Foreigner is the debut studio album by British-American rock band Foreigner, released on March 8, 1977. It spun off three hit singles, "Feels Like the First Time", "Cold as Ice" and "Long, Long Way from Home". It also features album tracks such as "Headknocker" and "Starrider", the latter of which features a rare lead vocal from lead guitarist and co-founder Mick Jones.

Double Vision is the second studio album by the British-American rock band Foreigner, released on 20 June 1978 by Atlantic Records. Recorded between March - May 1978, it was Foreigner's only album co-produced by Keith Olsen and the last recording with bass guitarist Ed Gagliardi who would be later replaced by Rick Wills.
Double Vision was the first in the line of many other recordings in which A&R executive John Kalodner would simply have his name listed twice in liner notes, as a play on the title of this album. The phrase "John Kalodner: John Kalodner" originated when the producer Olsen was wondering just how to credit Kalodner's involvement in the band and the album. In keeping with the double vision theme, guitarist Mick Jones came up with an idea of doubling the name.

4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 2, 1981, by Atlantic Records. The album's name signifies that it is the band's fourth studio album and also the fact that the band's membership had reduced from six to four members. Musically, it showed Foreigner shifting from hard rock to more accessible mainstream rock and pop music.[10] The release of 4 coincided with the launch of MTV later that August.
4 was a commercial success worldwide, holding the No. 1 position on the Billboard 200 chart for a total of 10 weeks. It eventually sold over six million copies in the U.S. alone. Several of its singles were hits, including "Urgent", "Waiting for a Girl Like You" and "Juke Box Hero".

Eros in Concert is a live double-CD album by Italian singer-songwriter Eros Ramazzotti, released in 1991. The album was recorded during a subsequent tour, with one featured concert in Barcelona, Spain, taking place on December 4, 1991—the same day the album was released. It is one of three live albums in Ramazzotti's discography.

In certi momenti (conocida en su versión española como En ciertos momentos) es el nombre del tercer álbum de estudio grabado por el cantautor italiano de pop/rock Eros Ramazzotti, Este álbum fue producido por Piero Cassano y publicado bajo el sello discográfico BMG en 1987. «La luce buona delle stelle» es el primero de muchas colaboraciones entre Ramazzotti y otros intérpretes, en este caso con la cantante/actriz británica Patsy Kensit.

Cuori agitati (Troubled Hearts) is the debut album by Italian pop/rock singer Eros Ramazzotti, produced by Piero Cassano and released in 1985 on the BMG label.
Ramazzotti had won the 'New Voices' category in the 1984 Sanremo Music Festival with the song "Terra promessa", which went on to peak at number 2 on the Italian Singles Chart and is included here. At the 1985 Sanremo Festival, Ramazzotti entered the main competition with "Una storia importante", which placed sixth but subsequently topped the Italian chart and also reached number 2 in France. Cuori agitati made number 10 on the Italian Albums chart.

On Every Street is the sixth and final studio album by British rock band Dire Straits, released on 9 September 1991 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The follow-up to the band's massively successful album Brothers in Arms, On Every Street reached the top of the UK Albums Chart and was also certified platinum by the RIAA.

Aretha's Gold is a greatest hits album by Aretha Franklin, released in 1969 at Atlantic Recording Corporation. The album's tracks were recorded at Atlantic Studios, New York City, except "I Never Loved a Man (The Way I Love You)" and "Do Right Woman, Do Right Man", which were recorded at the Fame Recording Studios, Muscle Shoals, Alabama.
The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981).

If you're diving into Little Richard’s legacy, begin with the first two—they're essential. The third is a compelling if somewhat mellow twist in his saga.

Here's Little Richard is the debut studio album by the American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".

Here's little Richard's first five consecutive albums. Starting with his 1957 debut to 1960.
Richard only had one more album prior 1962 (public domain) so it's interesting that "The King Of Gospel Singers" which includes 12 more gospel songs, wasn't included here.
Richard's first charted R&B single was in 1955 and he continued with a total of 18 R&B & 16 pop through 1958. All are here plus 3 of the only 4 B-sides of R&B during that time. He had a 6 year hiatus from the chart and returned in 1964, to have 5 more songs chart through 1973, with modest chart success, but nothing to compare with his mid to late 1950's hey-day.
This set captures the essence of Little Richard. Track Listing ~ and identifying the charted songs numbers 1 to 18 (R&B) and the B-sides.

Even if you haven’t heard anything by, or know about, veteran New York City singer-songwriter Willie Nile, one spin through his newest rocking entry into a catalog that stretches back to 1980 makes it clear who his major influences are. Nile can count Bruce Springsteen and the late Lou Reed as fans, likely because his own music also captures the gritty, urban poetry of both. He seizes the former’s expansive, widescreen aspirations and resounding power chorus approach on the opening “Forever Wild” (which even sounds like a Bruce title), and closes with a cover of Reed’s “Sweet Jane” which, while it doesn’t redefine the well-worn classic, gives it a shot of adrenaline akin to Mott the Hoople’s version.

Willie Nile, The Bottom Line Archive 1980-2000, is two disc set, separated by a 20 year gap, and is a great example of Niles long term staying power, and the loyalty that Bottom Line owner/curator, Allan Pepper ( booker, or talent buyer does not suffice) extends to the artists that he really believes in. Exhibit A is this double-disc affair, highlighting two distinct eras in Nile s 35-year career. It is worth noting that one of the primary reasons we can enjoy the temporal contrasts contained in this collection is simply because, when Willie was ready to come back, Allan Pepper was just as ready to welcome him back to The Bottom Line. It was a second home for me, gushes Nile. Allan and the whole vibe of the club was so musician-friendly and warm. It was just the best place to play for that reason.

One of New York's Finest, this Double CD Set Collects Three Albums Willie Recorded for Arista and Columbia Between 1980 and 1991. The Quality of These Recordings Proves Why Willie is Held with Such High Critical Regard by the Likes of Bono and Lucinda Williams. Guests Include Roger Mcguinnand Richard Thompson While Willie's Band Featured Jay Dee Dougherty and Fred Smith, Both of the Patti Smith Group.