Private Investigations: The Best of Dire Straits & Mark Knopfler is a compilation album by Dire Straits and British singer-songwriter and guitarist Mark Knopfler, released in 2005 by Mercury and Vertigo internationally, and Warner Bros. in the United States. Named after their 1982 hit single, the album consists of material by Dire Straits, with songs selected from the group's six studio albums (excluding the 1979 album Communiqué) from 1978 up through the group's dissolution in 1995. It also features work from the solo career of the group's singer, songwriter, and guitarist Mark Knopfler, including some of his soundtrack material.

Творчество группы в целом высоко оценивается профессиональными критиками. В частности, авторитетный журнал Rolling Stone характеризует Dire Straits как одну из самых успешных британских групп 1980-х годов, отмечая виртуозную музыкальность, остроумные тексты и талант Марка Нопфлера к написанию песен.

Kill to Get Crimson is the fifth solo album by British singer-songwriter and guitarist Mark Knopfler, released on 17 September 2007 by Mercury Records internationally, and by Warner Bros. Records in the United States. The album's title comes from a line in the song "Let It All Go". The album cover image is taken from the painting Four Lambrettas and Three Portraits of Janet Churchman by John Bratby, painted in 1958. The first singles from the album were "True Love Will Never Fade" in Europe, and "Punish The Monkey" in North America.

The Ragpicker's Dream is the third solo album by British singer-songwriter and guitarist Mark Knopfler, released on 30 September 2002 by Mercury Records internationally, and by Warner Bros. Records in the United States. The album received generally favorable reviews upon its release.

Deluxe-Edition, Mediamarkt & Saturn exclusive, 16 tracks

European Deluxe-Edition, 15 tracks

Mark Knopfler’s eighth studio album, Tracker, will be released on March 16, 2015 (March 17 in North America). The album features 11 new songs inspired by a wide range of subjects including Beryl Bainbridge and Basil Bunting. The songs contain Mark’s usual wryly but accurately observed vignettes of real life wrapped up in a musical accompaniment of distinctive subtlety.