Birds of Fire is the second studio album by American jazz fusion band the Mahavishnu Orchestra. It was released on January 3, 1973 by Columbia Records and is the last studio album released by the original band line-up before it dissolved.
As with the group's previous album, The Inner Mounting Flame, Birds of Fire consists solely of compositions by John McLaughlin. This includes the track "Miles Beyond (Miles Davis)", which McLaughlin dedicated to his friend and former bandleader.
A remastered version of the album was released on CD in 2000 by Sony Music Entertainment. It features a new set of liner notes by JazzTimes critic Bill Milkowski, as well as photographs of the band. In 2015 the album was re-issued on Super Audio CD by Audio Fidelity containing both the stereo and quad mixes.
The back cover of the album features the poem "Revelation" by Sri Chinmoy.

Apocalypse is the Mahavishnu Orchestra's fourth album, released in 1974.
It is performed by the second line-up of the Mahavishnu Orchestra and the London Symphony Orchestra. It was produced by George Martin, who regards it as “one of the best records [he has] ever made”.
The back cover features a poem by Sri Chinmoy as well as a group photo of those who created the album.

Джон Лорд - выдающийся английский композитор и клавишник, наиболее известен участием в группе Deep Purple. Concerto for Group and Orchestra - знаменитые хиты Deep Purple в симфо-роковых аранжировках. Студийная запись этого концерта была для него давней мечтой. Альбом стал своего рода завещанием великого музыканта, ушедшего из жизни 6 июля 2012 года.

Joe Pass - американский джазовый гитарист. Его широкое использование «шагающего» баса, искусство одновременного сочетания нескольких мелодических линий в процессе импровизации и сочетание множества техник игры открыли новые возможности для мира джаз-гитары и оказали огромное влияние на современных джазовых гитаристов.

This is the first in a series of five CD reissues from guitar legend Joe Diorio's classic Spitball Records recordings from the mid-70's. Originally released in 1975 on Spitball Records and now available on CD for the first time ever! Includes the original album cover artwork and liner notes exactly as they appeared on the original LP release. Joe performs several standards including Chick Corea's "Windows", Django Reinhardt's "Nuages" as well as the classic songs "Invitation", "A Time for Love" and "Without You". Rounding out the recording are three of Joe's original compositions: "Poem", "India" (inspired by sitarist Ravi Shankar) and "Call to the Center". Joe accompanies himself via multi-tracking on the songs "Windows", "Invitation" and "Without You". All tracks have been digitally remastered using 24-bit digital technology. Art of Life Records is proud to make this long out-of-print recording available to the world once again. Stay tuned for more releases from guitar master Joe Diorio!!

This is a wonderful compilation for Raney fans in particular and circa 1950s jazz fans in general. More importantly this set is a treasure trove for guitarists who want to study Raney's incredible technique.
Fifty tracks from eight different albums and ironically none feature Raney with Woody Herman as the album's subtitle implies. However, the tracks are mainly from albums led by Stan Getz and Red Norvo, as well as by Raney himself.

Jerry Lee Lewis - is an American singer-songwriter, musician, and pianist who is often known by his nickname of "The Killer" and is often viewed as "rock & roll's first great wild man."

The Gift of Time is an album by French jazz fusion artist Jean-Luc Ponty, released in 1987. It was his first recording for Columbia Records after twelve albums on the Atlantic label. It was reissued on CD in 1991.

A switch back to Atlantic finds Jean-Luc Ponty continuing to dabble in West African waters while re-establishing his earlier solid base in repeating sequenced patterns. The electronics are back, for Ponty splits his time between the electric violin and various synthesizers and sequencers while Abdou M'Boup and Sydney Thiam add African percussion, which often takes a back seat to the electronics as the rhythmic basis for the music.