Cassandra Wilson - Coming Forth By Day (2015)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 2 352  20.06.15 
Performer: Cassandra Wilson
Album: Coming Forth By Day
Label: Ojah Media Group | Sony Music . Made in DE.
Catalog #: 88875063622
Style: Vocal Jazz
Year: 2015
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: 387 mb
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Cassandra Wilson, coming off a three-year recording break, returns to our ears with a tribute of sorts to one of the most alluring voices of the 20th Century in Billie Holiday. The current performer wisely avoids challenging her icon's renditions of jazz and blues standards, opting instead to take the singles best known by Holiday fans and reprocess them for her own vocal style. It would be difficult to label Coming Forth By Day as a Holiday tribute if Wilson herself hadn't told us that it was.
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Cassandra Wilson - Silver Pony (2010)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 2 774  19.03.15 
Performer: Cassandra Wilson
Album: Silver Pony
Label: Blue Note. Made in EU.
Catalog #: 5099962975223
Style: Jazz, Contemporary Jazz
Year: 2010
Format: FLAC (tracks+ .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: 315 mb
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Brilliant in spite of its ragged texture, Cassandra Wilson's Silver Pony justly illuminates the important influence Wilson has had on all jazz vocals, since her artistic breakthrough with 1993's Blue Light 'Til Dawn (Blue Note). A sharp solution of live and studio performances, Silver Pony reveals the depth and breadth of both Wilson's enigmatic singing and instrumentation, that rich Delta organic approach disseminating throughout all of jazz vocals of the past 20 years. Always close to the blues, Wilson puts forth an extended live "Saddle Up My Pony," originally recorded by Charlie Patton in 1929, that succinctly frames her earthy method.
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Cassandra Wilson feat. Fabrizio Sotti - Another Country (2012)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 4 387  19.03.15 
Performer: Cassandra Wilson feat. Fabrizio Sotti
Album: Another Country
Label: Membran, Entertainment One Music. Made in USA.
Catalog #: 233573
Style: Vocal Jazz, Jazz
Year: 2012
Format: FLAC (tracks+ .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: 325 mb
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Cassandra Wilson has explored a lot of experiences, a lot of music, and that is testament to her curiosity, imagination, and intellect; and her album Another Country, created in collaboration with Fabrizio Sotti, has an elegance that is thoughtful and timeless. Cassandra Wilson’s song “Red Guitar” is painterly, poetic, its instrumentation classical and bluesy, with drumming that is precise and lively, whereas “No More Blues,” a song of determination in which misery is shown the door, is itself a light blues tune with finger-snap rhythm, a slowed-down beat with jangling assets, mellow, verging on strange. (“Just like Frank, I’m gonna do it my way,” Wilson says, an aside acknowledging Sinatra.) “O Sole Mio,” mellow, a little melancholy, has a Latin flavor; and, the Italian-language composition, a popular Neapolitan tune sung by Enrico Caruso and Mario Lanza, is here given a casually propulsive syncopation, and is pretty, possibly beautiful, followed by the meditative instrumental “Deep Blue.”
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Cassandra Wilson - Belly Of The Sun (2002) [Japan]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 1 907  17.03.15 
Performer: Cassandra Wilson
Album: Belly Of The Sun
Label: Capitol | Toshiba-EMI. Made in JP.
Catalog #: TOCJ-66137
Style: Vocal Jazz
Year: 2002
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size RAR: 395 mb
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Recovery: 3%
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Returning to her Mississippi blues roots, singer Cassandra Wilson interprets the stories like no one else can. Her warm, contralto voice hypnotizes. Surrounded by the natural sound of her 6-piece touring band, Wilson settles in for a refreshing look at Americana. Plaintive guitar cries and hands-down percussion provide a natural landscape. Steel pans, dobro, hand drums, and gentle, foot-stompin' rhythms give her traditional session credibility.
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