На диске собраны ремиксы и разные версии композиций с ранее выходивших синглов. Front 242 позволил всем, начиная с Underworld и заканчивая The Orb обрабатывать свой материал, в результате чего ремиксы в большинстве случаев получились довольно-таки ничего. Благодаря такому случайному выбору ремиксеров, каждый трэк можно назвать уникальным.

Новый альбом, в отличие от предыдущего «Hail To The King», похож на своих родителей. Здесь именно то звучание, то многообразие и непрямолинейность, заключающееся лично для меня в разнообразии риффов, обилии мелодических линий и смене ритмических рисунков в рамках даже одной песни, за которые можно любить «Nightmare» или «City of Evil». Из такой композиторской работы состоит собственный стиль группы, достаточно оригинальный, который был заметно утерян в погоне за кумирами в предыдущей работе.

Альбом "Scream Bloody Gore" выпущенный в мае 1987 группой Death на независимом лейбле Combat Records сразу застолбил за собой место эталонного альбома в жанре дэт-метал. Нет, не надо сравнивать его с классикой жанра конца 80-ых - начала 90-ых. Эти сравнения неуместны, потому как, конечно же, альбомы 1989 года "Altars of Madness" и "Slowly We Rot" (сами знаете кого), на порядок лучше практически по всем показателям. Но необходимо принимать во внимание, что создавались они на фундаменте именно этого альбома, так презираемого многими. Да и этот релиз, не задержи лейбл его выпуск, потребовав, кстати, второй вариант записи (именно поэтому продюсером альбома значится Рэнди Бернс, а не Стивен Синклер, "руливший" первоначальным вариантом записи), мог выйти гораздо раньше.

Naked City: The Complete Studio Recordings is a five disc box set that contains all of the studio albums released by Naked City during their five-year history.
The five discs are accompanied by a book, Eight Million Stories: Naked City Ephemera, which contains a wealth of photos and art as well as testimonials from all five band members and numerous acquaintances, friends, fans and contributors such as Mike Patton, Yamatsuka Eye, Sean Lennon, Mick Harris and Eyvind Kang.

Everything Was Beautiful, and Nothing Hurt is the fifteenth studio album by American electronic musician Moby. It was released on March 2, 2018 by the record labels Little Idiot and Mute.

Ingrid Alberini, known by her stage name In-Grid, is an Italian dancer and singer-songwriter. Her 2003 club song "Tu es foutu", (English title: "You Promised Me"), charted in several European countries, Australia, Latin America and in the United States, where it reached number six on the Billboard Dance Music/Club Play Singles chart in 2004. The singles "In-tango" and "Mama mia" also became international hits. In 2003, according to the results of the ZD Awards hit parade, she took 3rd place in the list of the most popular foreign artists in Russia and the Eastern Europe after Madonna and Robbie Williams.

Lounge Musique – piąty w karierze album włoskiej wokalistki In-Grid. Utwory na płycie utrzymane są w stylu chilloutowo-lounge'owym. Większość utworów napisana jest przez samą In-Grid, która jest także współproducentką albumu. Nowe brzmienia to zupełnie nowe oblicze w twórczości włoskiej piosenkarki.

Science Agrees is the only studio album by American-English-Irish band D.A.R.K. It was released on September 9, 2016 through Cooking Vinyl.
The band featured New York City-based DJ Olé Koretsky, Irish vocalist Dolores O'Riordan (of The Cranberries), and English bassist Andy Rourke (of The Smiths).
This was O'Riordan's final project released prior to her death in 2018.

Who Let the Dogs Out is the sixth studio album by Bahamas-based musical group Baha Men. It was released by S-Curve Records and Edel Music in 2000.

Machine II Machine is the fifth studio album by the German female hard rock singer Doro Pesch. The album was released in March 1995 and mixed by Kevin Shirley and Greg Smith. It is the more mainstream oriented album of the German singer to date, thanks to the production of Jack Ponti (Bon Jovi, Alice Cooper, Baton Rouge) and the collaboration of musicians and authors coming from pop, country and even Latin music. The lyrics break new ground for Doro, as many of the songs deal with erotic themes. The last track is a remix done by members of the German industrial metal band Die Krupps, who worked with Doro in her next albums. The limited edition of the album contains the bonus track "Tie Me Up (Hard & Fast mix)".

Fight is the first Doro album since Force Majeure to be produced with a strong contribution from the members of the band that accompanied the German singer on her tours. Nick Douglas, Joe Taylor and Johnny Dee had toured with Doro for more than ten years, while Oliver Palotai replaced Mario Parillo after his demise in 2001.

Not strictly a "greatest-hits" collection, Love Songs contains Elton John's most famous ballads, from "Your Song" and "Don't Let the Sun Go Down on Me" to "Can You Feel the Love Tonight." Featuring two new songs, including the single "You Can Make History (Young Again)," Love Songs is designed for the casual John fan who is familiar with his songs through adult contemporary radio. If you don't fall into that category, the compilation is bound to fall short of expectations, but the record nevertheless works well as a collection of ballads and soft rock.

Duets is the first collaboration album by the English singer-songwriter Elton John, released in 1993.

Blue Moves is the eleventh official album release by Elton John. It was released in October 1976. It was John's second double album (after Goodbye Yellow Brick Road) and the first to be released by his own label, Rocket Records Ltd. Despite the album's darker tone and a wave of negative reviews, on its release it reached no. 3 on the charts, partly on the strength of the its biggest hit single "Sorry Seems to Be the Hardest Word".

21 at 33, released May 1980, is an album by Elton John. It is his fourteenth studio album. Including other releases (three compilation albums, two live albums, one film soundtrack and one EP) it is the 21st official release, and was released when Elton John was 33 years old; hence the title.
It was recorded at Super Bear Studios, Nice, France, in August 1979, and Rumbo Recorders and Sunset Sound in Los Angeles, California between January to March 1980.
The album sold over 900,000 copies in the United States, narrowly missing a Platinum certification.