Thirteen (stylised as Th1rt3en) is the fifth and final studio album by Robert Miles released on 7 February 2011, the third album he independently recorded and produced. The album's style is a blend of alternative and progressive rock with ambient and electronic soundscapes. It contains 13 instrumental compositions, hence the name of the album. The album was released as a CD and limited edition digipack. The digital version of the album includes an unlisted bonus track. Shortly after the release of the album, the songs "Miniature World", "Deep End", "Black Rubber", and "Antimony" were officially remixed and issued as a side release. The record also produced one single "Miniature World".

At the end of 1996, Miles released a new version of Dreamland, called Dreamland – The Winter Edition, in Germany. It was largely similar to Dreamland, but contains the tracks "For Us" and "One and One" (which was not released on the European version) and removes "Fable (Dream Version)", and was also released in Japan. Nowadays it appears that the US version of Dreamland including "One and One" (with "One and One" being the sixth track, coming after "In My Dreams" and before "Princess of Light") is the most popular and common version.
After Robert Miles' death, the album was remastered to match the original track listings with the bonus songs "For Us" and "One & One" added at the end of the album.

Dreamland è il primo album in studio del compositore italiano Robert Miles, pubblicato il 7 giugno 1996. L'album verrà in seguito ristampato con l'aggiunta di ulteriori brani realizzati successivamente alla prima versione distribuita (come la versione radio di One and One). Vendette 14 milioni di copie.

23am is the second studio album by composer Robert Miles, released in late 1997 via Deconstruction and Arista labels.
The composition of 23am began from the Dreamland tour, during which Miles collected audio samples from virtually every city visited. Aside from being based on his experiences of these travels (in the liner notes Miles emphasizes the influence seeing in person so many problems that society has brought onto itself had), Miles has also said that the album reflects the human life cycle from birth to death.

Organik Remixes is a guest remix album based on Robert Miles's 2001 album Organik. The record was released on November 18, 2002 through Salt Records label. Two of the remixers, Kuzu and Fissure, were chosen by Robert Miles from an online remix contest on his own website.

Organik is the third studio album by Robert Miles, released on 11 June 2001. The first he independently recorded and produced after quitting his record company, it marked a complete departure from the style of his first two albums but still received overwhelmingly positive reviews.

Dreamland is the debut studio album by Robert Miles. It was released on June 7, 1996, in Europe, where it was a hit, and was also released in the United States about a month later, with a new track sung by Maria Nayler, "One and One." This new track became very popular and was later released as a single in the U.S. and Germany.

Dreamland is the debut studio album by Robert Miles. It was released on 7 June 1996 to critical acclaim in Europe, where it was a hit, and was also released in the United States about a month later, with a new track sung by Maria Nayler, "One and One." This new track became very popular and was later released as a single in the US and Germany.

Limited 14 CD set. The Album Recordings 1984-2007 comprises all of rock legend Joe Cocker's studio albums released from 1984 - 2007 plus Joe Cocker (Live) and a bonus CD that includes rarities, additional content from European deluxe discs, US Album versions and songs found in tribute albums from the likes of Elton John and Bruce Springsteen. Each disc is housed in a mini LP paper sleeve and all are packaged in a clamshell box.

It’s understandable that one could be sceptical of a release such as this. After all, Mr Wakeman has cashed in on his Yes connection as well as his own back catalogue more times than I can possibly count. Yessonata certainly has all the trappings of a cash grab…
… but what a glorious cash grab it is: pure unadulterated sonic beauty straight from Wakeman’s Steinway into your ears.
It’s fair to assume that most punters who go to a Rick Wakeman concert expect to hear a bit of Yes, so the maestro decided to form The Yes Suite for band and choir to be played at the London Palladium last year. It proved so popular that he adapted the idea for solo piano and called it Yessonata, incorporating a multitude of themes from Wakeman’s time with Yes (because you’ll be damned if you hear him playing any Relayer).