Not to be confused with the well-intentioned but still incomplete career retrospective of the late '90s, this international release focused exclusively on the three albums (two studio and one live) issued during the period stated in its title. At the time, Genesis' three-man lineup was finally coming into their own as a viable commercial entity, having survived the seemingly insurmountable challenge of losing guitarist Steve Hackett and especially singer Peter Gabriel.

It’s one of life’s ironies that an artist as independent and ahead of her time as Betty Davis (Mabry) is today remembered mostly for her brief marriage to Miles Davis, and for having transformed the trumpeter in record time from Italian suited jazzer to psychedelically garbed imbiber of Bitches Brew. (Davis credited Betty with introducing him both to hip threads and the sounds of Hendrix, Sly Stone, and others.) Chump change indeed for a singer, songwriter, model/fashionista, and provocateur who was a Greenwich Village scene maker while still in her teens. She wrote “Uptown (To Harlem)” for the Chambers Brothers, and later went on to release three unheralded records of low-down ‘70s funk whose open sexual attitudes prefigured later, more commercially successful efforts by Rick James, Prince, and Madonna.

This is the third full-lenght from Peter's side project Pain, and the band continues to expand and mature.
This album is not so heavy as the others, there is no aggressive vocals, Peter's only using clean vocals here. So it is their most accessible album, and is this good?, yeah, of course it is. I think this project was founded with this purpose, to break the boundaries of Metal and take it to another level and reach new audiences.
The album has some nice keyboards and even a 16 string orchestra in a couple tracks. The first single "Shut Your Mouth" is a very good and catchy song, and there's an interesting video for this track, it was a perfect choice for the first single, since I've heard that song for the first time, the melody keeps hammering in my head. "Just Hate Me" is the second single and it's a slow and emotional song.

Nothing Remains The Same - третий студийный альбом шведской металической группы Pain, выпущен в 2002 году на шведском лейбле Stockholm Records. Nothing Remains The Same занимал 6 место в чарте Швеции в течение 9 недель - дольше, чем любой другой альбом Pain. В 2011 году Международная федерация производителей фонограмм сертифицировала альбом «золотым диском». В переиздание 2006 года "инкрустирован" видеоклип "Shut Your Mouth".

Stranded is the third album by the art rock band Roxy Music, released in late 1973. It reached number one on the UK album charts. The cover shows Bryan Ferry's then girlfriend and 1973 Playmate of the Year, Marilyn Cole. It was the first Roxy Music album on which Ferry was not the sole songwriter as multi-instrumentalist Andy Mackay and guitarist Phil Manzanera also contributed to the album. Though it was also the first without Brian Eno, who had left the group after For Your Pleasure, he nonetheless later rated it as Roxy Music's finest record.

Siren - пятый студийный альбом рок-группы Roxy Music, изданный лейблом Island в Великобритании, в США - Atco. В 2003 году он вошел в список 500 величайших альбомов всех времен по версии журнала Rolling Stone на 371 место.

Roxy Music - дебютный альбом британской арт/глэм-рок-группы Roxy Music, выпущенный в июне 1972 года компанией Island. Альбом в целом получил благоприятные отзывы критики и поднялся до 10-го места в UK Albums Chart.

Flesh + Blood is the seventh studio album by the English art rock band Roxy Music. Released in late May 1980, it was an immediate commercial success peaking at No. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. The album also peaked at No. 35 in the United States and No. 10 in Australia.

Country Life is the fourth album by British rock band Roxy Music, released in 1974 and reaching No. 3 in the UK charts. It also made No. 37 in the United States, their first record to crack the Top 40 there. The album is considered by many critics to be among the band's most sophisticated and consistent. Jim Miller in his review for Rolling Stone wrote "Stranded and Country Life together mark the zenith of contemporary British art rock." Band leader Bryan Ferry took the album's title from the British rural lifestyle magazine Country Life.