'Guitar Only', produced by Salinas together with Daniel González, was recorded at ION studios under the technical supervision of Jorge Da Silva, 'El Portugués'. "The emphasis on the album was the simplicity of the recording process Playing the guitar with a microphone in front, not much production and songs that mean a lot to me, " says Salinas. The guitarist says " this is the album I've wanted to make. The variety of songs and styles show that I don't want to limit myself to some trend and, as music has no borders, I don't use a passport. I play what like to play and I hope people enjoy it as much as I do." Salinas is a great technical guitarist with an almost superhuman dominance of the "diapason". His "fraseos" are rich in their timbre nuances, he connects major scales with minor ones which keeps your attention on the guitar.

On this date King usually overdubbed his guitar to play along with his vocals (somehow the interplay does not sound spontaneous) but it does not detract from the final results. The intelligent and philosophical lyrics fit King's style very well and his voice is very much in prime form.

Individual Choice is an album by French jazz fusion violinist Jean-Luc Ponty that was released in 1983.

Fables is an album by French jazz fusion artist Jean-Luc Ponty, released in 1985.

I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.

Harvey William Mason (born February 22, 1947) is an American jazz drummer, record producer, and member of the band Fourplay. Mason grew up in Atlantic City, New Jersey and attended Atlantic City High School.

When the Buena Vista Social Club album was released to great acclaim in 1997, it revived the careers of quite a few incredibly talented aging Cuban musicians. Like Ibrahim Ferrer, most of those musicians (who had been legendary in the '40s through the '70s) hadn't been performing professionally in decades. With the success of the Buena Vista Social Club, everything changed; they toured the globe, and plans for follow-up albums followed. Ibrahim Ferrer's was the second of what became a line of Buena Vista releases, all hoping to cash in on the success of the first. Ferrer's album is pleasant, the kind of album you could put on during brunch on a sunny morning. The album features many classic Cuban compositions. Original arrangers, musicians, and bandleaders were involved whenever possible. One standout is "Mami Me Gusto," a rolling upbeat tune by the legendary Cuban composer/bandleader Arsenio Rodriguez. On that tune Ferrer is lively and loose, and he is joined by Rodriguez's original pianist, the masterful Ruben Gonzales. The rest of the album is nice, but rarely as inspired or joyous as the original Buena Vista release. This is a much more romantic sounding album and on the right tunes, like "Aquellos Ojos Verdes," they really hit the mark; Ferrer shines and Gonzales sends glistening piano lines cascading down the keys. At age 63-plus, Ferrer was long overdue for a debut album, and as a result the disc communicates a feel of easy satisfaction. If you're looking for classy cocktail party music that will hold the attention of music fans, and won't bother the uninterested, look no further.

Fuse One was a group of jazz musicians who collaborated for two albums released on CTI Records and one album released on GNP Crescendo Records.
The albums Fuse One and Silk were produced by Creed Taylor. The first album was arranged by Jeremy Wall of Spyro Gyra, the second by Leon "Ndugu" Chancler of Weather Report and the third by David Matthews.
Membership was not concrete, but included Tony Williams, Joe Farrell, John McLaughlin, Stanley Turrentine, Wynton Marsalis, Larry Coryell, Lenny White, Paulinho Da Costa, Ronnie Foster, Stanley Clarke, George Benson, Todd Cochran, Leon "Ndugu" Chancler, Tom Browne, Dave Valentin, Jorge Dalto, and Eric Gale.
The liner notes to their first album described the group thus: "Fuse One is conceived as a forum in which major contemporary musicians perform according to their own musical disciplines and without the constraints that accompany leader responsibilities. Each player brings in new compositions and ideas."

Recording and performing together since the late '70s, Gene Bertoncini and Michael Moore once more undertake the daunting task of making a guitar-bass duet session attractive to listeners without being boring or maudlin. Like their earlier efforts, Two in Time successfully fills the bill. The interesting play list, with a balanced mix of slow and up-tempo tunes, contributes much to making this a satisfying session. The medley of "The Bad and the Beautiful" and "Laura," with most of the players' attention given to the latter, is intriguing in the way that it segues back and forth between Moore's dark, brooding bowing on "Laura" and Bertoncini's upbeat guitar. Moore also bows on "You've Changed" which is a highlight of his introspective but very lyrical approach to the music.