With such a large and mostly coherent discography, it’s frankly impressive that Sol Invictus anno 2014 are incorporating the sounds of bands that they helped inspire. Once Upon A Time could be a one-time experiment with Anderson’s electric guitars, or it might signify a new chapter in Wakeford’s career. It’s a fresh take on the crooning folk noir, and their best album since at least 2002’s Thrones. For readers unfamiliar with the work of Sol Invictus, Death In June, or Current 93, this is a soft introduction and a good gateway into the eclectic world of neofolk.