The Girl From Detroit City er et samlealbum med Suzi Quatro som ble gitt ut i 2014. Albumet inneholder tre nye låter; blant annet en cover versjon av Does Your Mother Know der Quatro har fått med seg Andy Scott og selvfølgelig tittelsporet som ble gitt ut på singel den 29. september.

The Slade Box (A 4CD Anthology 1969-1991) is a four disc box set by the British rock band Slade. It was released in October 2006 by Salvo.[1]
The Slade Box contains eighty-four tracks ranging across the band's career from 1969 to 1991. A 72-page booklet was included with liner notes by Keith Altham. In 2011, the box set was re-issued by Salvo. It featured the same track listing but was packaged in a shortened case with the booklet reduced to 36-pages.

This Woman's Work: Anthology 1978–1990 is a compilation box set by the British singer Kate Bush. Released in 1990 on CD, vinyl and cassette; it comprises her six studio albums to that point together with two additional albums of B-sides, rarities and remixes. The box set was re-released, on CD only, in 1998 in different packaging. It was not released in the US mainly due to The Sensual World being released there by Columbia Records.
The two rarities discs are entitled This Woman's Work: Volume One and This Woman's Work: Volume Two (in the vinyl edition the twenty-nine tracks are spread over three LP's), and have never been released as albums separately from the box set.

2008 sees the release (on Hybrid SACD and conventional CD) of the complete MSFL remasters of the complete Dead Can Dance catalogue of eight albums and one EP. This box set (a limited edition of 1500) gathers together those individual releases on SACD and pride of ownership is high. To be specific, each disc comes in: a protective, fine plastic sleeve inside a printed paper inner sleeve; inside a stiff card replica of the original LP sleeve; inside a (somewhat) re-sealable transparent plastic wrapping; housed in a black velvet box embossed with the DCD logo; housed in a printed white card outer box. If you're primarily buying this as an "investment" then you're going to have to keep all this stuff; if not, I guess that the white outer box and re-sealable plastic sleeves will be unnecessary, but it's nice to see that they've gone the extra mile when putting this together. There are also one or two thin CD booklets tucked into the replica sleeve for each SACD: they contain lyrics, credits and a reproduction of the label that appeared in the centre of the original vinyl record. Where an album was released on double vinyl, both inner sleeves are reproduced even though only one of them holds a disc.

The album received positive reviews and peaked at number 21 on UK Albums Chart and number 32 on the US Billboard Top 200 Albums chart. Two singles were released: "Blue Light" peaked at number 62 in the United States, while "Love on the Air" failed to chart. Like Gilmour's eponymous debut solo studio album, About Face was certified gold by the RIAA. A remastered reissued CD was released in 2006 on EMI in Europe and Columbia for the rest of the world.

Первый сольный альбом Дэвида Гилмора - одного из лидеров легендарных Pink Floyd.

In July 2016 David Gilmour performed two shows in the amphitheatre in Pompeii making him the only performer to play to an audience in the arena since the time of the gladiators, almost 2,000 years ago. In July 2016 David Gilmour performed two shows in the amphitheatre in Pompeii making him the only performer to play to an audience in the arena since the time of the gladiators, almost 2,000 years ago.

Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.

Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991 on Anthem Records. The band began working on Roll the Bones after a brief creative hiatus following the tour promoting their previous release, Presto.
Roll the Bones was a return to commercial success for the band, reaching No. 3 in the United States, No. 10 in the UK, and No. 11 in Canada. The album won a Juno Award for Best Album Design at the 1992 awards. In August 2001, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the US. It was remastered in 2004 and again in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Presto is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting.

Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up album in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio friendly songs (such as "The Spirit of Radio" and "Freewill"), though their progressive rock blueprint is still evident on "Jacob's Ladder" and the more than nine-minute closer "Natural Science". Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was recorded in 1979 at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.

Moving Pictures is the eighth studio album by Canadian progressive rock band Rush, released on February 12, 1981 through Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with co-producer Terry Brown. They continued to write songs with a more radio-friendly format, featuring tighter song structures and songs of shorter length compared with their earlier albums.

Группа Rush по праву считается одним из самых известных и авторитетных рок-коллективов Канады, основательницей стиля хард-н-арт.

Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993 on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Counterparts reached No. 2 in the United States, one of the band's two highest-charting albums in the country, and No. 6 in Canada. The first single, "Stick It Out", was No. 1 on the Billboard Album Rock Tracks chart for four weeks. In 1994, the instrumental "Leave That Thing Alone" was nominated for a Grammy Award for Best Rock Instrumental Performance. Counterparts was remastered in 2004 and reissued in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

2112 (pronounced "twenty-one twelve") is the fourth studio album by Canadian rock band Rush, released on 1 April 1976 (or March 1976, according to some sources) by Anthem Records. Rush finished touring for its unsuccessful previous album Caress of Steel, in early 1976. The band was in financial hardship due to the album's disappointing sales, unfavourable critical reception, and a decline in attendance at its shows. The band's international label, Mercury Records, considered dropping Rush but granted the band one more album following negotiations with manager Ray Danniels. Though the label demanded more commercial material, the band decided to continue developing its progressive rock sound. 2112 was recorded in February 1976 in Toronto with regular producer Terry Brown. Its centerpiece is a 20-minute title track, a futuristic science-fiction song that takes up the entire first side of the album. There are five individual tracks on side two.