Performer: U.S.U.R.A.
Album: Open Your Mind: The Album
Label: Deconstruction. Made in UK & Europe
Catalog #: 74321 174202
Style: Euro House, Italodance, Synth-pop
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 251 mb
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Password: without a password




U.S.U.R.A. was started by Time Records owner Giacomo Maiolini, producers Walter Cremonini and Alessandro Gilardi (its name is derived from that of Maiolini's mother, Ursula), it is best known for the 1992-93 hit single (and later album) "Open Your Mind", featuring a dialogged sample from the film Total Recall and incoperating sampled elements from the Simple Minds song "New Gold Dream" from 1982. Its video morphs the faces of Mussolini, Stalin, Ian Paisley, Margaret Thatcher, Mary Whitehouse, and Joe McCarthy.
Performer: Fancy
Album: Five
Label: Metronome. Made in DE.
Catalog #: 847 513-2
Style: Dance, Disco
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 350 mb
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Recovery: 3%
Password: without a password
Performer: Brian Culbertson
Album: A Soulful Christmas
Label: The Verve Music Group. Made in US.
Catalog #: 6 02517 06518 5
Style: Smooth Jazz, Contemporary Jazz
Year: 2006
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 282 mb
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Recovery: 3%
Password: without a password

One of smooth jazz's funkiest and most popular artists, Brian Culbertson has engaged the genre's audiences for years with a perfect mix of lively funk, jazzy piano and keyboard energy, and a softer intimate side that earned him one critic's designation as "the Barry White of smooth jazz." Faced with trying to find new ways to skin the cat of holiday songs that have been done a million times, Culby exceeds all expectations, bringing every side of his charismatic magic touch to standards you won't mind hearing just one more time.
Performer: Brian Culbertson
Album: Come On Up
Label: Warner Music. Made in US.
Catalog #: 48300-2
Style: Smooth Jazz, Contemporary Jazz
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size RAR: ~ 266 mb
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Recovery: 3%
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Though young jazzer Brian Culbertson's boyish good looks make it tempting to lump him in with Harry Connick, Jr.-like neophytes Michael Buble and Peter Cincotti, this Illinois native is actually an instrumentalist who's been plying his trade since putting out the self-released debut LONG NIGHT OUT. COME ON UP is Culbertson's seventh album, and for this outing, he goes for a funkier sound that harkens back to a childhood spent cutting his teeth on the sounds of early Chicago, Blood, Sweat & Tears, and Tower of Power. Weaving an R&B-flavored thread throughout these dozen songs, Culbertson cuts loose with a few special guests including saxophonist Steve Cole, (the brassy "Say What?"), trumpeter Rick Braun (a sultry "Last Night"), guitarist Norman Brown (the crackling "Come On Up"), and R&B vocalist Rahsaan Patterson (the soulful "Fly High"). The centerpiece of this album turns out to be a sinewy instrumental reading of the Earth, Wind & Fire nugget "Serpentine Fire."
Performer: Brian Culbertson
Album: Bringing Back The Funk
Label: GRP | Verve Music. Made in EU.
Catalog #: 0602517643437
Style: Smooth Jazz, Contemporary Jazz
Year: 2008
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 10
Size RAR: ~ 317 mb
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Recovery: 3%
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The music of light jazz superstar Brian Culbertson is more likely to be associated with candlelit dinners and walks on the beach than shaking one's tailfeather on the dance floor, but BRINGING BACK THE FUNK aims to change all that. With help from a veritable who's who of funk luminaries, including Maceo Parker, Bootsy Collins, Fred Wesley, Bernie Worrell, and Sharon Jones, among others, the trombonist/keyboardist/composer lays down some serious grooves on tracks like "Funkin' Like My Father," "Hollywood Swinging," and "You Got to Funkatize." There is enough of a smooth sheen here to satisfy Culbertson's old fans, but enough funk punch to keep things bouncing.