"Аквариум на Таганке" - концертный альбом группы "Аквариум". Запись была сделана звукорежиссёром А. Зачёсовым во время акустического концерта группы в Театре на Таганке 24 декабря1985 года. В 2013 году альбом был переиздан SoLyd Records при участии фирмы Bomba Music на двух виниловых пластинках.

Автор оригинальной обложки альбома — художник Александр Флоренский. На передней стороне обложки присутствуют персонажи и образы из песен: завхоз, трамвай, луна, она, деньги, платан, надменные девы, 10 стрел, каменный уголь, купол с крестом, двери травы, молодой дворник, шары из хрусталя, судья. На задней стороне обложки — портреты Файнштейна, Куссуля, Гребенщикова, Романова и Гаккеля.

Альбом-точка (которая, правда, спустя пять лет отрастила хвостик и превратилась в запятую), альбом-эпитафия. Последний взмах крыла умирающего дракона. Конец сказки. Именно здесь закончилось лесное детство «Аквариума». Нет, волшебство не покинуло группу, просто отныне оно будет другим. Если Å 70-80-х - волшебный лес, населённый эльфами, единорогами и прочей сказочно-удивительной живностью, то Å 90-х - чаща северная, суровая, куда более настоящая.

Back to Brooklyn is the eighth live album by Barbra Streisand, which was released in the US on November 25, 2013. The album was recorded over two nights in October 2012 during the Barbra: Live tour stop, held at Brooklyn's Barclays Center. The album failed to make the weekly 200-position Billboard chart, but peaked at number 189 on the Top Current Albums chart. It did, however, make the lower rungs of the charts in the United Kingdom, Belgium, the Netherlands, and Germany.

Walls is the thirty-sixth studio album by American singer and songwriter Barbra Streisand, released on November 2, 2018 by Columbia Records. The lead single "Don't Lie to Me" was written as a criticism of America's political climate amid the presidency of Donald Trump, while the title track alludes to Trump's frequent calls for a wall at the Mexico border. The album is Streisand's poorest-selling studio album in her 55 year recording career with Columbia Records, selling less than 50,000 units in four weeks. It only stayed on Billboard Magazine's Top 200 album chart for two weeks. Again her poorest showing in her career.

Now the forthcoming new album "Hands On The Wheel" - way more rough and rocking and than its predecessor - will be released in May, again co-produced by Sascha Paeth (Avantasia, Beyond The Black, Kamelot). Including the participation of guest musicians as Jimmy Kresic (The Roots, Rock Meets Classic), Karolina Galbavà & Irena Morisakovà (Hans Zimmer), the album will contain the catchy singles/video clips "Don't Want Back Down" and the very special duet "Simple Man" featuring Mr. Big vocalist Eric Martin, accompanied by a huge promotion & video campaign of Germany's #1 rock radio station Rockantenne and a special Facebook & online campaign.

Sometimes it's destiny. In the case of pianist/vocalist Champian Fulton: Her father, Stephen Fulton, is a jazz trumpeter who, early on, exposed his daughter to the sounds of classic jazz, to the exclusion of the then current popular sounds. Also, legendary trumpeter Clark Terry, Stephen's friend, hung around the Fulton house from Champian's earliest days, and slipped into a mentoring role for the young woman as she became a professional in her pre-teen years. But most tellingly, upon entering kindergarten Fulton experienced her first exposure to the popular music of the day, including the vapid artistry of Madonna. Champian, the musically precocious five year old, found these sounds lacking, so she brought a Charlie Parker album to class for show and tell.

A box set like this is something I'd been wanting for some time, as I'd never owned all of the Project's work, so it was quite exciting when this was announced some months back. The Alan Parsons Project is one of those bands that charted - and charted numerous times - back in the late 70s and the 80s, but here in the States their music today seems all but forgotten except by those in the know. This is an absorbing, fascinating progression of albums, and I spent much of yesterday and last night sifting through it. If I had to pick the high points I'd choose "I Robot," "Ammonia Avenue," and "Pyramid." Of course, there isn't really a bad album in the bunch.

On Air is the second solo album by English rock musician Alan Parsons. The album's chief creative force was the Alan Parsons Project's long-time guitarist, Ian Bairnson. Its concept revolves around the history of airborne exploration.
Musically, this album is somewhat different from Try Anything Once and the Alan Parsons Project albums, opting for more of a soft rock sound and a more stable band line-up rather than the funky rhythms, symphonic flares, or rotating vocalists of the past.