Mo-Do was formed when Frittelli met the producer Claudio Zennaro. Other producers who worked with Frittelli (sometimes quoted as members of the group) were Fulvio Zafret, Mario Pinosa and Sergio Portaluri.
Mo-Do is probably best known from the single "Eins, Zwei, Polizei" (co-produced with Zennaro and Zafret) which reached No. 1 in the German, Austrian and Italian music charts.

Play is the fifth studio album by American electronica musician Moby. It was first released on May 17, 1999 by Mute and V2. Recording of the album began in 1998, following the release of his fourth album, Animal Rights (1996), which deviated from Moby's electronica style; his goal for Play was to return to this style of music. Originally intended to be his final record, the recording of the album took place at Moby's home studio in Manhattan, New York.

13-Track Promo CD im Pappcover aus der Sunday Times

18 is the sixth studio album by American electronica musician Moby released in 2002. The most successful single from the album was "We Are All Made of Stars", which reached number 11 on the UK Singles Chart. Another notable single from the album is "Extreme Ways", which is played to introduce the credits in all five Bourne movies from The Bourne Identity onwards. The album features guest appearances by Azure Ray, MC Lyte, Angie Stone, and Sinéad O'Connor.

With Mike Oldfield clearly beginning his shift away from ambitious multi-instrumental epics into more pop-inflected territory, what better time could there have been for his label to remind listeners that he'd always had an eye for the three-minute single? True, nothing here is as overt as "Family Man," the hit that he and his band wrote for Hall & Oates, but still a cover of ABBA's "Arrival" swiftly followed by such stirring delights as "Portsmouth," "In Dulci Jubilo," "On Horseback," "The Sailor's Hornpipe," and a pulsating live take of the disco hit "Guilty" depict a musician who was a far cry from the super-serious prodigy that the media still preferred to view him as.

This is an awesome collection of 3 cds that includes all of Mike Brant's great hits and the quality of the recording is fine. For any fan of Mike Brant this a must. For those who don't know him; if you like beautiful male voices, that have depth and strength, if you like meaningful lyrics, and if you don't mind that most of it is sang in French, and that the music style from the 70's, then go for it, you won't be disappointed!

Life in Cartoon Motion is the debut album released by British singer-songwriter Mika. The album was produced by Greg Wells and Mika himself, mixed by Wells, with co-production on two songs by Jodi Marr and John Merchant. The album was released via Island Records on 5 February 2007 in the United Kingdom, and via Casablanca Records on 27 March 2007 in the United States.

This Michel Legrand release contains his original soundtrack for the 1970 movie Paris Was Made for Lovers and updated versions of two of his best known celluloid themes, "Windmills of Your Mind" and "Summer of '42." These new takes on already well-tread material are pleasant at best, while the original soundtrack material is quite good. Particularly impressive are the vocal numbers "Paris Was Made for Lovers" (Legrand in decent vocal form), "A Place in Paris" (Matt Monro sounding like Tony Bennett), and "Sand and Sea" (Dusty Springfield at her best). There are some fine instrumentals, too, like the dramatic themes "Where Love Begins" and "Where Love Ends" and the Ravel-esque ballads "In Love in Normandy" and "They Simply Fade Away" (the latter two are based on the "Sand and Sea" melody). To break up the soundtrack's predominately melancholy mood, Legrand includes some respectable Dixieland jazz ("Concerto for Cabs") and bit of circus music ("Do You Come Here Often?"). Like '60s-era soundtracks by Mancini and Bacharach, Paris Was Made for Lovers succeeds with a winning mix of strong melodies, provocative arrangements, and a variety of styles; and even though it doesn't match the quality of top Legrand releases like The Thomas Crown Affair, it still is worth seeking out.

Number Ones is a greatest hits album by American singer and dancer Michael Jackson. It was released on November 17, 2003 by Epic Records. Number Ones was Jackson's first proper compilation album with Epic Records, after the release of the first disc of HIStory in 1995 (and after the re-release of that disc as a single album titled Greatest Hits: HIStory, Volume I in 2001). The album included Jackson singles that reportedly reached number 1 in charts around the world. The album also features the last original single released during Jackson's lifetime, "One More Chance", released on November 20, 2003.

Invincible is the final studio album by American singer Michael Jackson. It was released on October 30, 2001, by Epic Records. It was Jackson's sixth studio album released through Epic, and his last released before his death in 2009. Similar to Jackson's previous material, Invincible explores themes such as love, romance, isolation, media criticism, and social issues.
An extensive and laborious album to make, Jackson started the multi genre production in 1997, and did not finish until eight weeks before the album's October 2001 release. The album peaked at number one in eleven territories worldwide, including the United States (with first-week sales of 363,000 units), the United Kingdom, Australia, France and Switzerland. Invincible charted within the top ten in six other territories. Upon release, the album received mixed reviews from contemporary music critics.

Dangerous is the eighth studio album by American singer Michael Jackson, released by Epic Records on November 26, 1991. It was co-produced by Jackson, Bill Bottrell, Teddy Riley, and Bruce Swedien, marking the first Jackson album since Forever, Michael (1975) not produced by longtime collaborator Quincy Jones.
The album incorporates R&B, pop and rock, plus a newer genre, new jack swing; Riley, credited as the creator of new jack swing, was involved to present Jackson to a younger urban audience. Jackson wrote twelve of the album's fourteen songs, whose themes include racism, poverty, romance, self-improvement, and the welfare of children and the world.

Bad is the seventh studio album by American singer and songwriter Michael Jackson. It was released on August 31, 1987 in the United States by Epic Records and internationally by CBS Records,[2] nearly five years after Jackson's previous solo studio album, Thriller. Bad was written and recorded over more than three and a half years, and was the final collaboration between Jackson and producer Quincy Jones. The lyrical themes include media bias, paranoia, racial profiling, romance, self-improvement and world peace.
Bad saw Jackson exercise more artistic freedom than his previous albums. He composed nine of its eleven tracks, and received co-producer credit for the entire album. Nine songs were released as singles, including one promotional single; seven charted in the top 20 on the Billboard Hot 100, including a record-breaking five number ones. The album reached number one in thirteen countries and the top 20 in other territories.