Burning Witches ist eine Schweizer Heavy-Metal-/Power-Metal-Band aus Brugg.

The Bridget Kelly Band is back in action with its eagerly-awaited sixth record Dark Spaces, thanks to Alpha Sun Records. The BKB has made the semifinals in the ultra-competitive International Blues Challenge twice and gone all the way to the top of the Roots Music Report’s Electric Blues chart. Bridget Kelly is the vocal focus and shows herself to be a multifaceted singer with her own ideas about how to perform roots music. She delves into both vintage and contemporary blues styles in depth on Dark Spaces and also delivers lyrics of substance with relevant messages. Her partner in crime is guitarist/producer/songwriter Tim Fik, who brings the instrumental firepower to these tracks that he also co-wrote and produced. Together, they’re a formidable creative force well able to make you groove and think at the same time.

This three CD compilation is all the Bonnie Tyler a casual fan is likely to want or need, but if you haven't heard a great deal of her work and wanted something to explore her music more, this is an ideal choice. The Ultimate Collection covers the cream of her 70s and 80s output, including her biggest hits (It's A Heartache, Lost In France, Holding Out For A Hero, Total Eclipse Of The Heart) plus a huge amount of massively enjoyable songs. Personal favourites include Faster Than The Speed Of Night, More Than A Lover, Loving You's A Dirty Job (But Somebody's Gotta Do It) (a duet with Todd Rundgren), If You Were A Woman (And I Was A Man) and Here She Comes. Her cover versions of Have You Ever Seen The Rain, Straight From The Heart and Sometimes When We Touch are rather good too.

Bob Marley is best known for his classic Island Records catalog, and while that material is undeniably great, there are many Marley fans and historians who feel that his finest recordings actually came earlier, when he and the Wailers were still largely a Jamaican phenomenon. Wherever one stands on that issue, the fact remains that Marley's early work, particularly the sessions with producer Lee "Scratch" Perry in 1970 and 1971, are of an uncommonly high quality. This collection combines several of the Perry tracks ("The Sun Is Shining," "Duppy Conqueror," "African Herbsman," "Mr. Brown") with those produced by Leslie Kong ("Soul Shakedown Party") and by the Wailers themselves ("Trench Town Rock," "Lively Up Yourself," both of which were originally released on the group's own Tuff Gong label), and the selections are enough to provide a brief but decent introduction to this Jamaican phase of Marley's career. There are literally hundreds of editions of this material on the market -- some legally licensed, some not -- but Roots of a Legend is at least honestly rendered, with decent packaging and sound. A bonus DVD featuring footage from Marley's 1980 tour (undertaken just 17 months before his death) in support of the Survival album is also included.

The album’s title ‘Preaching to the Choir’ has different meanings, on different levels. When applied to the band Kalle Wallner says, “It’s about blind understanding. When you get the right people on board, there is no need for lengthy explanations. You just hit the recording button. And when you then give the right musicians the right music … that’s when they help you take it to the next level.” He goes on to say, “No need to convince anybody, no discussions. And no compromises are necessary. You just pump it out.”

The concept of the super-group, while not new, has evolved a bit since it was dabbled with in the 60s and 70s. From Cream to ELP to Asia to The Traveling Wilburys, the super-group has always been a productive outlet for both record labels and rock stars either looking for a momentary change of scenery, or a new direction following a breakup. While they seem to have fallen out of fashion from about 1990 on, in recent years, some labels, such as Frontiers Music, have been reinvigorating the idea, albeit with mixed results. Whereas in 1980 a recording producer could play Nikola Tesla with a lab full of exciting new elements and concepts, today that is less so the case. It may be less Tesla, and more of opening up the pantry to see if there is anything to throw together which may resemble dinner. In fact, sometimes today when semi-retired veterans are put into a studio to do an album, many songs feel a bit like reheated leftovers, perhaps unused ideas from yesteryear which may have been better left on the cutting room floor.

Greatest Hits — сборник песен исландской певицы Бьорк, вышедший в 2002 году. Все композиции сборника ранее выпускались в виде синглов. Песни для Greatest Hits выбирались голосованием среди фэнов. Порядок треков выстроен в соответствии с количеством голосов, полученной каждой песней. Последний трек является бонусом. Несмотря на название, в сборнике отсутствует самый популярный хит Бьорк «It’s Oh So Quiet», а также некоторые другие синглы.

Mystery to Me — восьмий студійний альбом британсько-американського гурту «Fleetwood Mac», представлений 15 жовтня 1973 року під лейблом «Reprise Records»

Mystery to Me é o oitavo álbum de estúdio da banda anglo-americana de rock Fleetwood Mac, lançado em outubro de 1973. É o último disco com a participação do guitarrista Bob Weston. A maioria das composições são do vocalista e guitarrista Bob Welch e da vocalista e tecladista Christine McVie, esta última responsável por introduzir canções de inclinação pop no repertório da banda.

Mystery to Me is the eighth studio album by British-American rock band Fleetwood Mac, released on 15 October 1973. This was their last album to feature Bob Weston. Most of the songs were penned by guitarist/singer Bob Welch and keyboardist/singer Christine McVie, who were instrumental in steering the band toward the radio-friendly pop rock that would make them successful a few years later.
Mystery to Me sold moderately well, peaking at number 67 on the US Billboard 200 chart dated 22 December 1973. Despite not being a hit single, the song "Hypnotized" became an American FM radio staple for many years. In the wake of the Buckingham/Nicks-led line-up's success a few years later, the album was certified gold by the Recording Industry Association of America (RIAA) in 1976.

Mr. Wonderful est le deuxième album studio du groupe de blues rock britannique Fleetwood Mac, sorti le 23 août 1968. À noter la présence au piano de Christine McVie, à titre d'invitée, qui ne jouait que sur les chansons composées par Peter Green. Cet album entièrement blues était globalement similaire à leur premier album, mais avec quelques changements de personnel, le bassiste Bob Brunning ayant cédé sa place à John McVie, et de méthode d'enregistrement. L'album a été enregistré en direct en studio avec des amplificateurs et un système de sonorisation, plutôt que branché directement sur la console. Une section de saxophones a été introduite, et Christine Anne Perfect de Chicken Shack apparaît aux claviers mais seulement à titre d'invitée. Aux États-Unis, l'album n'a pas été publié sous le titre de Mr. Wonderful, bien qu'environ la moitié des titres soient apparus sur la compilation English Rose.

Mr. Wonderful is the second studio album by British blues rock band Fleetwood Mac, released on 23 August 1968. This all-blues album was broadly similar to their debut album, albeit with some changes to personnel and recording method. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. A horn section was introduced; and Christine Perfect of Chicken Shack was featured on keyboards. In the US, the album was not issued under the name Mr. Wonderful, though around half of the tracks appeared on English Rose.

Mirage es el decimotercer álbum de estudio de la banda británica de rock Fleetwood Mac, publicado en 1982 por Warner Bros. Records. Luego de tres años de ausencia en la escena mundial, tiempo en el cual, Lindsey Buckingham y Stevie Nicks iniciaran sus carreras en solitario, se reunieron nuevamente para trabajar en un nuevo álbum basado en el sonido de Rumours de 1977.

Mirage is the 13th studio album by British-American rock band Fleetwood Mac, released on 18 June 1982. This studio effort's soft rock sound stood in stark contrast to its more experimental predecessor, 1979's Tusk. Mirage yielded several hit singles: "Hold Me" (which peaked at #4 on the US Billboard Pop Chart, remaining there for seven weeks), "Gypsy" (#12 US Pop Chart), "Love in Store" (#22 US Pop Chart), "Oh Diane" (which reached #9 in the UK), and "Can't Go Back" (issued on 7″ and 12″ in the UK).