If you're diving into Little Richard’s legacy, begin with the first two—they're essential. The third is a compelling if somewhat mellow twist in his saga.

Here's Little Richard is the debut studio album by the American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".

Here's little Richard's first five consecutive albums. Starting with his 1957 debut to 1960.
Richard only had one more album prior 1962 (public domain) so it's interesting that "The King Of Gospel Singers" which includes 12 more gospel songs, wasn't included here.
Richard's first charted R&B single was in 1955 and he continued with a total of 18 R&B & 16 pop through 1958. All are here plus 3 of the only 4 B-sides of R&B during that time. He had a 6 year hiatus from the chart and returned in 1964, to have 5 more songs chart through 1973, with modest chart success, but nothing to compare with his mid to late 1950's hey-day.
This set captures the essence of Little Richard. Track Listing ~ and identifying the charted songs numbers 1 to 18 (R&B) and the B-sides.

Even if you haven’t heard anything by, or know about, veteran New York City singer-songwriter Willie Nile, one spin through his newest rocking entry into a catalog that stretches back to 1980 makes it clear who his major influences are. Nile can count Bruce Springsteen and the late Lou Reed as fans, likely because his own music also captures the gritty, urban poetry of both. He seizes the former’s expansive, widescreen aspirations and resounding power chorus approach on the opening “Forever Wild” (which even sounds like a Bruce title), and closes with a cover of Reed’s “Sweet Jane” which, while it doesn’t redefine the well-worn classic, gives it a shot of adrenaline akin to Mott the Hoople’s version.