Arcanum (spelled a͡rcānˈum on the cover) was a 1996 album released by Acoustic Alchemy, their penultimate release on the GRP jazz label.
The production on this album differed from normal; the band recorded the disc live at Pinewood Film Studios, London, UK. They enlisted the help of the London Metropolitan Orchestra to provide backing.
The album contained twelve tracks, three of which were new ("Columbia", "Chance Meeting" and "Something She Said"), and the others re-recordings of tracks selected from the band's discography to this point.

The story of Acoustic Alchemy has always been about innovation and adaptability. In the nearly 25 years since their first recording, the UK-based group has crafted a sound that maximizes the potential of not only the acoustic guitar but also its electric counterpart - and in so doing they've explored the subtle corners where jazz, pop, world music and other genres intersect. Along the way - with the help of a massive worldwide following created by consistent touring - they've weathered personal setbacks, dramatic shifts in musical trends, and in recent years, sweeping changes in the music industry. The next step in this ongoing journey is Roseland, their new recording set for release on September 27, 2011.

Red Dust And Spanish Lace was the breakthrough debut album by Acoustic Alchemy from 1987.
Comprising nine tracks in total, the album spawned the radio-friendly single "Mr. Chow", which was described as "Chinese reggae".
Other highlights include "Sarah Victoria", a re-recording of an early demo track, and the title track, which is still a live favourite now.

Mes Courants Électriques (English: My Electric Currents) is the second studio album by the French recording artist Alizée. It was released on 18 March 2003. Though not as successful as her previous album, Gourmandises, this album still sold more than 400,000 copies in the first three months of its release. Unlike her previous album, which was entirely in French, this album has English versions of four of its songs. As with Alizée's first album, the entire production was the work of Mylène Farmer (Lyrics) and Laurent Boutonnat (Music), but this would be the pair's last work with Alizée