Performer: Supertramp
Album: Crime Of The Century - 40th Anniversary Deluxe Edition
Label: A&M Records. Made in EU.
Catalog #: 0600753307885
Style: Art Rock, Pop Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 21
Size ZIP: ~ 697 mb
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Crime of the Century, выпущенный в Сентябре 1974 года стал началом успеха группы, как в коммерческом плане, так и у критиков.
Альбом достиг четвертого места в Британии, не в последнюю очередь благодаря открывающей его контркультурной песне "School" и сингла "Dreamer", попавшего в топ-10. Вторая сторона содержала в себе сингл "Bloody Well Right", заслуживший место в Американском топ-40 в мае 1975, попав на 35 место. Зибенберг называл этот альбом пиком творчества Supertramp, несмотря на то, что больший коммерческий успех пришёл позднее.
На втором диске - концерт Supertramp в лондонском Hammersmith Odeon, который группа сыграла 9-го марта 1975 года.
Performer: Roger Chapman
Album: Chappo - Deluxe Edition
Label: Chappo Music Ltd. Made in CN.
Catalog #: SMACD 1026
Style: Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 20
Size ZIP: ~ 627 mb
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Roger Chapman - британский певец, более известный как фронтмэн прогрессивной группы "Family" (1968 - 1973). После распада "Family" Роджер Чепмен продолжает работать в блюзово-хардроковой группе Streetwalkers. В конце 70-ых Роджер записывает свой первый альбом "Chappo". На обложке альбома изображен сам Чепмен в красном костюме котельщика - он изо всех сил старался быть не похожим на эстрадную звезду. Альбом "Chappo" был записан вместе с Дэвидом Кортни и содержал такие песни как Moth To A Flame, Who Pulled The Night Down и кавер на песню Тима Хардина Hang On To A Dream. В данном издании помимо оригинального альбома на втором диске присутствует кавер на стоунзовскую Let's Spend The Night Together, всевозможные альтернативные версии и одно демо.
Performer: Mothership
Album: II
Label: Ripple Music. Made in US.
Catalog #: RIPCD029
Style: Hard Rock, Stoner
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (96 DPI)
Amount of tracks: 11
Size RAR: 388 mb
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Recovery: 3%
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Dallas trio Mothership like to kick up a stink. By that we mean a dirty old stew of riffs and mean vocals that literally smell of the highway. No doubt clad in denim and leather, you can smell the sweat and fumes coming back off this album as it takes on its heady journey. Full of classic rock riffs and attitude it is like rolling back the years to the 70’s once again.
Performer: Light Damage
Album: Light Damage
Label: Progressive Promotion. Made in DE.
Catalog #: PPRCD027
Style: Neo-Prog
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 6
Size ZIP: ~ 293 mb
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The foundation for Light Damage was laid in Luxembourg in 2005, after a yearly festival, ?Spirit of ?66?, where drummer Sébastien and guitarist Stephane Lecocq got to know each other. They joined up with singer/guitarist Nicholas-John and bass player Fréderik Hardy. After some changes in line up and 7 years of playing coves and now material at festivals and in rehearsal rooms, Thibaut Grappin became the bands drummer (replacing founder Sebastien) and Sébastien Perignon took care of the keyboards.
Performer: Todd Griffin
Album: Mountain Man
Label: Bad Reputation. Made in US.
Catalog #: BAD 150101
Style: Classic Rock, Southern Rock, Blues-Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 09
Size RAR: 478 mb
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Recovery: 3%
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Todd Griffin is an American musician and a former member of The Graveyard Train. He loves Rock, Soul & Blues. With influences such as Creedence Clearwater revival, The Rolling stones, Eric Burdon and the Animals and Bruce Springtsteen, the ex-frontman from The Graveyard Train delivers a magic album featuring : Mitch Perry (U.F.O). Jorgen Carlson ( Gov’t Mule), Doug Pettibone (Lucinda Williams) et encore Arlan Oscar (Joe Bonamassa).
Performer:
Album: The Many Faces of Doors
Label: Music Brokers Catalog. Made in MX.
Catalog #: MBB7197
Style: Psychedelic Rock, Blues Rock
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12+12+12
Size RAR: 888 mb
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Recovery: 3%
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Трех-дисковая коллекция для поклонников группы The Doors. Редкие и знаменитые треки, новое исполнение и ремастеринг звука культовой группы, которая является не только ключевой в своем жанре, но и источником вдохновения для многих исполнителей.
Performer: Helloween
Album: Master Of The Rings - Limited Edition
Label: Raw Power, Castle Communications. Made in DE.
Catalog #: RAW PD 101
Style: Power Metal
Year: 1994
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (400 DPI)
Amount of tracks: 13
Size ZIP: ~ 481 mb
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Master of the Rings стал поворотным моментом в творчестве Helloween. Предыдущий альбом группы, Chameleon, записанный в стиле прог-рока, был встречен поклонниками традиционного метала довольно холодно. Это стало причиной раскола между вокалистом Михаэлем Киске и остальными участниками группы. В то же время ударник коллектива, Инго Швихтенберг, оказался не в состоянии выступать с Helloween из-за тяжёлой наркотической и алкогольной зависимости. Место певца и барабанщика заняли Энди Дерис и Ули Куш соответственно.
Новый состав коллектива приступил к работе над концептуальным Master of the Rings в 1994 году. В основу записи было положено классическое пауэр-метал звучание Helloween времён дилогии Keeper of the Seven Keys, получившее существенное развитие благодаря новым участникам. «Альбом-возвращение» достиг 6-го места в хит-параде Японии и 23-го - в чарте родной Helloween Германии.
Performer: Genesis
Album: Turn It On Again - Best Of '81-'83
Label: Vertigo. Made in DE.
Catalog #: 848 854-2
Style: Rock, Symphonic Progressive
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 456 mb
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Not to be confused with the well-intentioned but still incomplete career retrospective of the late '90s, this international release focused exclusively on the three albums (two studio and one live) issued during the period stated in its title. At the time, Genesis' three-man lineup was finally coming into their own as a viable commercial entity, having survived the seemingly insurmountable challenge of losing guitarist Steve Hackett and especially singer Peter Gabriel.
Performer: Mahalia Barnes & The Soul Mates
Album: Ooh Yea! The Betty Davis Songbook
Label: J&R Adventures. Made in US.
Catalog #: JRA51158
Style: Funk-Rock, Rock, Blues-Rock, R&B
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 529 mb
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It’s one of life’s ironies that an artist as independent and ahead of her time as Betty Davis (Mabry) is today remembered mostly for her brief marriage to Miles Davis, and for having transformed the trumpeter in record time from Italian suited jazzer to psychedelically garbed imbiber of Bitches Brew. (Davis credited Betty with introducing him both to hip threads and the sounds of Hendrix, Sly Stone, and others.) Chump change indeed for a singer, songwriter, model/fashionista, and provocateur who was a Greenwich Village scene maker while still in her teens. She wrote “Uptown (To Harlem)” for the Chambers Brothers, and later went on to release three unheralded records of low-down ‘70s funk whose open sexual attitudes prefigured later, more commercially successful efforts by Rick James, Prince, and Madonna.
Performer: Roxy Music
Album: Stranded
Label: Virgin Records, Universal Music. Made in JP.
Catalog #: UICY-40124
Style: Rock, Glam, Art Rock, Pop Rock, Experimental
Year: 2015
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 8
Size ZIP: ~ 256 mb
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Stranded is the third album by the art rock band Roxy Music, released in late 1973. It reached number one on the UK album charts. The cover shows Bryan Ferry's then girlfriend and 1973 Playmate of the Year, Marilyn Cole. It was the first Roxy Music album on which Ferry was not the sole songwriter as multi-instrumentalist Andy Mackay and guitarist Phil Manzanera also contributed to the album. Though it was also the first without Brian Eno, who had left the group after For Your Pleasure, he nonetheless later rated it as Roxy Music's finest record.