Leeds 6-piece frog-rock groovers Shaku have self released their debut album Maku, as the album is a divine representation of their creativity and musicianship which shines through even more so in their stellar live performances.
The group have a fantastic genre-fluid identity that sees them slip down the cracks between Canterbury scene prog, classic blues, funk-rock, UK jazz and epic old school rock. Having interviewed them back in May 2019, the band were ready back then to record after two years of relentless gigging, warfare, bloodshed and liquid consumption, and they did so live at The Nave Studios, Pudsey, and also in a living room in Burley. The theme of the album is a timeline of Shaku, covering a lot of musical and lyrical ground that each represent a different period in the band which has evolved over time, both together as a group and as individuals.

Italy has always been a prime center for music, from the days of classical all the up to the modern day. SECRET ALLIANCE confirms my opinion with their outer cosmic Progressive Hard Rock album “Solar Warden”. SECRET ALLIANCE was founded by guitarist Gianluca Galli (SILVER HORSES & MANTRA) initially as his solo project, but found he was wanting to create music with some extra complexity involved. He recruited the incredible Ricardo Confessori (ex-ANGRA) and fantastic hard rock bassist Tony Franklin to round out the constant members in every song. There are many guest musicians on this futuristic/sci-fi inspired album including Frank Gambale (CHICK COREA BAND) and Alex Masi. These great musicians create a futuristic world in sound.

Gregg Olson and Scarlet Hollow have returned with what may well be the band’s best work to date.
Nick Katona, Melodic Revolution Records:
“I can still remember vividly receiving the phone about Gregg having a stroke, I was devastated, we had just made plans for Scarlet Hollow’s debut release and the band was rehearsing for their first tour. The prognosis that night was not very positive, it was grim in fact, but we kept close tabs on Gregg’s health, it wasn’t so much that we were worried about album sales. We were worried about a person that had become a friend, I first met Gregg on MySpace in 2006 and Melodic Revolution picked up the self-titled Echoes Landing for release. It’s because of this band that we formed the record label.
The good news is that over the next couple of years Gregg’s was getting better and his recovery seemed like a miracle. Fast track to today Scarlet Hollow has returned stronger, more focused and sounding better than ever. Get ready to take a musical journey with one of the most important bands today.”

Plus 33 are an instrumental band forged by some musical talents from Strasbourg (France) and Newcastle upon Tyne (UK). The band, led by Didier Grillot (Outside), combines 70s prog rock, jazz and classical influences.

Tubular Bells II is the fifteenth studio album by English multi-instrumentalist and composer Mike Oldfield. It was released on 31 August 1992 by WEA and Reprise Records as the successor to his debut album, Tubular Bells (1973). After his contract with Virgin Records ended at the end of 1991, Oldfield signed with Warner and started work on a sequel to Tubular Bells. In 1998, Oldfield released Tubular Bells III.

The album initially sold slowly, but gained worldwide attention in December 1973 when its opening theme was used for the soundtrack to the horror film The Exorcist (1973). This led to a surge in sales which increased Oldfield's profile and played an important part in the growth of the Virgin Group. It stayed in the top ten of the UK Albums Chart for one year from March 1974, during which it reached number one for one week. It peaked at number three on the US Billboard 200, and reached the top position in Canada and Australia. The album has sold over 2.7 million copies in the UK and an estimated 15 million worldwide.

Tubular Bells is the debut studio album by English multi-instrumentalist, composer and songwriter Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records. Oldfield, who was 19 years old when it was recorded, played almost all the instruments on the mostly instrumental album.
The album initially sold slowly, but gained worldwide attention in December 1973 when its opening theme was used for the soundtrack to the horror film The Exorcist (1973). This led to a surge in sales which increased Oldfield's profile and played an important part in the growth of the Virgin Group. It stayed in the top ten of the UK Albums Chart for one year from March 1974, during which it reached number one for one week. It peaked at number three on the US Billboard 200, and reached the top position in Canada and Australia. The album has sold over 2.7 million copies in the UK and an estimated 15 million worldwide.

"Hey, Hey, Rise Up!" (also written "Hey Hey Rise Up") is a song by the English rock band Pink Floyd, released on streaming and downloading platforms on 8 April 2022. It is based on a 1914 Ukrainian anthem, "Oh, the Red Viburnum in the Meadow", and features vocals in Ukrainian by Andriy Khlyvnyuk of the Ukrainian band BoomBox. The track is the first entirely new piece of music recorded by Pink Floyd since "Louder than Words" was released with The Endless River in 2014. Guitarist David Gilmour was inspired to record it in support of Ukraine during the 2022 Russian invasion. The band both released the track as a single commercially and also put out a music video, directed by Mat Whitecross, centered around images of life struggling amidst warfare. A physical edition of the single on CD and vinyl was released on 15 July 2022, which also included a new version of "A Great Day for Freedom".

Tubular Bells est le premier album du compositeur et musicien britannique Mike Oldfield. Cet album presque entièrement instrumental est une des plus grosses ventes des années 1970 au Royaume-Uni et le succès fondateur de l'empire Virgin. L'ouverture au piano est restée mondialement célèbre pour être le thème caractéristique du film L'Exorciste.

The Killing Fields is the 10th record album by Mike Oldfield, released in 1984 on Virgin Records. It was the soundtrack album for the British drama film of the same name based on the experiences of two journalists in the Khmer Rouge regime in Cambodia. It is the only full-length film score written by Oldfield.
The music was orchestrated by David Bedford. The Killing Fields was re-released in a remastered edition format on 29 January 2016, as per all previous albums which were originally released on the Virgin label.

Return to Ommadawn is the twenty-sixth studio album by English musician and songwriter Mike Oldfield. It was released on 20 January 2017 on Virgin EMI Records and is the sequel to his 1975 album Ommadawn.

QE2 is the sixth studio album by Mike Oldfield, released in 1980 on Virgin Records. The album was named after the ocean liner Queen Elizabeth 2.
The album contained both original Oldfield compositions as well as two cover version of pieces recorded by other bands ("Arrival" by ABBA and "Wonderful Land" by The Shadows).
Though only reaching number twelve on the German album charts, the album became the best-selling album of 1981 in Germany.

Platinum is the fifth studio album by English multi-instrumentalist and songwriter Mike Oldfield, released on 23 November 1979 on Virgin Records. It was Oldfield's first album to include shorter songs and music written by others. A modified version of the album was released in the United States and Canada and titled Airborn.
The In Concert 1980 tour, which ran from April to December of that year, was in promotion of the album. In Germany the album peaked at number 11. The album has since been reissued with bonus material.

Ommadawn is the third studio album by English musician, songwriter, and producer Mike Oldfield, released on 28 October 1975 on Virgin Records. It peaked at No. 4 on the UK Albums Chart. The album was reissued by Mercury Records in June 2010 with additional content. A sequel album, titled Return to Ommadawn, was released on 20 January 2017.

Man on the Rocks is the twenty-fifth studio album by British musician Mike Oldfield, released on 3 March 2014 on the Virgin EMI label. The album is Oldfield's second full album of exclusively songs with no long or instrumental pieces; the first was 1989's Earth Moving.