Under Paris Skies is an album by American pop singer Andy Williams that was released in the fall of 1960 by Cadence Records. This, his seventh and final LP for the label, is a collection of songs that Joseph Laredo describes in the liner notes of the CD release by Varèse Sarabande as "a delightful program of twelve compositions, selected by Williams, that proved an engaging mixture of genuine French popular songs and American-penned emulations."

Silhouette is the new album from Ali Campbell, the legendary voice of UB40 reunited with Astro & Mickey. Recorded in London's renowned RAK Studios, the album is an inspired mix of freshly-minted new songs and sparkling, reggaefied cover versions of classics by The Beatles, Bob Dylan, The Chi-Lites and others. The track Silhouette was originally a 1957 hit for the American doo-wop group The Rays, though this new, yearning take, owes more to an early 1970s version by the crown prince of reggae, the late Dennis Brown. As founding members of UB40, Ali, Mickey and Astro helped to define reggae music for a generation. The iconic Birmingham reggae troupe topped the UK singles chart on three occasions and sold 70 million records as they took their smooth yet rootsy musical blend to all corners of the globe.

1989 - пятый студийный альбом американской кантри-певицы Тейлор Свифт. Свифт начала планировать последующий проект в 2013 году и приступила к работе непосредственно в 2014 в сотрудничестве со шведскими продюсерами Максом Мартином и Shellback. Свифт представила будущую пластинку как «первый задокументированный официальный поп-альбом», который представит новый музыкальный стиль, отличный от ранних работ исполнительницы в жанре кантри.

Phil Collins' seemingly endless well of energy afforded him two careers: one as the drummer/vocalist in Genesis, and a second as a prolific session musician. It was in this second scenario that Collins hooked up with Percy Jones, John Goodsall, and Robin Lumley during sessions for Brian Eno, Eddie Howell, and Jack Lancaster. The quartet soon formed Brand X, a fusion jazz band that matched the prodigious rhythms of Collins and fretless bassist Jones with the atmospheric melodies of Goodsall and Lumley.

Brand X's most eclectic album to date, Product is perhaps most notable for its attempts at a pop crossover in the Phil Collins-sung "Don't Make Waves" and "Soho." The range of styles presented here -- hard and soft fusion, pop, progressive rock -- results from the now-interchangeable nature of the Brand X lineup, which, in addition to the returning Collins and Robin Lumley, is expanded to include bassist John Giblin and drummer Mike Clarke (Chuck Burgi having left after Masques).

Moroccan Roll (1977) is the second studio album by British jazz fusion group Brand X. The title is a pun referring to this being their second album: "more rock and roll", however, Moroccan Roll is not a step toward the rock & roll side of the fusion equation, but rather an experiment with Eastern sounds and softer textures. The album is mostly instrumental; only "Sun in the Night" is sung by Phil Collins.

Ritchie Blackmore’s Rainbow - дебютный альбом британско-американской группы Rainbow, вышедший в мае 1975 года. В чартах Британии этот диск занял 11-е место, в США - 30-е.

Without the drumming of Phil Collins, who does appear on some of Brand X's albums, Masques still maintains a snug, jazzy-prog milieu and comes off clean and tight. Each song has a different beat, speed, and tempo with a satisfying assortment of keyboards and percussion instruments to keep the entire album afloat. Resounding xylophone and chimes outline the music on the seven tracks, with "Earth Dance" and "The Poke" coming up a little bit stronger than the rest.

Livestock is a live album by British jazz fusion group Brand X released in 1977. The album has five tracks. It is the first album on which Kenwood Dennard appears as a replacement drummer for Phil Collins on two of the five tracks.

Do They Hurt? (1980) is an album by British jazz fusion group Brand X. The tracks on this album are outtakes from the Product sessions. ("Noddy Goes to Sweden" was a B-side from Product.)

АC/DC drummer Phil Rudd recently spoke to Libel Music about his debut solo album, "Head Job", which was released at the end of last month via Universal Music Australia. The songs on the CD were penned primarily by Rudd with the assistance of Allan Badger and Geoffrey Martin — musicians Phil met on the local scene in New Zealand, which he says "turned out to be a great musical partnership." "Badge" and Martin also perform vocals, guitars and bass on the album, with Rudd sitting in the producer's seat. The tracks came together over a period of time recorded at several locations including the studio that Rudd built himself not far from his restaurant Phil's Place in Tauranga, New Zealand.

Hoodoo is an unreleased studio album by John Fogerty. It was recorded in the late spring of 1976 and intended to be his third solo album.

»Storm Of Blades« was recorded in December/January 2014. The call to return to the road supporting the legendary PRIMAL FEAR, had the band taking a break all until April/May 2014, when they finally continued working on and concluded the album at Pama Studio in Torsås, Sweden. The production was handled by BULLET and Magnus “Mankan” Sedenberg.

Незадолго до начала работы над альбомом гитарист Тони Айомми, игравший с наконечниками-протезами, на три полутона приспустил струны, чтобы ослабить нагрузку на травмированные пальцы. То же сделал бас-гитарист Гизер Батлер: так возникло новое, утяжеленное звучание, которое повлияло на многих музыкантов, ставших исполнять впоследствии stoner- и sludge-метал.

Заглавный трек (который был назван в честь фильма 1964 года с Борисом Карлоффом в главной роли, и в свою очередь дал новое название группе, тогда ещё известной как Earth) появился после того, как Гизер Батлер взял у Оззи Осборна книгу XVI века о чёрной магии. «…Я проснулся среди ночи: у дальнего конца кровати стояла фигура в чёрном. Несколько секунд спустя она словно бы растворилась, заставив меня пережить момент незабываемого ужаса… Я рассказал об этом Оззи, и у него, судя по всему, эта история засела в памяти. Едва мы начали играть Black Sabbath, он тут же выдал целиком весь этот текст… После всего этого стало ясно: иного названия для нашей группы и быть не может!»