Power of the DragonFlame - пятый номерной альбом итальянской группы Rhapsody. Альбом завершает пятиальбомный сюжетный цикл Emerald Sword Saga, описывая развязку событий. С музыкальной точки зрения альбом был самой «тяжёлой» работой группы, демонстрируя некоторое влияние Manowar.

Из-за того, что Мортен Веланд, гитарист, гроулинг-вокалист и основной автор композиций и текстов покинул группу, основав свой проект Sirenia, этот альбом стал первым совместным творением всего коллектива группы. Звучание альбома получилось более разноплановым, чем на предыдущих альбомах. Исполнение композиций не позволяет отнести альбом к дум-металу, он гораздо ближе по звучанию к симфо-металу с использованием традиционного для группы сочетания высокого женского вокала с мужским чистым вокалом и гроулингом. Партии гроулинг-вокала на этом альбоме были исполнены Ронни Торсеном, участником группы Trail of Tears.

Genesis is the seventh full-length album by the Greek black metal band Rotting Christ. The release showed some return to the group's more aggressive early days as a black metal band, featuring fast, percussive tempos and raw vocals, as well as some gothic and doom elements from middle releases. It was produced by Andy Classen in Germany at the Stage-One-Studio, also used by Krisiun, Belphegor and Callenish Circle.

Of Breath and Bone is Be’lakor’s third full length album, and was recorded between the months of December 2011 & February 2012.
Recorded and engineered by Warren Hammond at Pennydrop Audio, Melbourne.
Mixed and mastered by Jens Bogren at Fascination Street Studios, Sweden, in March 2012.
All music and lyrics written by Be’lakor. Produced by Be’lakor.

Do It Again is an extended play (EP) by Norwegian electronic music duo Röyksopp and Swedish recording artist Robyn, released on 23 May 2014 by Dog Triumph. The extended play coincides with Röyksopp and Robyn's joint tour, the Röyksopp & Robyn Do It Again Tour 2014, featuring shows in Europe and North America.

Texas Flood is the debut album of American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles.

Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985 by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart[3] and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.

In these days when every '60s act this side of Pinkerton's Assorted Colours is getting themselves anthologised in a chocolate box of CDs it would be naive to expect that the original Fleetwood Mac could escape without yet another tribute to their rugby shirt years. This 50-track, three-CD collection brings together anything of any consequence that Peter Green's group did in the way of a 12-bar. It includes the whole of their first two albums, the hit singles Albatross and Man Of The World, the comparative flops Black Magic Woman and Need Your Love So Bad, a few nuggets from Blues Jam At Chess wherein they skirmished with the likes of Willie Dixon and Otis Span; it even has the nerve to appropriate one Chicken Shack track in the shape of Christine McVie's terrific I'd Rather Go Blind from 1969.

Live in Boston (aka "Boston Live" and "Jumping at Shadows") is a live album by British blues-rock band Fleetwood Mac. It was recorded over three nights at the Boston Tea Party venue in Boston, between February 5 and February 7, 1970. The recordings were made for a proposed live album which was to have been released during 1970, but the project was shelved and the tapes remained unreleased until Shanghai Records issued seven songs from the performances as Live in Boston in February 1985.

Rod Stewart followed the faux-disco trash of Blondes Have More Fun with Foolish Behaviour, which sanded out most of the character of the previous album. The result was a bland but professional -- even at their worst, Rod and his band are always professionals -- collection, mainly comprised of dance-oriented, lightly synthesized pop/rock. The passionless "Passion" was the hit, but the only worthwhile song was the gorgeous "Oh God, I Wish I Was Home Tonight," which has the clever wit and self-depreciating melancholy of his finest work.

In its simplest terms, Blondes Have More Fun is Rod Stewart's disco album, filled with pulsating rhythms and slick, synthesized textures. It's also his trashiest, most disposable album, filled with cheap come-ons and bad double entendres. Of course, that makes Blondes Have More Fun one of his most enjoyable records, even if all the pleasures are guilty.

Rod Stewart's sixth album was called Atlantic Crossing because the singer was literally crossing the Atlantic, making America his new home for reasons of the heart (he was fully enamored with actress Britt Ekland at the time) and the wallet (he was eager to escape Britain's restrictive tax rates).