The Sound of Girls Aloud: The Greatest Hits is the first greatest hits album of English-Irish girl group Girls Aloud. It was first released in the United Kingdom through a limited edition on 23 October 2006, while the standard version was released on 30 October 2006. The Sound of Girls Aloud features twelve of the group's singles, two of which reached number one in the UK. The album features three new tracks, with "Something Kinda Ooooh" and "I Think We're Alone Now" being released as singles and peaking inside the top five on the UK Singles Chart.

Tangled Up - четвёртый студийный альбом британской поп-группы Girls Aloud, основанной в 2002 году в ходе английского реалити-шоу Popstars. Диск выпущен в 2007 году, на лейбле Fascination. Спродюсирован Брайаном Хиггинсом.

Sound of the Underground is the debut studio album by English-Irish girl group Girls Aloud, formed through the ITV television series Popstars: The Rivals. It was released in Ireland on 23 May 2003, in the United Kingdom and Europe on 26 May 2003, and reissued on 17 November 2003 through Polydor. Girls Aloud worked with a variety of musicians and producers on Sound of the Underground, which was largely inspired by 1980s music. Comparisons were made with artists such as Bananarama, The Bangles, Blondie and Spice Girls.

Out of Control is the fifth and final studio album by British girl group Girls Aloud, released in the United Kingdom on 3 November 2008 by Fascination Records. Like their previous albums, it was crafted by the production team of Brian Higgins and Xenomania. Out of Control builds on the sound of Girls Aloud's previous albums and represents a move into the mainstream for the group.

The Gipsy Kings had major crossover success with their splendid and innovative third album, which used drums, bass, percussion, and synthesizer to beef up the sound. This French import is their first album from 1983, and it is a much more traditional affair, with only acoustic guitars, voices, and hand claps. It shows that artistically the sound did not need to be beefed up; the music is still wonderful. How can an array of seven guitars and full-throated passion not be wonderful? Commercially, the additions to their sound helped break The Gipsy Kings through to a larger audience, but now that their name is known, it should be possible for more people to go back and appreciate this album. It is in no way crude or unpolished, and the artistry and playing are of an equally high quality.

One of Giovanni's best performances and compositions, very well done and moving. A must have for any Giovanni fan!

DiAngelo started and developed the musical career of Giovanni Marradi. He also produced over 40 of the very successful Giovanni piano series and the Quietude series along with the successful television programs, "Classic Nights With Giovanni", for the NBC affiliates and PBS in the USA. He and the series were nominated for and received several awards by the National Academy of Television Arts & Sciences. Angelo is in the process of developing the beautiful new Hymns series, Latin Moods, and World Mix series: music that has never been done before. Giovanni Marradi is a composer and arranger, born in 1952 of Italian and Lebanese heritage. Giovanni's music and performance is like no other in the world.

The Best of George Harrison is a 1976 compilation album by English musician George Harrison, released following the expiration of his EMI-affiliated Apple Records contract. Uniquely among all of the four Beatles' solo releases (apart from live albums), it mixes a selection of the artist's Beatles-era songs on one side, with later hits recorded under his own name on the other.
The song selection caused some controversy, since it underplayed Harrison's solo achievements during the 1970–75 period, for much of which he had been viewed as the most successful ex-Beatle, artistically and commercially. Music critics have also noted the compilation's failure to provide a faithful picture of Harrison's contribution to the Beatles' work, due to the omission of any of his Indian music compositions. In a calculated move by EMI and its American subsidiary, Capitol Records, the compilation was issued during the same month as Harrison's debut on his Warner-distributed Dark Horse label, Thirty Three & 1/3.

Veteran producer Tony Watts was behind this budget collection of George Formby's work, mostly from the 1930s -- which represented Formby's prime -- and the quality shows, in the good-quality transfers as well as a decent essay/overview of Formby's career. The selection is a good one, touching all of the expected bases ("The Window Cleaner," etc.), all astonishingly catchy novelty and music hall tunes, mostly with a double-entendre element.

"Paloma Blanca", often called "Una Paloma Blanca" (Spanish for "white dove") is a song written by the Dutch musician George Baker, and first recorded and released by his band The George Baker Selection. The single was a hit throughout Europe, and was taken from the group's fifth album of the same name.

We Can't Dance is the fourteenth studio album by English rock band Genesis, released on 28 October 1991 by Atlantic Records in the United States and 11 November 1991 on Virgin Records in the United Kingdom. It is their last album recorded with drummer and lead singer Phil Collins before his departure in 1996 to pursue solo projects full time. Production began after a four-year period of inactivity from the group, following the commercial success of Invisible Touch (1986) and its tour.

Turn It On Again: The Hits is a greatest hits album by British progressive rock/pop-rock band Genesis. The album was originally released as a single album on 26 October 1999 by Virgin Records in England and by Atlantic Records in the United States.
In 2007, an expanded two-disc edition, subtitled The Tour Edition, was released to promote the Turn It on Again reunion tour. All of the tracks, except for "The Carpet Crawlers 1999," were remixed by Nick Davis. In addition, the album features more songs from every album in the band's catalogue (minus the live albums and From Genesis to Revelation). Besides the 2-CD version, a 2-CD + 2-DVD version was issued, which included The Video Show DVD and When in Rome DVD.

Following their 1991 We Can't Dance tour, Genesis released two live albums - Genesis Live: The Way We Walk Volume One: The Shorts and Genesis Live: The Way We Walk Volume Two: The Longs. While The Longs was aimed more at the long-term progressive fans, The Shorts was geared more toward the newer 'singles' fans.
I fit into the Longs category. Despite having great live versions of songs such as "No Son of Mine", "Mama", and "Hold on my Heart", this just doesn't do anything for me. I can pretty much do without the Invisible Touch tracks, and there's little of necessity to tracks such as "I Can't Dance" and "That's All". But i'll cut my losses now while i'm ahead. It is, after all, The Shorts, and if i didn't want to hear the shorts, i'd put in The Longs instead, no? Which i will do 10 times out of 10... all the reason i needed to part with this.
Fairly smart move, though... one live CD for the Invisible Touch Club, another for the progheads, and neither has to be bogged down by the 'other' Genesis.

Instead of releasing the live document of the We Can't Dance tour as a double CD, Genesis, or some clever record executive, decided to split the material into two separate releases. The first would focus on the group's pop singles, while the second would contain their longer, more progressive work. Done this way, it's difficult to get a sense of the concert's momentum: Even the songs on each disc are shuffled from their original live order. For what it's worth, Volume One: The Shorts contains almost all the Genesis singles from 1983-1992. The band rarely stray from the studio versions of their material, and with the audience barely audible and a greatest hits collection released in 1999, the record is superfluous for all but the most die-hard fans.