Набор из джазовых стандартов, исполняемый подлинными грандами жанра.

Японское переиздание альбома, который первоначально был выпущен в 2001 году ограниченным тиражом 10 тыс. экз. и был доступен на веб сайте и на концертах певицы.

Day Breaks is the sixth solo studio album by American singer-songwriter Norah Jones, released on October 7, 2016, through Blue Note Records. The album features nine original songs and three covers. Jones returned to a piano-driven sound as heard on releases early in her career. It peaked at number two on the US Billboard 200, becoming her sixth album to reach the top ten.

Feels Like Home дебютировал на первом месте американского хит-парада с тиражом 1,022,000 копий в первую неделю релиза. Во вторую неделю тираж составил ещё 395,000 копий и он провёл первые 6 недель на вершине чарта Billboard 200. Стал вторым самым продаваемым альбомом 2004 года с тиражом 3,842,920 копий. Он стал 7-м среди всех певиц самым успешным по продажам за одну неделю после Adele's 25, Britney Spears' Oops…! I Did It Again, Taylor Swift's 1989, Red и Speak Now, и Lady Gaga's Born This Way. В Голландии альбом стал лучшим по итогам года и 24-м по итогам 2000-х годов. В мире был продано более 12 млн копий.

Back in the 90s heyday of Britain’s acid-jazz movement, a hot young saxophonist called Ed Jones shared pole position with new horn heroes Courtney Pine and Andy Sheppard – but Jones preferred the creative sidelines (enhancing rap/soul/jazz outfits such as Us3 and Incognito, among others) and has flourished ever since in settings from free-improv to swing. This is the album debut of his fine, seven-year-old quartet – creatively related to mid-period Coltrane, 70s McCoy Tyner and the pensively penetrating work of his biggest inspiration, Wayne Shorter. He’s tersely telling on soprano sax on the Tyneresque Latin groove Nomadology, granite-firm on the mid-tempo tenor swinger Pandora’s Box, and close to Shorter’s cryptic tenor-sax poetry and wriggly evasions on the smoky, pulsing Marielyst. Starbright – an exquisite vapour-trail for delicate singer Brigitte Beraha – is at times harmonically reminiscent of the Stan Tracey classic Starless and Bible Black. A largely post-boppish set ends with free-improv, a bold turnaround only to be anticipated from a freewheeling band such as this.