Coleman Randolph Hawkins - was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet.

Carlos Wesley "Don" Byas - was an American jazz tenor saxophonist, associated with Swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.

Lester Willis Young - nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike".
Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

Benjamin Francis „Ben“ Webster - war ein US-amerikanischer Tenorsaxophonist des Jazz, der gelegentlich auch Piano und Klarinette spielte. Er wird ähnlich wie Coleman Hawkins und Lester Young als einer der großen Tenorsaxophonisten der Swing-Epoche angesehen. Seine Spielweise variierte vom manchmal gehauchten Ton in Balladen bis zum „kehlig-krächzenden Vibrato“ bei schnelleren Tempi. Bekannt wurde er vor allem durch seine Soli im Duke Ellington Orchestra von 1940 bis 1943 und später als ein meisterhafter Interpret von Balladen. Seine Spitznamen waren Frog und Brute.

Edward Kennedy "Duke" Ellington - was an American composer, pianist, and leader of a jazz orchestra from 1923 through the rest of his life.
Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered among the best players in the idiom. Ellington melded them into the best-regarded orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion.[2] With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces.

This is my favorite Kazu Matsui recording. I have others but this one with Robben Ford is very good. If you are a fan of Robben Ford, you get to hear a different side of him. Great vocalsl from Robben. I have been looking for this album in CD format for years. A must have for Kazu Matsui Project fans and Robben Ford fans.

Saxuality is the debut album by Candy Dulfer. Dulfer was no stranger to music since she is the daughter of Hans Dulfer, a famous Dutch saxophone player. Prior to her debut album, Candy Dulfer performed with Rosa King at the North Sea Jazz Festival, opened for Madonna during her 1987 concert in Rotterdam, collaborated with Prince on Graffiti Bridge, joined Prince on his 1988 tour and had a #11 hit with "Lily Was Here" together with David A. Stewart.