X-Drive is another star-studded, rock-oriented project worth taking a look at. Founded by Oregon-based guitarist and songwriter Jeremy Brunner, it’s comprised of Midline/Cure For The Fall drummer Fred Fischer and bassist James Lomenzo, well-known among fans of White Lion and Megadeth. The one to complete the picture is a longtime Montrose singer and part of Burning Rain project, Keith St. John, who handles the vocals. And while X-Drive is not necessarily an exact sum of all its parts music-wise – that is, some Montrose-meets-White-Lion-meets-Megadeth-meets-Midline kind of hybrid – their largely anticipated Get Your Rock On will get the audience’s attention partially due to the rich resume of the majority of musicians involved.

Jason Gray has emerged as a songwriter of extraordinary depth, with a noteworthy ability to convey deep theological truths in engaging three-and-a-half minute songs. The Minnesota native is steadily drawing legions of fans who recognize his ability to connect with listeners on an emotional level, offering not escape or distraction, but healing and hope. His 2012 release, A WAY TO SEE IN THE DARK, was named Album of the Year by critics and garnered three top-five radio singles, including 'Nothing is Wasted', which hit #1 for nine weeks.

30 years on and Jimmy Barnes is still rocking!
This special 30th Anniversary release "30:30 Hindsight" (Liberation Music) revisits some of Barnes’ biggest hits, featuring collaborations with his favourite artists, including Shihad, Jon Stevens, Keith Urban, Bernard Fanning, and Tina Arena.

”Colours of Solitude” is the debut album from rising swedish prog band A Secret River. PROG magazine defined the band’s sound as being ”influenced by both classic progressive rock and the accessible, melodic work of Blackfield or recent Anathema”.

Десятый студийный альбом получил название "MAGNOLIA".
В музыкальном плане новый альбом продолжает выбранную группой линию, он выдержан в духе современного нео-прогрессива под значительным влиянием электронной музыки с несколько утяжеленным звучанием. Второй диск включает в себя два эксклюзивных бонус-трека и четыре акустические версии треков с альбома.

The Dark Horse Years 1976–1992 is a boxed set of albums by George Harrison released in 2004. Comprising all of the output on his Dark Horse Records label, the set encompasses his studio albums from 1976's Thirty Three & 1/3 to 1987's Cloud Nine with bonus tracks, while 1992's Live in Japan features a special SACD remix in addition to its original mix. Furthermore, Harrison's intended artwork for Somewhere in England has been reinstated, while the lettering on the front of the album George Harrison has been modified.

Universal Music Group and the Harrison family are proud to announce that George Harrison’s first six solo albums, released between 1968 and 1975 on The Beatles’ Apple Records label, have been digitally remastered from the original analogue masters for CD and digital release on 22 September by UMG. Wonderwall Music, Electronic Sound, All Things Must Pass, Living In The Material World, Dark Horse, and Extra Texture (Read All About It) are available now for preorder, both individually in digipaks and together within the deluxe, eight-disc boxed edition, The Apple Years 1968-75.

Hope Of Deliverance album for sale by Paul McCartney was released Jan 18, 1993 on the Capitol/EMI label. Contains the title track and 3 unreleased B-sides.

Legion's sixth release "Tempest" is their most ambitious yet. Both heavy and melodic, Legion bring to mind the sound of Winger, Dokken, Scorpions, and even Foreigner and Boston. Guitarist and producer Vince O'Regan has created layers upon layers of guitar tracks with each one occupying its own space in the sonic spectrum. His production alone challenges the A-list mentors Lang and Baker. Phil Vincent's keen ear for melody is the yang to O'Regan's ying, creating timeless melodies, aggressive lyrical passages, and massive layered vocals, much like Queen in their heyday. Bassist Gav Cooper once

A doulbe CD is inclouded in the Deluxe Boxsets, it's mainly the same as the concert film audio track. However, announcements are cut out beside of those before Biko. Therefore the first track Daddys Long Legs begins without applause, nor an introduction. It’s a hard start for a live album. Acclaims are again deleted then and the transition to Come Talk To Me is tough once more. Some similar situation happens still at the end of In Your Eyes, there again applause has been deleted so that The Tower That Ate People begins with the cut of a long lasting note that sounds really weird. Otherwise there is no further surprise compared to the film, and all in all it’s a well done live album of a successful tour with an amazing line-up.

Sunday 31st March 1974 is a landmark date in the history of rock music. It is now celebrated in the multi format release of a rare recording made at legendary London venue The Rainbow, of a concert by a then up-and-coming band called Queen. Few who turned up for that iconic performance could have predicted they would go on to become arguably the world’s best and most successful rock group, although many more may have suspected it after this stunning show.
Among the unique material contained in this release are over a dozen tracks never previously released on any official Queen live album.
Now, a remarkable 40 years later, Queen: Live at the Rainbow ’74 has finally surfaced from the archives, providing an invaluable record of emerging superstars demonstrating their talent.

Второй альбом арт-рокового проекта Алана Парсонса продолжил концептуальную традицию дебютника. На этот раз талантливый звукорежиссер и композитор взялся за фантастические рассказы Айзека Азимова. Много опасностей таит создание искусственного интеллекта, который может стать угрозой для интеллекта природного, тем более если роботы вдруг осознают, что в них человечности даже больше. Парсонс стал первым музыкантом, не являвшимся ни певцом, ни мультиинструменталистом, а всего лишь талантливым технарем, который смог обратить внимание слушателей на такие интересные проблемы, которые им в голову даже не приходили. Главным соавтором самых интересных пластинок The Alan Parsons Project стал Эрик Вульфсон – он сочинял все тексты, а также немалую часть музыки.

Eye in the Sky is the sixth album by the British rock band The Alan Parsons Project, released in 1982. It was recorded in London's Abbey Road Studios.
Songs on this album are in a number of different styles, from cool and funky to lyrical and heavily orchestrated. The Hipgnosis-designed sleeve was green with an image of the Eye of Horus, which was gold-foil stamped for early pressings of the LP. It is variously reported as their best-selling album, and was the last Platinum record from the band (joining I Robot and The Turn of a Friendly Card).