Music Lossless. Music in lossless formats. » Materials for 20.08.2025
Performer: VA
Album: Naim - The Sampler 3
Label: Naim Label. Made in UK.
Catalog #: Naim CD 056
Style: Jazz, Folk, World, & Country
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 280 mb
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Naim began when Julian Vereker started Naim Audio Visual in 1969 and created a sound-to-light box that he hired out to film production companies. He designed his own power amplifier. The company Naim Audio was incorporated in 1973.
Performer: The Byrds
Album: The Notorious Byrd Brothers
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2015
Style: Pop Rock, Psychedelic Rock, Folk Rock
Year: 2006
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 17
Size ZIP: ~ 365 mb
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The Notorious Byrd Brothers is the fifth studio album by the American rock band the Byrds, released on January 15, 1968, by Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning.
Performer: Patricia Barber
Album: Verse
Label: Blue Note. Made in EU.
Catalog #: 7243 5 39856 2 2
Style: Post Bop, Contemporary Jazz, Vocal
Year: 2002
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 320 mb
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Patricia Barber’s unique style and unusual voice made her an easy target for critics in the early days of her career. Her piano playing and singing, while inventive, never ventured close enough to the avant-garde to earn her artistic license, and her insistence on writing her own material and adapting songs from the pop world made her difficult to categorize. A tireless performer who refused to conform to more conventional vocal jazz idioms, she worked her way up through the Chicago jazz scene slowly, almost reluctantly, after having spent several years in Iowa attending college and performing with local groups.