You may not know his name, but you'll probably recognize his voice. Since the death of Klaus Nomi, Somerville has reigned as the best white falsetto singer in pop music; his soaring voice propelled Bronski Beat and the Communards to respectable chart positions (especially in Europe) during the 1980s, and his return to musical activity finds him in excellent form. Dare to Love doesn't really break much new ground for Somerville. He's still working the club floor with disco-inflected dance-pop, and his melodic sense is still as strong as ever -- from the airborne melodic lines of "Heartbeat" to the down-and-dirty funk of "Alright," this album is a smorgasbord of pure pop pleasure.