Sting's early solo material from the studio album The Dream of the Blue Turtles, and from his time with The Police, with a few of the performances played as medleys of the two. The touring band features the prominent jazz musicians Branford Marsalis, Darryl Jones, Kenny Kirkland, and Omar Hakim.

…Nothing Like the Sun (рус. …Совсем не похоже на солнце) — второй студийный альбом британского рок-музыканта Стинга, был издан 13 октября 1987 года. Название для пластинки было навеяно строчкой из 130-го сонета Уильяма Шекспира («My mistress' eyes are nothing like the sun» — «Глаза моей возлюбленной совсем не похожи на солнце»), которую Стинг также использовал в песне «Sister Moon». Кроме того, музыкант добавил, что на это название его вдохновила уличная встреча с пьяницей, которому Стинг процитировал сонет в ответ на его назойливый вопрос: «Насколько прекрасна луна?».
Альбом победил в номинации «Лучший британский альбом» на премии Brit Awards, в 1988 году.

The Dream of the Blue Turtles is the first solo album by English musician Sting, released in the United States on 1 June 1985. The album reached number three on the UK Albums Chart and number two on the US Billboard 200.
In the US the album spawned four singles, "If You Love Somebody Set Them Free", "Fortress Around Your Heart", "Russians" and "Love Is the Seventh Wave". The album earned Grammy nominations for Album of the Year, Best Male Pop Vocal Performance, Best Jazz Instrumental Performance and Best Engineered Recording.

The album is named after a dream that Sting had. He initially worked on tracks for his debut solo album with producers Torch Song: William Orbit, Laurie Mayer and Grant Gilbert. These sessions were more synth-driven and 'electrofunk' in nature than what eventually was recorded and released; Sting eventually decided against this direction, and instead decided to pursue more jazz-oriented music.

Love at First Sting is the ninth studio album by German rock band Scorpions. It was released in February 1984 by Harvest and EMI Records in Europe and Mercury Records in the US. The album contains "Rock You Like a Hurricane", "Still Loving You", and "Big City Nights", three of the band's most famous songs.

Десятый альбом Rage. Группа поменяла стилистику, причём очень серьёзно. Раньше они играли хэви-пауэр, сейчас же они перешли на сифмо-хэви, и от старого Rage здесь не так уж и много. Скорость также сошла на нет, практически все песни едва переваливают за отметку «средний темп». Исключение составляют “Sign Of Heaven” и “Over And Over”. Но очень сильно повысился уровень мелодики в песнях. Я думаю, за это надо благодарить Кристиана Вольффа. Он продюсировал альбом, исполнил все партии клавишных и руководил записью оркестра. Хотя как благодарить, многие не поняли этого альбома и, более того, возненавидели Rage. Очень зря.