Here is a singer of the new century for whom the voice is instrument before being vector of ego. His vocal references are feminine, perhaps because his medium voice can take him to heights inaccessible to some of his colleagues. He confesses, however, his attachment to Chet Baker for the celestial emotion aroused by his timbre and phrasing, and for David Linx with whom he worked five years at the Royal Conservatory of Brussels. But it is the elegance and poetic vertigo in which he draws us from the first breath of his voice that quickly marks this disc with the seal of talent. In the middle of an original repertory for music and lyrics, Robert Wyatt's only Alifib refers to a known field, where this young man invites the listener to a great leap into the unknown and a journey into His musical intimacy. It must be said that Loïs Le Van is well helped in his quest for grace by a trio without a battery where each musician is wonderfully in his place. Sylvain Rifflet (saxophone and clarinet), Bruno Ruder (piano) and Chris Jennings (double bass) escort the singer in divine fashion until the fascination of the listener, if the latter is as audacious as the artist. This is probably why Patricia Barber says of him: "This is the one missing in the world of male vocalists, it can break your heart."

New studio album from the Jazz diva. Laura selected a number of popular pop songs and had arrangements written in her own unique style. Bossa, swing, soft jazz, songs from Sade, the Beatles, Alicia Keys and Don McLean gain a whole new dimension! Universal.

Frances Madden is a piano player and songwriter – and an emerging Sydney-based ‘popular jazz’ artist. Her style is original and natural but reflects the influences of Ella Fitzgerald, Diana Krall, Nora Jones and Eva Cassidy, whom she grew up listening to.

Blake Aaron has already scored Top Five Billboard airplay hits with his Latin flavored single "Encantadora," featuring Najee on the flute, the soulful jazz tune "You're The One For Me," featuring vocalist Spencer Day, and the slamming old school jam "Groove-O-Matic." Aaron also released as singles, the Latin dance romp "Sol Amor" and the mid-tempo R&B romance "You're My Miracle." Soul Stories' latest single, "Wes Side Story," is a spirited 60's soul jazz excursion that takes Aaron back to one of his key guitar influences, the great Wes Montgomery.

This music marks Lustig as a centrist, but one who's willing to take some risks and push at the boundary lines of conformity. It's the perfect blend of comfort and challenge, feeding the soul and firing the imagination all at once. And in the center of it all is Lustig's lusty horn, inviting all to come and enter into his world.

The New Edge is the seventh album by Acoustic Alchemy released in 1993.
The album is critically regarded as one of Acoustic Alchemy's better albums, despite only having one track, "Cool As A Rule" on their standard set-list.

This Way is the latest Acoustic Alchemy album released on May 14, 2007 in the United Kingdom. It was released on June 6, 2007 in the United States.
On February 4, 2007, Acoustic Alchemy announced that they had recently completed recording the new album, comprising eleven tracks. It features special guest appearances from trumpeter Rick Braun (on the track "Carlos The King"), saxophonist Jeff Kashiwa (on "Egg") and collaborations with label-mates Down to the Bone.

Reference Point is the first album by Acoustic Alchemy released in 1990 for jazz label GRP and their fourth album overall.
Containing some of the band's more popular tracks, such as the title track "Reference Point", "Same Road, Same Reason" and "Cuban Heels", the nine-track album is also the only album by the band to offer a cover track: "Take Five".

Back On The Case is the fifth studio album by Acoustic Alchemy released in 1991.
The first four tracks from this album all appear on the band's 2002 compilation album, "The Very Best Of Acoustic Alchemy".
It is also the second album by the band to feature pianist Terry Disley.

The Beautiful Game was the tenth full-length album by Acoustic Alchemy, and marked a turning point in the career of guitarist Greg Carmichael.
This album was the first without founding member Nick Webb, who had died two years previously due to pancreatic cancer; duties on steel string guitar were now filled by understudy Miles Gilderdale, who remains in the post to this day.
The album came as a stark change to fans of the group. Glossy production and radically different songwriting brought about a new 21st century sound, completely adverse to the style built up over a decade and a half up until this point.

Sounds of St. Lucia: Live is a live album released by Image Entertainment, on both CD and DVD, of a performance by Acoustic Alchemy at the tenth St. Lucia Jazz Festival in 2000.
The band line-up on this album consists of Greg Carmichael (nylon guitar), Miles Gilderdale (steel guitar), Frank Felix (bass), Tony White (keyboards) and Richard Brook (drums).

Against The Grain, Acoustic Alchemy's 7th album, was released in 1994 under the GRP label.
Despite having only ten tracks, "Against The Grain" still manages to notch up a total play time of 53 minutes, notably because of the band's experimentation with some longer, more drawn out tracks.

Arcanum (spelled a͡rcānˈum on the cover) was a 1996 album released by Acoustic Alchemy, their penultimate release on the GRP jazz label.
The production on this album differed from normal; the band recorded the disc live at Pinewood Film Studios, London, UK. They enlisted the help of the London Metropolitan Orchestra to provide backing.
The album contained twelve tracks, three of which were new ("Columbia", "Chance Meeting" and "Something She Said"), and the others re-recordings of tracks selected from the band's discography to this point.