Crazy Lixx are another Swedish sleaze revivalist group, and sound exactly like you would expect them to. Take a base of Skid Row, add some Mötley Crüe attitude, a pinch of Europe’s pop-sheen and Def Leppard’s penchant for an anthemic chorus, package it in a shiny modern production job, then give it a ridiculous name and silly hairdo. The album starts as it means to go on with “Hell Raising Women:” simple, catchy hooks matching simple, catchy lyrics – nothing new to hear, but fun all the same.

Even in the Quietest Moments… is the fifth album by progressive rock band Supertramp, released in April 1977.
The album was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals and mixing completed at The Record Plant in Los Angeles and was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.

Finally! As of 2014, Lick My Decals Off, Baby, The Spotlight Kid, and Clear Spot had needed a proper remastering treatment for quite some time when Rhino came to the rescue, remastering all three in one fell swoop as Sun Zoom Spark: 1970 to 1972. As if that weren't enough for fans, they added an entire bonus disc of outtakes and alternates as well. The albums themselves are fairly different from each other. Lick My Decals followed directly after Trout Mask Replica and is the closest there is to Trout Mask's sonic assault.

Jerusalem was formed in the early 70's and released in 1972 a self-titled album on the infamous Deram label which was produced by Ian Gillan. They gigged all over Europe supporting Black Sabbath, Deep Purple, Uriah Heep and Status Quo before disbanding due to "musical differences". The band reformed again in 2008 releasing their second album "Escalator" to much acclaim.
Now for their third album with original members Lynden Williams and Bob Cooke they are joined by the cream of the Prog Rock crop Geoff Downes (ASIA,YES) and Nick D'Virgilio (Tears For Fears, Spocks Beard) and they have produced a stunning brand new Prog Rock album.

Of Breath and Bone is Be’lakor’s third full length album, and was recorded between the months of December 2011 & February 2012.
Recorded and engineered by Warren Hammond at Pennydrop Audio, Melbourne.
Mixed and mastered by Jens Bogren at Fascination Street Studios, Sweden, in March 2012.
All music and lyrics written by Be’lakor. Produced by Be’lakor.

Texas Flood is the debut album of American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles.

Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985 by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart[3] and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.

In these days when every '60s act this side of Pinkerton's Assorted Colours is getting themselves anthologised in a chocolate box of CDs it would be naive to expect that the original Fleetwood Mac could escape without yet another tribute to their rugby shirt years. This 50-track, three-CD collection brings together anything of any consequence that Peter Green's group did in the way of a 12-bar. It includes the whole of their first two albums, the hit singles Albatross and Man Of The World, the comparative flops Black Magic Woman and Need Your Love So Bad, a few nuggets from Blues Jam At Chess wherein they skirmished with the likes of Willie Dixon and Otis Span; it even has the nerve to appropriate one Chicken Shack track in the shape of Christine McVie's terrific I'd Rather Go Blind from 1969.

Live in Boston (aka "Boston Live" and "Jumping at Shadows") is a live album by British blues-rock band Fleetwood Mac. It was recorded over three nights at the Boston Tea Party venue in Boston, between February 5 and February 7, 1970. The recordings were made for a proposed live album which was to have been released during 1970, but the project was shelved and the tapes remained unreleased until Shanghai Records issued seven songs from the performances as Live in Boston in February 1985.

Rod Stewart followed the faux-disco trash of Blondes Have More Fun with Foolish Behaviour, which sanded out most of the character of the previous album. The result was a bland but professional -- even at their worst, Rod and his band are always professionals -- collection, mainly comprised of dance-oriented, lightly synthesized pop/rock. The passionless "Passion" was the hit, but the only worthwhile song was the gorgeous "Oh God, I Wish I Was Home Tonight," which has the clever wit and self-depreciating melancholy of his finest work.

In its simplest terms, Blondes Have More Fun is Rod Stewart's disco album, filled with pulsating rhythms and slick, synthesized textures. It's also his trashiest, most disposable album, filled with cheap come-ons and bad double entendres. Of course, that makes Blondes Have More Fun one of his most enjoyable records, even if all the pleasures are guilty.