Strange Days is the second album by American rock band The Doors, released in September 1967. It was a commercial success, initially earning a gold record and reaching #3 on the Billboard 200 albums chart. The album also yielded two top 30 hits and eventually a platinum certification. Despite all this, the album's producer, Paul Rothchild, considered it a commercial failure: "We all thought it was the best album. Significantly, it was also the one with the weakest sales. We were confident it was going to be bigger than anything The Beatles had done. But, there was no single. The record died on us.

Domino Effect is the second studio album from The Blizzards, released on 12 September 2008. The first single from the album "Trust Me, I'm A Doctor" was released in August 2008, A second single, "The Reason" was released in November 2008. The third single, "Postcards", was released on 27 February 2009.

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content.

Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, almost a month after the group's break-up, in tandem with the motion picture of the same name. Like most of the band's previous releases, the album topped record charts in many countries, including both the US and the UK. However, the critical response was generally unfavourable, and Let It Be came to be regarded as one of the most controversial rock albums ever.

Help! is the fifth studio album by the English rock band the Beatles and the soundtrack from their film of the same name. It was released on 6 August 1965. Produced by George Martin, it was the fifth UK album release by the band, and contains fourteen songs in its original British form. Seven of these, including the singles "Help!" and "Ticket to Ride", appeared in the film and took up the first side of the vinyl album. The second side contained seven other releases including the most-covered song ever written, "Yesterday".

Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American version of the album, issued by Capitol Records, contained ten of the fourteen songs and two tracks withheld from the band's Help! album. Rubber Soul met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks.

Please Please Me is the debut studio album by the English rock band the Beatles. Produced by George Martin, it was released on EMI's Parlophone label on 22 March 1963 in the United Kingdom, following the success of the band's singles "Please Please Me" and "Love Me Do", which reached number 1 on the NME and Melody Maker charts and number 17 on the UK Singles Chart, respectively. The album topped Record Retailer's LP chart for 30 weeks, an unprecedented achievement for a pop album at that time.

With the Beatles is the second studio album by the English rock band the Beatles. It was released on 22 November 1963 on Parlophone, exactly eight months after the band's debut Please Please Me. Produced by George Martin, the album features eight original compositions (seven by Lennon–McCartney and "Don't Bother Me", George Harrison's first recorded solo composition and his first released on a Beatles album) and six covers (mostly of Motown, rock and roll, and R&B hits). The cover photograph was taken by the fashion photographer Robert Freeman and has since been mimicked by several music groups over the years. A different cover was used for the Australian release of the album, which the Beatles were displeased with.

Anthology 3 is a compilation album by the Beatles, released on 29 October 1996 by Apple Records as part of The Beatles Anthology series. The album includes rarities and alternative tracks from the final three years of the band's career, ranging from the initial sessions for The Beatles (better known as "the White Album") to the last sessions for Let It Be and Abbey Road in 1969 and early 1970. It is the last in a trilogy of albums with Anthology 1 and Anthology 2, all of which tie in with the televised special The Beatles Anthology.

"Many Faces Of Van Halen" - трибьют-компиляция на трех LP из серии "The Many Faces Of" аргентинской компании Music Brokers, посвященная легендарной американской рок-группе Van Halen. Первый диск состоит из сольных работ и дуэтов музыкантов группы с другими исполнителями, а также сольных работ, второй диск полностью состоит из кавер-версий на песни группы.

The second solo studio album by British singer-songwriter and guitarist Mark Knopfler, released on 26 September 2000 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album contains featured vocal performances by James Taylor and Van Morrison.

After cutting his teeth as bass player and one of the founding members of Dire Straits, Illsley has also released a steady stream of solo material, an output that, although never rushed, has been critically acclaimed. Undertaking lead vocal, acoustic guitar and bass duties on all of the album’s eight tracks, Illsley’s unmistakable sound, approach to arrangement and song writing is paired with his faultless lyrical storytelling. A departure from the previous album’s themes of personal trials and tribulations, Illsley comments that the lyrical content pertains to “the obvious political and social elements which have always concerned me.”

На "Take Cover" Вас ждут выполненная в духе QUEENSRYCHE аранжировка "Welcome To The Machine" (PINK FLOYD), акустическая версия "For What It's Worth" (BUFFALO SPRINGFIELD) и зажигательная "живая" версия "Bullet The Blue Sky" (U2). "Мы бы никогда не сделали песни лучше оригиналов - написавших их людей не зря называют классиками, " рассказывает Tate. "Мы старались не превзойти авторов, а посмотреть на их творения с другой стороны. В результате песни приобрели очень интересные, порой неожиданные аранжировки".

Вообще если сказать об альбоме в целом, то он получился очень разнообразным и разносторонним, сочетающим в себе отголоски таких стилей как блюз-рок, спейс-рок, прог-рок с современными веяниями (электронные лупы, интустриальные фишки и т.д). На альбоме органично сочетаются спокойные песни, с быстрыми и мрачными боевиками. Главные составляющие этого альбома это мелодии и атмосфера. На мой взгляд, это лучший альбом маэстро Хэккета!

Тройная коллекция компакт-дисков 2017 года, посвященная музыке британского трио The Police. На первом диске представлены различные сольные записи и совместные работы участников группы Стюарта Коупленда, Энди Саммерса и раннего гитариста Генри Падовани. На втором диске представлены каверы на некоторые из самых популярных хитов The Police в исполнении таких исполнителей, как Джоан Осборн, Али Кэмпбелл (UB40), Pepper, Inner Circle, Грегори Айзекса, Toots & The Maytals и других. Третий диск включает в себя хиты некоторых современников группы по новой волне, таких как The (англ.) Beat, Ian Dury & The Blockheads, Yachts, The Flys, TV21 и других.