My California is the fifth studio album by Beth Hart, released in 2010. Hart worked with Danish producer Rune Westberg, who had already worked on Beth's previous albums 37 Days and Leave the Light On. Westberg challenged Hart not to "scream with animal savagery", not to rely on the power of her voice but rather on the power of emotions. This makes My California a unique album in Hart's discography, with a constancy throughout the tracks that the fans were not used to with the previous albums.

Leave the Light On – trzeci album studyjny amerykańskiej piosenkarki Beth Hart. Wydawnictwo ukazało się 21 października 2003 roku nakładem wytwórni muzycznej Koch Records. Materiał został wyprodukowany przez samą piosenkarkę, którą w nagraniach wsparli liczni muzycy sesyjni, m.in. tacy jak: organiści Richard Baker i Paul Buckmaster, perkusista Rev. Brady Blade oraz Mike Bradford, który zagrał na gitarze basowej oraz instrumentach klawiszowych.

Leave the Light On is an album by Beth Hart. Several versions of this album exist, ranging from the very original release in New Zealand in the spring of 2003 (on Warner Music NZ), the standard international version released worldwide later in the fall of 2003 (on Koch Records), then several specialized reissues in various European markets over the following few years. The German release (on Universal Music GmbH) contains entirely new recordings of three previously released songs, as well as three newer songs that would later be re-recorded for her next studio album 37 Days.

Beth Hart is on fire. Right now, the Grammy-nominated singer/songwriter is riding a creative tidal wave, firing out acclaimed albums, hooking up with the biggest names in music and rocking the house each night with that celebrated burnt-honey voice. In 2016, the headline news is Los Angeles’ singer Beth’s latest album, Fire On The Floor: a release that even this fiercely self-critical artist describes as “pretty frickin’ good”.
Despite all the emotionally bare moments, for Beth, this record represents a catharsis. “I think Better Than Home is one of the best records I’ve ever done,” she says, “but it was a brutal experience. Fire On The Floor has more energy and I think, overall, it’s just got more balls. And I think I really needed that, just to balance out that heavier mood on Better Than Home.”
Fire On The Floor is the album that Beth Hart needed to make. Likewise, it’s a record that you need to hear. “I’m so pleased with it,” she concludes. “I recently had to organise the sequence of the record, and while I was doing that, I was thinking to myself, ‘Y’know, this is pretty frickin’ good…!’”

Beth Hart received a considerable boost from her collaboration with guitarist Joe Bonamassa, but her 2013 album, Bang Bang Boom Boom, finds the blues-rock belter returning to her comfort zone, working with producer Kevin Shirley and running through a selection of songs that are originals; songs that emphasize Hart's range and power. In some ways, this is the purest record Hart has yet recorded; there is a real sense of what she can sing and how she lays back, waiting for the moment when her wailing would create the strongest disruption.

Immortal is the debut solo album by Beth Hart. It was listed as released by Beth Hart Band.

Live in Amsterdam is a live album by Beth Hart and Joe Bonamassa. It was recorded at a live performance at the music venue Carré Theatre in Amsterdam, the Netherlands. A DVD version is also available. The album peaked No. 49 in the United Kingdom and No. 13 in the Netherlands.

The aspiring musician moved back to Mississippi in late 1979 and opened a stained glass studio, which he continues to operate today. Shelton also began to perform locally, primarily as a solo performer. By the mid 1990s he decided to push himself more as a musician and began putting together electric blues bands and writing his own material. Shelton currently performs with his four piece band as well as in solo and duo format. In addition to regular club gigs, he performs at festivals throughout the region, including the Howlin’ Wolf Memorial Blues Festival, Willie King’s Freedom Creek Blues Festival, and the Beale Street Mess Around.

Since winning the International Blues Challenge, the Selwyn Birchwood Band has performed at many festivals including The Springing the Blues Festival, The Mississippi Valley Blues Festival, The Tampa Bay Blues Festival, The King Biscuit Blues Festival, The North Atlantic Blues Festival and also on The Legendary Rhythm & Blues Cruise. Birchwood has opened for Robert Cray and Buddy Guy, and has shared the stage with veteran bluesman and fellow Alligator Records artist Joe Louis Walker (who made a guest appearance on Don't Call No Ambulance).

One of the fastest rising guitarists in the Northeast, Tyler Morris makes his debut as a vocalist on his one as he teams up with three of the top fret masters in the business – Ronnie Earl, Joe Louis Walker and Mike Zito –for this intense, pleasing follow-up to Next in Line, his promising first appearance on the VizzTone imprint.
Still only 21 years old and someone whose skill on the six-string is a fiery as his red locks, the Boston native proves to be as solid at the mike, too, adding his pleasant tenor to seven of the ten cuts with Walker, Zito and former Blues Blast Sean Costello Rising Star nominee Amanda Fish sitting in for another.

Based in Boston and only age 19, Tyler Morris has been delivering his own version of rock flavored blues as a professional since he was just 11. Joe Louis Walker lends a hand on this collection of nine originals and one cover, the third CD in the young man’s catalog.
An electrifying guitarist who shies away from the microphone, Morris penned nine of the 10 songs here, leaving vocal duties to bandmate Morton Fredheim, who powers through the originals, and Walker, who shines on the sole cover.

Tyler Morris is a 16-year old guitar prodigy from Boston. Tyler was recently featured in Guitar Player magazine, and has already performed with such legendary icons as Steve Vai and Yngwie Malmsteen. This is his debut album. His future is extremely bright!

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed." When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides.