Mosaïque is the fourth studio album by the Gipsy Kings, released in 1989 in Europe and Canada. The main difference between the two versions is the replacement of the instrumental "Bossamba" on the European release with "Niña morena" on the North American release. The track order also differs between the two versions, and they contain different recordings of the songs "Caminando por la calle", "Trista pena", and "Vamos a bailar".

The Gipsy Kings had major crossover success with their splendid and innovative third album, which used drums, bass, percussion, and synthesizer to beef up the sound. This French import is their first album from 1983, and it is a much more traditional affair, with only acoustic guitars, voices, and hand claps. It shows that artistically the sound did not need to be beefed up; the music is still wonderful. How can an array of seven guitars and full-throated passion not be wonderful? Commercially, the additions to their sound helped break The Gipsy Kings through to a larger audience, but now that their name is known, it should be possible for more people to go back and appreciate this album. It is in no way crude or unpolished, and the artistry and playing are of an equally high quality.

General response to Requiem for the Indifferent was positive. AllMusic stated that the album "is a typically elaborate and ambitious affair, incorporating copious amounts of choral work and classical arrangements into the band's neatly established blend of goth, progressive, power, and symphonic metal." Natalie Zed of About.com staff considers Requiem for the Indifferent "a transitional album for the band", which tries to expand their musical range experimenting with "weird" riffing and new combination of vocals, while "losing none of the richness that has gained them fans."

Пятый альбом нидерландской симфоник-метал-группы Epica вышел 9 марта 2012 года в Европе и 13 марта в США. Запись альбома проходила осенью 2011 года в Германии, в вольфсбургской студии Gate Studio. Продюсером стал Sascha Paeth. Обложку альбома создал Stephan Heilemann.

It is a very nice collection providing a good review of Boney M music. It does miss a few really important hits that you can find in a 2-disk collection, yet, with only 3 CDs doesn't have all songs from their gold time. So, it is a rather extension of your collection than the only Boney M set you would like to have.

Zoom was recorded primarily by Jeff Lynne alone, with guest musicians that included George Harrison and Ringo Starr. It was one of Harrison's last recordings before his death. The only other ELO member appearing on the album, Richard Tandy, appears on the opening track and performed live in promotional concerts.

Zoom was recorded primarily by Jeff Lynne alone, with guest musicians that included George Harrison and Ringo Starr. It was one of Harrison's last recordings before his death. The only other ELO member appearing on the album, Richard Tandy, appears on the opening track and performed live in promotional concerts.

Time is a work of synth-pop that combines elements from 1950s music, new wave, reggae, rockabilly, the Beatles, Phil Spector and the Shadows. The album signalled a departure from the band's sound by emphasising electronics over its usual orchestra. It is also the band's second concept album, the first being Eldorado in 1974. The music video created for its lead single, "Hold On Tight", was the most expensive ever made to that point, with a budget of approximately £40,000. Four more singles followed the album's release: "Twilight", "Ticket to the Moon" (backed with "Here Is the News"), "Rain Is Falling" and "The Way Life's Meant to Be".

Excellent collection of most of ELO's prime output. The price can't be beat and, unlike many of these Original Album collections, all of the discs are the remastered versions with all of the extra tracks. Even though the sleeves themselves are replicas of the original LP sleeves with only the LP tracks listed, the outer case lists the extra tracks.Just add Out of the Blue and you have the peak ELO albums. .

In 2000, Jeff Lynne found a new impetus to work on the music of his old band and returned to the recording studio to work on an ELO project for the first time in some 15 years just prior to the comeback album Zoom in 2001. This work resulted in a digitally remastered compilation released in late 2000. Unlike its predecessors, this project, Flashback, was personally approved and endorsed by Lynne. The set includes songs featured from all 11 studio albums up to that point, including an edit of "Great Balls of Fire" from their live album The Night the Light Went On in Long Beach, plus some new recordings amongst the band's extensive back catalog, most notably a reworking of Lynne's only UK number one hit "Xanadu". The album includes liner notes by David Wild with quotes on each song from Lynne and a booklet inside.

Village People is an American disco group known for its on-stage costumes and suggestive lyrics in their music. The group was originally formed by French producers Jacques Morali and Henri Belolo and lead singer Victor Willis following the release of the debut album Village People, which targeted disco's large gay audience. The group's name refers to Manhattan's Greenwich Village, with its reputation as a gayborhood. The characters were a symbolic group of American masculinity and macho gay-fantasy personas. As of January 2020, Willis is the only original member of the group.

True to its name, The Village People's The Album Collection 1977-1985 includes the complete discography from the infamous sextet, issued primarily on the Casablanca and later RCA Victor labels. A total of nine albums are featured, including the double-disc Live and Sleazy. All discs are packaged in miniature replicas of their original album sleeves; both Live and Sleazy and 1980's Can't Stop The Music retain their original gatefold designs. However, there are almost no bonus tracks, save for a remix of 1985's "Sex Over The Phone" included when the group's final original album was issued on CD nearly 15 years later. (This means "America," the closing track for In The Street, the American edition of 1982's Fox On The Box, is missing in action. A 3CD compilation, released under Edsel sublabel Crimson's Gold product line, offered some rare 12″ versions that this set unfortunately lacks.)