What's Love Got to Do with It is the eighth solo album by Tina Turner, released on Parlophone in 1993. The soundtrack album for the 1993 Tina Turner biographical film What's Love Got to Do with It, it was released by Touchstone Pictures the same year.

Private Dancer es el tercer álbum en solitario de la cantante estadounidense Tina Turner. Fue publicado el 29 de mayo de 1984, a través de la compañía discográfica Capitol Records. La grabación del álbum se llevó a cabo en varios estudios de Inglaterra, y fueron supervisadas por cuatro equipos de producción diferentes, incluidos Rupert Hine, Martyn Ware.
Tras su exitoso paso por la formación Ike&Tina, que triunfó en los años sesenta y setenta, la artista estaba pasando por un difícil momento musical y personal, al separarse de su maltratador y por entonces productor y marido Ike Turner. Este disco supuso el punto de inflexión en su carrera, lanzándola de nuevo al estrellato.

Private Dancer is the fifth solo studio album by recording artist Tina Turner. Marking her debut with the record company, it was released by Capitol Records in May 1984. Recording sessions for the album took place at several studios in England and was overseen by four different production teams, including Rupert Hine, and Martyn Ware and Ian Craig Marsh of Heaven 17. A radical departure from the rhythm and blues sound Turner had performed with her former husband and performing partner Ike Turner, the tracks in the album are a mixture of uptempos and ballads, which are basically inspired by pop and rock genres; it also features elements of smooth jazz and R&B.

Chasing Lights is the debut album by English-Irish girl group The Saturdays. Not to be confused with (Chase the lights)an aurora chasing group in tromsø norway run by Marianne Bergli.It was released in the United Kingdom through Fascination Records on 27 October 2008 The album was re-issued on 16 March 2009 to include their cover of Depeche Mode's 1981 song "Just Can't Get Enough". The album has sold over 400,000 copies.

PCD is the debut studio album by American girl group The Pussycat Dolls, released on September 12, 2005, by A&M Records. In 1993, the Pussycat Dolls was created as a burlesque troupe by choreographer Robin Antin. After attracting media attention, Antin struck a joint venture with Interscope Records to develop the Pussycat Dolls into a brand, with Jimmy Iovine assigning the project to Ron Fair. As one of the executive producers Fair produced the majority of the album and collaborated with producers like Kwamé, Polow da Don and Rich Harrison. The album is primarily a dance-pop and R&B record. Lyrically the album incorporates sexual innuendo and explores the themes of feminism and romance. It features guest vocals from rappers Busta Rhymes, Timbaland and will.i.am.

Двенадцатый студийный альбом американской певицы Дайаны Росс, выпущенный в 1982 году на лейбле RCA Records. Продюсерами альбома стали Майкл Джексон и сама Росс. На пластинке содержится номинированная на «Грэмми» песня «Muscles». Обложку альбома разработал Энди Уорхол.

Шестнадцатый студийный альбом Дайаны Росс и the Supremes, записанный и выпущенный компанией Motown в 1969 году.

White on Blonde is the fourth studio album by Scottish rock band Texas, released by Mercury Records in February 1997. The album was the band's first number one, and became their biggest seller. It has been certified 6x Platinum by the British Phonographic Industry for sales of over 1.8 million copies.

The Greatest Hits is a compilation album by the Scottish rock band Texas, released on 23 October 2000. The album peaked at number one in the UK, becoming the band's third album to do so. It has been certified 6 x Platinum by the British Phonographic Industry for UK sales in excess of 1.8 million copies.

The Circus is the fifth studio album by British pop band Take That. It was released in the United Kingdom on 1 December 2008.[2] The album was their second, and also their last, as a four-piece, as founding member Robbie Williams returned for their sixth studio album Progress (2010), before both Williams and Jason Orange departed prior to the release of 2014's III.

Everything Changes is the second studio album by English boy band Take That. It reached number one in the UK Albums Chart, and was nominated for the 1994 Mercury Prize. It was also the third best-selling album of 1993 in the UK.
The album was also the band's breakthrough across Europe going top 10 in many countries and top 30 in Australia and Japan.
The album has been certified as 4x Platinum in the UK and stayed in the top 75 of the UK Albums Chart for 78 weeks (a year and six months). The album also holds the UK record for the number of top 10 singles for a group from one album.
The album sold 3 million copies worldwide according to Billboard.

Beautiful World is the fourth studio album by the British pop group Take That. Released on 24 November 2006, and was the band's first studio album in 11 years; it was also the band's first album to be released as a four-piece instead of classic five-piece, which without Robbie Williams, who had quit the group in 1995 and did not rejoin them until 2010. Five singles were released from the album: "Patience", "Shine", "I'd Wait for Life", the European-only single "Reach Out", and "Rule the World", which appeared on the deluxe tour edition.

Three is the third studio album by British girl group Sugababes, released by Island Records on 27 October 2003, in the United Kingdom. It generated four singles that charted in various parts of the world; the first, "Hole in the Head", became the group's third UK number one single. The three members of the Sugababes each recorded a "solo" song on the album—"Whatever Makes You Happy" (Keisha Buchanan), "Sometimes" (Heidi Range) and "Maya" (Mutya Buena). Three debuted at number three on the UK Albums Chart.

Taller in More Ways is the fourth studio album by British girl group Sugababes, released by Island Records on 10 October 2005, in the United Kingdom. It was primarily produced by Dallas Austin and Jony Rockstar, with additional production from Cameron McVey, Xenomania and Guy Sigsworth. The title of the album was inspired by a line in the album's second single, "Ugly".