The Best of OMD is a compilation album by Orchestral Manoeuvres in the Dark, released in 1988.
The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979–1984, while side two is drawn from the group's 1984–1988 efforts. It was a worldwide success, becoming a Top 5 hit across Europe and achieving 3x platinum sales in the United Kingdom. "Dreaming" was released as a single and made little impact on the UK charts, reaching no. 50, but it was a hit in the US (no. 16), Germany (no. 26) and South Africa (no. 2).

Sugar Tax is the eighth album by Orchestral Manoeuvres in the Dark (OMD), released in 1991 on Virgin Records. It was the group's first studio album since 1986, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Featuring singer Andy McCluskey with a new backing band, it leans more towards the dance-pop genre that was prevalent in the early 1990s, than the experimental brand of synthpop which characterised OMD's earlier recordings.

History of Modern is the eleventh studio album by British synthpop band Orchestral Manoeuvres in the Dark (OMD). It is their first since 1996, and also the first to feature the classic 4-piece OMD line-up since 1986's The Pacific Age. The record was released in the UK on 20 September 2010, peaking at #28. It was a considerable hit in Germany, reaching #5 – the group's highest chart placing for an LP in that country. The album was released in the US on Bright Antenna on 28 September 2010.

Sugar Tax is the eighth album by Orchestral Manoeuvres in the Dark (OMD), released in 1991 on Virgin Records. It was group's first studio album since 1986, and the first of three recorded without co-founder Paul Humphreys, who had departed in 1989. Essentially a solo venture for singer Andy McCluskey under the OMD moniker, it leans more towards the dance-pop genre that was prevalent in the early 1990s, than the experimental brand of synthpop which characterised the band's earlier recordings.

Junk Culture is the fifth album by Orchestral Manoeuvres in the Dark, released in 1984. The three most successful singles from the album were "Locomotion", which reached no. 5 in the UK, "Talking Loud and Clear" (no. 11), and "Tesla Girls" (no. 21).
With this album, OMD regained their commercial grounding following the poor reception and sales to their previous effort Dazzle Ships. It had a much slicker sound in contrast to Dazzle Ships's experimental nature, largely attributed to the band's acquisition of the Fairlight CMI digital sampling/sequencing workstation. The title track is an instrumental with heavy dub overtones and tape collages, "All Wrapped Up" is a calypso pop song, and "Talking Loud and Clear" features a soprano saxophone melody. The cover artwork was designed by Peter Saville.