Ringo Starr - Ringo (1991)

Music genres / Classic Rock, Hard Rock maestro 0 1 753  03.11.14 
Performer: Ringo Starr
Album: Ringo
Label: EMI. Made in EU.
Catalog #: CDP 7 95884 2
Style: Rock, Pop
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 293 mb
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Password: without a password




Ringo is the third album by English musician Ringo Starr, released in 1973 on Apple Records. It peaked at number 7 on the UK Albums Chart and number 2 on the Billboard 200, and has been certified platinum by the RIAA. In Canada, it reached number 1 on the RPM national albums chart. The album is noted for the appearance of all four Beatles, and for its numerous guest stars, something which would become a signature for Starr on many of his subsequent albums and tours.
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Creedence Clearwater Revival - At The Movies (2000)

Music genres / Classic Rock, Hard Rock maestro 0 1 773  03.11.14 
Performer: Creedence Clearwater Revival
Album: At The Movies
Label: Fantasy. Made in US.
Catalog #: FCD-4539-2
Style: Classic Rock
Year: 2000
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 354 mb
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Песни Creedence Clearwater Revival из кинофильмов An American Werewolf In London, Forrest Gump, Where The Buffalo Roam, The Water Boy, Who'll Stop The Rain, The Twilight Zone, Michael, The Big Lebowski.
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Corey Harris - Fulton Blues - Deluxe Edition (2014)

Music genres / Classic Rock, Hard Rock maestro 0 1 512  03.11.14 
Performer: Corey Harris
Album: Fulton Blues - Deluxe Edition
Label: Music Avenue. Made in PL.
Catalog #: 250360
Style: Blues
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 340 mb
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Password: without a password


Corey Harris takes a decidedly anthropological and academic approach to the blues, deeply researching its variants and origins, and he's become adept at combining West African, Jamaican, and Creole rhythms with traditional country blues forms in a manner so natural that the cracks and fissures between now and then and between here and there never seem to show. This set finds him revisiting the many different approaches he's taken to the blues over the years, from solo acoustic guitar tracks to full-blown band-with-horn-section tracks, and he does it all with the same sort of slightly ragged, live feel, which is perhaps why Harris' performances always seem fresh and energized, even if the song he's singing dwells on weariness, pain, or injustice.
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