Performer: The Catch
Album: 25 Years - The Best Of Singles And 12 Inch Versions
Label: Repertoire Records. Made in EU.
Catalog #: REPUK 1193
Style: Synth-pop
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 31
Size ZIP: ~ 1.03 gb
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25 Years : The Best of Singles and 12 Inch Versions album for sale by The Catch Electronic was released Jul 29, 2014 on the Repertoire label. 25 Years : The Best of Singles and 12 Inch Versions CD music is a 2-disc set.
Performer: David Gilmore
Album: Transitions
Label: Criss Cross Jazz. Made in UK.
Catalog #: Criss 1393 CD
Style: Post-Bop
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 09
Size RAR: 364 mb
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Recovery: 3%
Password: without a password



The talented soloists are the highlight of the album, though small mistakes and a lack of continuity keep it from reaching its full potential After appearing as a sideman on several recent Criss Cross releases, this 2017 album is guitarist David Gilmore's first as a leader for the label. He tackles a program of mostly covers, with a few originals mixed in, with a quintet consisting of tenor saxophonist Mark Shim, pianist Victor Gould, bassist Carlo De Rosa, and drummer E.J. Strickland. Vibraphonist Bill Ware and harmonica player Gregoire Maret also make guest appearances on one track each.
Performer: Rod Stewart
Album: Foot Loose & Fancy Free
Label: Warner Bros. Made in JP.
Catalog #: WPCR-13340
Style: Classic Rock
Year: 2009
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 8
Size ZIP: ~ 300 mb
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Following the same formula as Atlantic Crossing and A Night on the Town, but not explicitly breaking the record into fast and slow sides, Foot Loose & Fancy Free was a limp effort from an increasingly complacent Rod Stewart. With the exception of the dumb, sleazy "Hot Legs," none of the rockers are discernible from each other, and this time he doesn't have a strong set of ballads to save him. The affectionately sappy acoustic ballad "You're in My Heart" was the big hit, but Stewart sounds completely convincing only on "I Was Only Joking." Coming at the end of the album, the song seems like a justification for the uninspired, by-the-book record that preceded it.