Even in the Quietest Moments… is the fifth album by progressive rock band Supertramp, released in April 1977.
The album was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals and mixing completed at The Record Plant in Los Angeles and was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.

Meester’s voice is strong, sultry and yet vulnerable and gentle. The tone and even texture to her voice have this mysterious and dreamy feel that compels you to press repeat. The thought to press skip doesn’t cross your mind for any of the songs because they are all that good. Listening to the whole album is like embarking on a relaxing boat ride of sweet, soothing melodies accompanied by perfectly strummed acoustic guitars.
The songs vary in tempo. Songs like “Good for One Thing” and “On My Side” pick up the pace and lift you up. But then there are songs like “Dreaming.”

Finally! As of 2014, Lick My Decals Off, Baby, The Spotlight Kid, and Clear Spot had needed a proper remastering treatment for quite some time when Rhino came to the rescue, remastering all three in one fell swoop as Sun Zoom Spark: 1970 to 1972. As if that weren't enough for fans, they added an entire bonus disc of outtakes and alternates as well. The albums themselves are fairly different from each other. Lick My Decals followed directly after Trout Mask Replica and is the closest there is to Trout Mask's sonic assault.

Jerusalem was formed in the early 70's and released in 1972 a self-titled album on the infamous Deram label which was produced by Ian Gillan. They gigged all over Europe supporting Black Sabbath, Deep Purple, Uriah Heep and Status Quo before disbanding due to "musical differences". The band reformed again in 2008 releasing their second album "Escalator" to much acclaim.
Now for their third album with original members Lynden Williams and Bob Cooke they are joined by the cream of the Prog Rock crop Geoff Downes (ASIA,YES) and Nick D'Virgilio (Tears For Fears, Spocks Beard) and they have produced a stunning brand new Prog Rock album.

Гела Гуралиа - певец, обладающий голосом уникальной красоты, тенор-альтино.
Тембр редкой красоты, высокий сильный голос и необычная подача песни Гелы покорили зрителей и наставников телепроекта "Голос" — завоевав многочисленную армию поклонников, он дошёл до финала и занял третье место по результатам зрительского голосования.

Из-за того, что Мортен Веланд, гитарист, гроулинг-вокалист и основной автор композиций и текстов покинул группу, основав свой проект Sirenia, этот альбом стал первым совместным творением всего коллектива группы. Звучание альбома получилось более разноплановым, чем на предыдущих альбомах. Исполнение композиций не позволяет отнести альбом к дум-металу, он гораздо ближе по звучанию к симфо-металу с использованием традиционного для группы сочетания высокого женского вокала с мужским чистым вокалом и гроулингом. Партии гроулинг-вокала на этом альбоме были исполнены Ронни Торсеном, участником группы Trail of Tears.

Of Breath and Bone is Be’lakor’s third full length album, and was recorded between the months of December 2011 & February 2012.
Recorded and engineered by Warren Hammond at Pennydrop Audio, Melbourne.
Mixed and mastered by Jens Bogren at Fascination Street Studios, Sweden, in March 2012.
All music and lyrics written by Be’lakor. Produced by Be’lakor.

Do It Again is an extended play (EP) by Norwegian electronic music duo Röyksopp and Swedish recording artist Robyn, released on 23 May 2014 by Dog Triumph. The extended play coincides with Röyksopp and Robyn's joint tour, the Röyksopp & Robyn Do It Again Tour 2014, featuring shows in Europe and North America.

Texas Flood is the debut album of American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles.

Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985 by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart[3] and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.

In these days when every '60s act this side of Pinkerton's Assorted Colours is getting themselves anthologised in a chocolate box of CDs it would be naive to expect that the original Fleetwood Mac could escape without yet another tribute to their rugby shirt years. This 50-track, three-CD collection brings together anything of any consequence that Peter Green's group did in the way of a 12-bar. It includes the whole of their first two albums, the hit singles Albatross and Man Of The World, the comparative flops Black Magic Woman and Need Your Love So Bad, a few nuggets from Blues Jam At Chess wherein they skirmished with the likes of Willie Dixon and Otis Span; it even has the nerve to appropriate one Chicken Shack track in the shape of Christine McVie's terrific I'd Rather Go Blind from 1969.

Live in Boston (aka "Boston Live" and "Jumping at Shadows") is a live album by British blues-rock band Fleetwood Mac. It was recorded over three nights at the Boston Tea Party venue in Boston, between February 5 and February 7, 1970. The recordings were made for a proposed live album which was to have been released during 1970, but the project was shelved and the tapes remained unreleased until Shanghai Records issued seven songs from the performances as Live in Boston in February 1985.