Nathan East - Reverence (2017)

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 1 604  22.01.17 
Performer: Nathan East
Album: Reverence
Label: Yamaha Entertainment Group. Made in US.
Catalog #: YCCW-10295
Style: Smooth Jazz, Soul
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: only front
Amount of tracks: 12
Size RAR: ~ 394 mb
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Recovery: 3%
Password: without a password



Two years after his solo debut, bass legend Nathan East has announced a new album for 2017. Reverence is scheduled to be released on January 20, 2017. While it’s only his second solo effort, East been featured on hundreds of albums with a discography that includes Eric Clapton’s “Tears in Heaven,” Michael Jackson’s “Bad,” and Randy Newman’s “I Love L.A.” The album will also include guest artists.
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Bob James & Nathan East - The New Cool (2015) [Japan]

Music genres / Jazz, Early Jazz, Swing, Gypsy, Bob Chaton 0 1 966  31.10.15 
Performer: Bob James & Nathan East
Album: The New Cool
Label: Yamaha Entertainment Group. Made in JP.
Catalog #: YCCW-10264
Style: Smooth Jazz
Year: 2015
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 530 mb
Upload: nitroflare.com
Recovery: 3%
Password: without a password

Recorded in five studios in Nashville and nearby Franklin, Tennessee, The New Cool is something of a follow-up to Nathan East's self-titled 2014 album, though it's billed to the bassist and his fellow Fourplay member, Bob James. Like Nathan East, The New Cool is a Yamaha release. The label wing of the manufacturer also supplied the duo with instruments and enabled them to make this predominantly acoustic set of eight originals and three interpretations. Drummer Scott Williamson, percussionist Rafael Padilla, and an orchestra - with David Davidson as concertmaster - are all involved, yet they're employed sparingly and leave the spotlight to East and James. The album sounds like it was easy and fun to make - one can sense joy and deep focus in the interplay - as the material is predominantly amiable and laid-back. It's almost entirely instrumental, with East adding some occasional soft scatting, while Vince Gill drops by for the lone "proper" vocal inclusion on an elegant recasting of Willie Nelson's "Crazy."
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