Шведский проект «Biomekkanik», основанный одним из участников легендарной группы «S.P.O.C.K.» Кристером Хермодссоном, 9 февраля 2015 года представил свой второй по счету полноформатный альбом. На творчество группы оказали влияние множество музыкантов разных жанров, сами же участники проекта называют себя "приверженцами американского индустриального звука".

"Policy of Truth" is a song by the English rock band Depeche Mode. It was released in May 1990 as the third single from their seventh studio album Violator (1990). Although the song was less successful than the first two singles before, it is the only Depeche Mode single to chart higher on the Billboard Hot 100 (#15) than on the UK Singles Chart (#16), as well as peaking at number two on the American dance charts.

Junk Culture is the fifth album by Orchestral Manoeuvres in the Dark, released in 1984. The three most successful singles from the album were "Locomotion", which reached no. 5 in the UK, "Talking Loud and Clear" (no. 11), and "Tesla Girls" (no. 21).
With this album, OMD regained their commercial grounding following the poor reception and sales to their previous effort Dazzle Ships. It had a much slicker sound in contrast to Dazzle Ships's experimental nature, largely attributed to the band's acquisition of the Fairlight CMI digital sampling/sequencing workstation. The title track is an instrumental with heavy dub overtones and tape collages, "All Wrapped Up" is a calypso pop song, and "Talking Loud and Clear" features a soprano saxophone melody. The cover artwork was designed by Peter Saville.

Tango, cumbia and son meet electronica in this contemporary collection of chill-out grooves. Features 3 new tracks and a Mexican tequila cocktail recipe. A remarkable revolution is taking place in Latin music these days, as electronica and remixing meet the more traditional rhythms of Argentinean tango, Afro-Cuban son, Brazilian bossa nova and Colombian cumbia. On Latin Lounge, artists such as Sidestepper, Natalia Clavier, and others prove that there can be a magical blend of modern musical trends and traditional Latin styles.

Long-established house and techno twosome Dan Berkson & James What are proud to announce the arrival of their debut album, Keep Up Appearances, on their own recently minted Modelmaker label. To be released in December on beautiful double gatefold vinyl and CD, with reworked woodcut artwork by Conrad Felixmuller, it has been a long time in the making but the wait has more than been worth it.

Дебютный альбом французского музыканта и продюсера The Avener вышел в свет 19 января 2015 года. Альбом получился непринужденным с элементами jazz-soul, интересными инструментальными линиями клавишных, гитары и басовых частей. Занял второе место в чарте French Albums.

Following the success of the first release, George V Records goes on with the Classical adventure and signs a second opus, Buddha-Bar Classical, Chillharmonic. Inspired by Classical Music's major themes, the little Parisian music label offers a Buddha-Bar vision of Haendel, Beethoven, Brahms or even Bizet's masterpieces. From Sarabande's languid melodies to ecstatic symphonies of Arlesienne, Buddha-Bar gives a new life to world-famous classical tunes with a modern vision infused with Lounge, Electronic and Deep or even House music influences.

A beautiful selection of piano based instrumentals with a celtic flavour. Featuring Piano, Uilleann pipes and keyboards. There’s a tender Celtic touch to Northern Irishman Eamonn Karran’s fine piano artistry. In listening, you’ll also discover something more. The influence of worlds beyond is perceptible, adding a unique mystery to the appropriately titled Distant Sun, as well as a glimpse into the heart of its composer. Featuring piano, synthesizer and uilleann pipes.

In February 2014, Advance released their long-awaited debut album, Deus Ex Machina on Manchester-based independent label AnalogueTrash Records. Literally translated as ‘God from the machine’; Deus Ex Machina explores themes of a dystopian, post apocalyptic future and of man’s dependence on technology for survival throughout each of the album’s nine tracks.