Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in US.
Catalog #: CGK 841
Style: Rock, Blues Rock, Folk Rock
Year: 1981
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 507 mb
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Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in US.
Catalog #: CGK 841
Style: Rock, Blues Rock, Folk Rock
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 497 mb
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After the release of Highway 61 Revisited in August 1965, Dylan set about hiring a touring band. Guitarist Mike Bloomfield and keyboard player Al Kooper had backed Dylan on the album and at Dylan's controversial electric debut at the 1965 Newport Folk Festival. However, Bloomfield chose not to tour with Dylan, preferring to remain with the Paul Butterfield Blues Band. After backing him at concerts in late August and early September, Kooper informed Dylan he did not wish to continue touring with him. Dylan's manager, Albert Grossman, was in the process of setting up a grueling concert schedule that would keep Dylan on the road for the next nine months, touring the U.S., Australia, and Europe. Dylan contacted a group who were performing as Levon and the Hawks, consisting of Levon Helm from Arkansas and four Canadian musicians: Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in AT.
Catalog #: 512352 2
Style: Rock, Blues Rock, Folk Rock
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 515 mb
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At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: CBS. Made in AT.
Catalog #: CDCBS 22130
Style: Rock, Blues Rock, Folk Rock
Year: 1996
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 522 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966,[4] by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)".

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90327
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size ZIP: ~ 318 mb
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Dylan later left for Europe, completing a few performances in England before traveling to Paris where he was introduced to a German model, Christa Paffgen, who went by the name of Nico. After treating Dylan to a meal at her flat, Nico accompanied Dylan across Europe, a trip that passed through Germany before ending in Vouliagmeni, a small village outside of Athens, Greece. Dylan stayed at Vouliagmeni for more than a week, finishing many of the songs that would appear on his fourth and upcoming album. Nine songs of these would be recorded upon his return to New York: "All I Really Want to Do", "Spanish Harlem Incident", "To Ramona", "I Shall Be Free No. 10", "Ballad in Plain D", "It Ain't Me, Babe", "Mama, You Been on My Mind", "Denise Denise", and "Black Crow Blues". Dylan also completed another song called "I'll Keep It With Mine", which, according to Nico, was "about me and my little baby". Dylan gave the song to Nico, who would eventually record it for her own album, Chelsea Girl, released in 1967.

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: Columbia. Made in US.
Catalog #: CK 8993
Style: Rock, Blues Rock, Folk Rock
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size ZIP: ~ 324 mb
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Throughout 1963, Dylan worked on a novel and a play. A number of publishers were interested in signing Dylan to a contract, and at one point, City Lights (a small but prestigious company specializing in poetry) was strongly considered. However, as Dylan worked on his book at a casual pace, his manager, Albert Grossman, decided to make a deal with a major publisher.

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2095
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 480 mb
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Another Side of Bob Dylan is the fourth studio album by the American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin' (1964). The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had "somehow lost touch with people" and was caught up in "the paraphernalia of fame".

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: CBS, Sony. Made in JP.
Catalog #: 25DP 5284
Style: Rock, Blues Rock, Folk Rock
Year: 1988
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size ZIP: ~ 447 mb
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Despite the album's thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had previous records – solo. In addition to his usual acoustic guitar and harmonica, Dylan provides piano on one track, "Black Crow Blues". Another Side of Bob Dylan reached No. 43 in the United States (although it eventually went gold), and peaked at No. 8 on the UK charts in 1965.

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: CBS. Made in AT.
Catalog #: CDCBS 32034, 467390 2
Style: Rock, Blues Rock, Folk Rock
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size ZIP: ~ 317 mb
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Another Side of Bob Dylan is the fourth studio album by the American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin' (1964). The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had "somehow lost touch with people" and was caught up in "the paraphernalia of fame".

Performer: Bob Dylan
Album: Live 1964 - Concert At Philharmonic Hall
Label: Audio Fidelity. Made in US.
Catalog #: AFZ5 230
Style: Rock, Folk Rock, Melodic Rock
Year: 2016
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 11+8
Size ZIP: ~ 898 mb
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The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The album is the complete recording from the October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan.

Performer: Bob Dylan
Album: Bob Dylan's Greatest Hits Vol. II
Label: Audio Fidelity. Made in US.
Catalog #: AZF2 145
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 1971 (2013)
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 21
Size ZIP: ~ 617 mb
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Bob Dylan's Greatest Hits Vol. II, also known as More Bob Dylan Greatest Hits in certain territories, is the second greatest hits album by American singer-songwriter Bob Dylan. It was released on November 17, 1971, through Columbia Records. A double album, the set contains previously released material spanning The Freewheelin' Bob Dylan (1963) to the "Watching the River Flow" single (released in June 1971), as well as previously unreleased recordings of songs written by Dylan which had been hits for other artists. 

Performer: Bob Dylan
Album: Bob Dylan's Greatest Hits
Label: Audio Fidelity. Made in US.
Catalog #: AZF 140
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 1967 (2012)
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 10
Size ZIP: ~ 356 mb
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Bob Dylan's Greatest Hits is a 1967 compilation album of songs by the American singer-songwriter Bob Dylan. Released on March 27, 1967, by Columbia Records, it was a stopgap between Dylan's studio albums Blonde on Blonde and John Wesley Harding, during which time he had retreated from the public eye to recover from a motorcycle accident. 

Performer: Bob Dylan
Album: Planet Waves
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2153
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2016
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 374 mb
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Planet Waves is the fourteenth studio album by American singer-songwriter Bob Dylan, released on January 17, 1974, by Asylum Records in the United States and Island Records in the United Kingdom.
Dylan is supported on the album by longtime collaborators the Band, with whom he embarked on a major reunion tour (documented on the live album Before the Flood) following its release. With a successful tour and a host of publicity, Planet Waves was a hit, enjoying a brief stay at No. 1 on the US Billboard charts—a first for the artist—and No. 7 in the UK. Reviews were generally positive; critics were not as negative as they had been with some then-recent Bob Dylan albums (namely Self Portrait and Dylan) but still not enthusiastic for the album's brand of laid-back roots rock, but it was nevertheless considered an improvement over those albums.

Performer: Willie Nile
Album: Positively Bob: Willie Nile Sings Bob Dylan
Label: River House Records. Made in US.
Catalog #: RHR9916-02
Style: Rock, Folk Rock, Melodic Rock
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 276 mb
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VETERAN ROCK 'N' ROLLER WILLIE NILE CELEBRATES HIS ROOTS WITH POSITIVELY BOB - In a consistently colorful musical career that spans nearly four decades, Willie Nile has established a reputation as a world-class rock 'n' roller, and as a singular songwriter with deep roots in rock's rich history. So it's not surprising that he'd choose to tip his hat to one of his most enduring musical inspirations with his eleventh studio album, Positively Bob: Willie Nile Sings Bob Dylan, a heartfelt, personally charged set of Dylan covers that honors it's subject while exemplifying the same qualities that have distinguished Nile's work since the beginning. "These songs meant the world to me when I was younger and they mean the world to me now. The mystic leap of faith it took to write them, and the courage it took to believe and make a stand in hopes for something better, makes my heart sing and wander now as it did when I first heard them."
Performer: Bob Dylan
Album: Street-Legal
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90338
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 348 mb
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Street Legal è il 18° album in studio di Bob Dylan pubblicato nel giugno del 1978.
Il disco fu un deciso cambio di rotta musicale per Dylan, che utilizzò arrangiamenti maggiormente pop-rock, si avvalse della collaborazione di un nutrito gruppo di coriste e virò decisamente verso la black music. Sin dal titolo, Street Legal è una dichiarazione di intenti: le "street illegal" erano negli anni cinquanta, delle macchinette per il gioco d'azzardo, ma lo "street legal", nel linguaggio di strada, stava a significare un "tipo giusto", un "figo", un "dritto". Inoltre "Street legal" sono anche i motori delle macchine truccati per avere prestazioni migliori, che, dopo aver superato il controllo della sicurezza stradale, diventano leciti e legali.