Angel of the Morning, issued in the EU by Camden Deluxe, is, for all practical purposes, a solid collection of Nina Simone's recordings for RCA, covering the years 1966-1974. These years are not critically regarded as her best -- those are usually reserved for her Colpix and Philips recordings.

Shadowmaker is the eighth studio album by the Finnish cello metal band Apocalyptica. It was released on April 17, 2015 in Europe and Australia, and will be released on April 20 in the UK, France and Latin America, April 21 in the U.S. and Canada, and April 22 in Japan.
" I think it's a totally new kind of record for Apocalyptica especially because we have one singer on the whole album and I think it's making the whole album more solid. It's more of a band record compared to the album that we have had guest vocalists so I think it's more solid. " (Eicca Toppinen of Apocalyptica)

A Better World is the 21st studio album by Chris de Burgh, released on Butler Records. The central themes of the 15 new tracks are love, war, the past, the future, religion, equality and world peace. The new album includes 15 brand new self-penned songs which encompass all the craftsmanship learnt from the more than 280 songs written by this master songwriter. The songs offer an instant and clear insight into the thinking and imagination of one of popular music’s most evocative and accomplished songwriters, whose long and consistent career has so far resulted in sales of 50 million albums and sold out performances in concert halls worldwide. Musically, A Better World is a familiar de Burgh melting pot of diverse styles, tempos and instrumentation. Ballads sit alongside anthems, solo performances with band or orchestral ensemble pieces. Straight-ahead rock and pop songs are infused with regional flavour, from Caribbean to Celtic.

Двенадцатый студийный альбом итальянского певца и продюсера Giorgio Moroder - Forever Dancing. Релиз этого альбома состоялся в 1992 году.

En Concert is an energetic live album with half the tracks played in front of Houston, TX, and the other half played to a crowd in Lyon, France. Jarre ignites the crowd in both cities, letting loose on a multitude of synthesizers and sequencers while playing his classics like "Oxygene V," "Magnetic Fields I," and "Equinoxe V." His sonic display in front of the French crowd is the more spirited of the two, since Europe is where his fan base is the largest. Jarre kept many of his slower mood pieces off of this album, which is rightly so. His quicker, more robust pieces seem to gain momentum as he dazzles the audience with his electronic sweeps and sharp stabs of brilliant synth.