Samaris release ‘Silkidrangar Sessions’ – a companion to last year’s ‘Silkidrangar’ debut, containing re-worked tracks from the original and released a year on.
Combining disparate elements of electronics (Þórður Kári Steinþórsson, aka ‘Doddi’), clarinet (Áslaug Rún Magnúsdóttir) and Jófríður Ákadóttir’s enchanting voice, Samaris mix glacial electronica and bold, percussive beats with haunting chant-like vocals - the lyrics culled from nineteenth century Icelandic poems.

John Lennon/Plastic Ono Band - первый официальный сольный альбом Джона Леннона, выпущенный в 1970 году.

Cyndi Lauper’s new country album, Detour, isn’t the first project she’s recorded in Tennessee. The musical voyage east comes after her 2010 album, Memphis Blues.

Canada’s Jessy Lanza stormed the electropop scene in 2013 with her debut album, the Polaris Music Prize-nominated Pull My Hair Back. She’s looking to replicate that success with her follow-up, Oh No, which is expected to arrive this spring.

16 марта 2016 года вышел новый альбом известного итальянского пианиста Stefano Bollani, в который вышли джазовые интерпретации известных композиций.

Oдиннадцатый студийный альбом одноименный альбом DEF LEPPARD увидел свет 30 октября 2015года на лейбле earMUSIC. Диск сочинялся и записывался в ходе трех отдельных сессий, состоявшихся в последние полтора года. Комментируя заглавную вещь альбома "Let's Go", вокалист DEF LEPPARD Джо Эллиотт (Joe Elliott) рассказал: "Это призыв к оружию, понимаете? Рик Сэвидж (Rick Savage, бас) написал 80 процентов этой песни. Я сочинил куплеты, он сочинил всю музыку и припевы. Он принес эту песню на репетицию, и мы сразу поняли, что это классическая песня DEF LEPPARD. Трехминутный поп-рок-номер с мощными мясистыми гитарами и масштабным припевом. И у него есть этот качающий среднетемповый ритм, как в 'Pour Some Sugar On Me' или 'Rock Of Ages'. Идея заключалась в том, что нам нужно было что-то знакомое, То есть, когда AC/DC возвращаются после многолетнего отсутствия, вы же не получите от них 'Bohemian Rhapsody', правда? Вам это и не надо – вы хотите услышать 'Back In Black' или что-то в этом духе. Мы делаем точно так же. И нам нравится так делать".

Modern soulful jazz from guitarist/vocalist/composer Natalia M. King, with the music's roots in the blues clerly evident. 'Bluezzin' till Dawn' is about rage, joy, sadness and triumph, a story that resonantes in every bleeding heart. This is Natalia M. King's debut album for Challenge Records Her voice and guitar playing are pure, energetic and lucid. She has previously recorded Universal Music, Sunnyside and JazzVillage. Personnel: Natalia M. King (electric & acoustic guitar, voice), Anders Ulrich (double bass), Anthony Honnet (piano), Davy Honnet (drums), Ronald Baker (trumpet), Xavier Sibre (tenor & alto saxophone, clarinet, flute)

The American Francophile, Natalia M. King, is an artist of great integrity, one who carries the heritage of black music in her soul, its rhythmical groove as well as its strong sense of identity and passionate commitment. After a recording pause, King has decided to break her silence. She returns with an album of blazing new tracks, most of which are self-composed.

Ever since he hit the national scene, in the late 1980s, Russell Malone has made two things very clear. First, he plays with exquisite taste, at any tempo and in any setting. And second, his tastefulness hasn't crowded out his overwhelming technique: from the start, his ability to construct firecracker solos, exploding with complexity and virtuosic finesse, has never been in doubt. But on All About Melody, Malone homed in on strong melodies. “I prefer to play songs that stick in my head, and in the listener's head” paired with harmonic schemes that might prompt imaginative improvisations. And indeed, each of the pieces Malone included on this session meets the bill. They also have one additional virtue: they are played by Russell's working band of Rick Germanson, Luke Sellick and Willie Jones III. Together they are able to selflessly convey the essence of these melodies and prove, to paraphrase Beethoven, “what comes from the heart, goes to the heart.”

Bill Charlap Trio "Notes From New York"It’s as if Tommy Flanagan and Bill Evans are coming together as one and meet Hank Jones, each time that I hear pianist Bill Charlap play. The last time he was heard on record was on the brilliantly relaxed and elegant Tony Bennett album with the songs of Jerome Kern. Bill’s musical mates are, once again, Peter Washington on bass and Kenny Washington on drums (no relation). They have played together since 1997. And the nine numbers are swinging and flowing in cutely executed straight ahead fashion.

4 марта 2016 года вышел новый альбом трио, созданного двумя самыми лирическими французскими джазовыми музыкантами - гитаристом Pierre Perchaud и бас-гитаристом Nicolas Moreaux, совместно с барабанщиком Jorge Rossy.