Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.

Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991 on Anthem Records. The band began working on Roll the Bones after a brief creative hiatus following the tour promoting their previous release, Presto.
Roll the Bones was a return to commercial success for the band, reaching No. 3 in the United States, No. 10 in the UK, and No. 11 in Canada. The album won a Juno Award for Best Album Design at the 1992 awards. In August 2001, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the US. It was remastered in 2004 and again in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Presto is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting.

Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up album in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio friendly songs (such as "The Spirit of Radio" and "Freewill"), though their progressive rock blueprint is still evident on "Jacob's Ladder" and the more than nine-minute closer "Natural Science". Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was recorded in 1979 at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.

Moving Pictures is the eighth studio album by Canadian progressive rock band Rush, released on February 12, 1981 through Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with co-producer Terry Brown. They continued to write songs with a more radio-friendly format, featuring tighter song structures and songs of shorter length compared with their earlier albums.

Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993 on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Counterparts reached No. 2 in the United States, one of the band's two highest-charting albums in the country, and No. 6 in Canada. The first single, "Stick It Out", was No. 1 on the Billboard Album Rock Tracks chart for four weeks. In 1994, the instrumental "Leave That Thing Alone" was nominated for a Grammy Award for Best Rock Instrumental Performance. Counterparts was remastered in 2004 and reissued in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

2112 (pronounced "twenty-one twelve") is the fourth studio album by Canadian rock band Rush, released on 1 April 1976 (or March 1976, according to some sources) by Anthem Records. Rush finished touring for its unsuccessful previous album Caress of Steel, in early 1976. The band was in financial hardship due to the album's disappointing sales, unfavourable critical reception, and a decline in attendance at its shows. The band's international label, Mercury Records, considered dropping Rush but granted the band one more album following negotiations with manager Ray Danniels. Though the label demanded more commercial material, the band decided to continue developing its progressive rock sound. 2112 was recorded in February 1976 in Toronto with regular producer Terry Brown. Its centerpiece is a 20-minute title track, a futuristic science-fiction song that takes up the entire first side of the album. There are five individual tracks on side two.

Mit Rumours hatte die Band 1977 ein Album vorgelegt, das zu den erfolgreichsten der Band- und Rockgeschichte gehörte. Sie gewannen Grammy Awards für dieses Album und gingen 1978 erneut ins Studio, um neue Songs aufzunehmen. Der finanzielle Erfolg von Rumours sorgte dafür, dass die Band ein Budget für die Aufnahmen von 1 Mio. $ erhielt. Die Geldgeber von Warner erwarteten ein ähnlich kompaktes Mainstreamalbum, wie Rumours es war. Das monumentale Doppelalbum wurde dann jedoch von musikalischen Experimenten von Lindsey Buckingham geprägt und kam weit weniger gut an als das Vorgängeralbum. Tusk erreichte schließlich nicht die erwartete Topplatzierung in den US-Charts und kam nur bis auf den 4. Platz. Dennoch wurden in den nächsten Jahren über zwei Millionen Alben von Tusk verkauft. Tusk erklomm ebenso wie Rumours in Großbritannien den ersten Platz der Albumcharts, und in Deutschland war das Album mit Platz 3 als höchste Platzierung sogar erfolgreicher als Rumours, das nur den 6. Platz erreichen konnte.

Tusk is the twelfth studio album by British-American rock band Fleetwood Mac, released as a double album on 12 October 1979. It is considered more experimental than their previous albums: partly a consequence of Lindsey Buckingham's sparser songwriting arrangements and the influence of post-punk. The production costs were estimated to be over $1 million (equivalent to $3.57 million in 2020), making it the most expensive rock album recorded to that date.
The band embarked on a nine-month tour to promote Tusk. They travelled extensively across the world, including the U.S., Australia, New Zealand, Japan, France, Belgium, Germany, the Netherlands, and the UK. In Germany, they shared the bill with Bob Marley. On this world tour, the band recorded music for the Fleetwood Mac Live album released in 1980.

Time is the 16th studio album by British-American rock band Fleetwood Mac, released on 10 October 1995. This album features a unique line-up for the band featuring the addition of former Traffic guitarist Dave Mason and country vocalist Bekka Bramlett (daughter of Delaney and Bonnie). Lindsey Buckingham, who had left Fleetwood Mac in 1987, makes an appearance as a backing vocalist on one track, but Time is the only Fleetwood Mac album since 1974's Heroes Are Hard to Find not to feature any contribution from Stevie Nicks.
The album received unfavorable reviews from critics and was a commercial disappointment, failing to chart in the US and peaking at number 47 in the UK.

Then Play On ist das dritte Studioalbum der Rockband Fleetwood Mac und erschien im Herbst 1969 bei Reprise Records.

Then Play On est le troisième album studio du groupe de blues rock britannique Fleetwood Mac, sorti fin 1969. Il s'agit du dernier album avec Peter Green et marque l'arrivée du guitariste Danny Kirwan au sein de la formation. À nouveau, Christine McVie assiste au piano mais à titre d'invitée seulement.

Then Play On is the third studio album by the British blues rock band Fleetwood Mac, released on 19 September 1969. It was the first of their original albums to feature Danny Kirwan (although he is also listed on two tracks on the earlier compilation The Pious Bird of Good Omen) and the last with Peter Green. Jeremy Spencer did not feature on the album apart from "a couple of piano things" (according to Mick Fleetwood in Q magazine in 1990). The album offered a broader stylistic range than the classic blues of the group's first two albums. The album went on to reach No. 6 on the UK Albums Chart, subsequently becoming the band's fourth Top 20 hit in a row, as well as their third album to reach the Top 10. The album's title, Then Play On, is taken from the opening line of William Shakespeare's play Twelfth Night — "If music be the food of love, play on".

Tango in the Night is the fourteenth studio album by British-American rock band Fleetwood Mac. Released on 13 April 1987, it is the fifth, and to date, the last studio album from the band's most successful lineup of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, as Buckingham left the band later that year.

It's extremely hard to think of any band that completely pivots lineups and stylistic approaches, and then turns out well - unless of course you're Fleetwood Mac. Formed in the U.K. as a hard-edged British blues combo in the late '60s, the troupe eventually gradually morphed into a polished pop/rock act over the course of a decade, and in the process, became one of the most influential bands of the '70s. Throughout all their incarnations, the only consistent members of Fleetwood Mac were drummer Mick Fleetwood and bassist John McVie; the rhythm section that provided the band with its name. Ironically, they had the least influence over the musical direction of the group. Originally, guitarists Peter Green and Jeremy Spencer provided the band with its gutsy, neo-psychedelic blues-rock sound, but after their departures, the group began moving toward pop/rock, first with the songwriting of pianist Christine McVie, and then with the addition of singer Stevie Nicks and guitar marvel Lindsey Buckingham. In The Many Faces of Fleetwood Mac, we will go down the rabbit hole to explore the lesser known side of the band and also to review the work of most of its 18 past and current members . To complete our journey, we will enjoy the band live during one of their most popular concerts of their half-a-century career. We open CD1 with one of the most successful hit singles of the "early incarnation" of Fleetwood Mac. Man of the world, written by Peter Green, was originally release in April of 1960 and peaked at #2 in the UK chart. Green re-recorded it in 1999 with his Peter Green Splinter Group for their 1999 release, Destiny Road. It's undeniable that the "classic" line-up of Fleetwood-McVie-McVie-Buckingham-Nicks has been the one that has provided the band with its biggest hits. For that reason, the final part of CD2 of our collection is dedicated to five of the band most well-known songs re-invented by Karen Souza, Jazzystics and Anakelly among others. The CD 3 of our project features the band during a live presentation in California in 1997 that features most of their greatest hits including Dreams, Go Your Own Way, Everywhere, The Chain, Big Love and Gypsy Also, it features the live debut of the song Temporary One and Silver Springs for the first time in concert since 1977.